PHILIP GLASS "Music In Similar Motion / Music In Fifths" LP, NM/EX, 1973
  $   25

 


$ 25 Sold For
Feb 27, 2016 Sold Date
Feb 21, 2016 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

Condition:  To my NON US customers, do NOT ask me to alter /  change the declared value of your purchase for purposes of avoiding taxes in your country.  I will NOT do so.

Philip Glass ?– Music In Similar Motion / Music In Fifths

Label: Chatham Square Productions ?– LP 1003, Chatham Square Productions ?– 1003 Format: Vinyl, LP, Album, Stereo 
Country: US Released: 1973 Genre: Electronic, Classical Style: Modern Classical, Minimal

TracklistHide Credits

A Music In Similar Motion Engineer [Recording] – Robert FriesFlute – Robert PradoOrgan [Electric] – Art Murphy, Steve Chambers B Music In Fifths

Companies, etc.

  • Recorded At – Martinson Hall
  • Recorded At – Butterfly Productions (2)
  • Copyright (c) – Philip Glass
  • Phonographic Copyright (p) – Dunvagen Music Publishers, Inc.
  • Lacquer Cut At – Masterdisk

Credits

  • Artwork [Cover Drawing] – Alan Saret
  • Engineer [Recording, Remix] – Kurt Munkacsi
  • Lacquer Cut By – HW*
  • Organ [Electric], Producer – Philip Glass
  • Producer – Klaus Kertess
  • Soprano Saxophone – Jon Gibson (2), Richard Landry

Notes

Dedicated to Robert Prado (1938-1972) 

Music In Similar Motion (1969) was recorded in June, 1971 at Martinson Hall of the Public Theatre, NYC using Butterfly Productions' 16 track mobile unit. 

Music In Fifths (1969) was recorded in June 1973 at Butterfly Productions' New York studio. 

This version has different labels and a different rear sleeve to: Philip Glass - Music In Similar Motion / Music In Fifths 

Catalogue number on sleeve spine and rear: LP 1003 
Catalogue number on labels: 1003.

Barcode and Other Identifiers

  • Matrix / Runout (A): MASTERDISK HW LP-1003-A
  • Matrix / Runout (B): LP-1003-B
  • Rights Society: ASCAP

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GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.


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