PINK FLOYD "DARK SIDE OF THE MOON" ORIGINAL MASTER RECORDING MFSL 1-017
$
79
$ 79
Sold For
Jan 26, 2014
Sold Date
Jan 19, 2014
Start Date
15
Number Of Bids
USA
Country Of Seller
eBay
Auctioned at
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Description
THIS HAS BEEN PLAYED ON A HIGH END TURNTABLE ONLY AND WILL BE CLEANED ON A VPI RECORD CLEANER PRIOR TO SHIPMENT.
I will combine shipping if more than one record is purchased. I am an audiophile and take very, very good care of my stuff! I am selling several other LP's that are either from my own collection which I purchased new or from a collection that I recently purchased from an original owner.
Local pickup is also fine
PINK FLOYD
The vinyl looks virtually new, the cover is very nice with minor wear.
"DARK SIDE OF THE MOON"
ORIGINAL MASTER RECORDING
MFSL 1-017
(1979) First-pressing batch,
Made in; Japan
Includes super-protective outer polyvinyl sleeve and rice-paper inner sleeve.
MFSL; Mobile Fidelity Labs
“Limited Edition”
EVER SINCE THE MOBILE FIDELITY SOUND LABS TEMPORARILY CLOSED IN DECEMBER OF 1999 (ONLY TO REOPEN IN 2003), THESE RECORDINGS HAVE BEEN ESCALATING IN VALUE AND DEMAND.
“Track Listing”
1; Speak to Me / Breathe
2; On the Run
3; Time
4; Great Gig in the Sky, The
5. Money
6. Us and Them
7; Any Colour You Like
8; Brain Damage
9; Eclipse
Album Notes
Pink Floyd: David Gilmour (vocals, guitar)
Richard Wright (vocals, keyboards)
Roger Waters (vocals, bass instrument)
Nick Mason (percussion).
Additional personnel;
Clare Torry (vocals)
Dick Parry (saxophone)
Doris Troy, Lesley Duncan, Liza Strike, Barry St. John (background vocals).
DARK SIDE OF THE MOON; was a benchmark record. It turned the musical world on its ear with a hitherto unseen combination of sounds, and changed things considerably for Pink Floyd. For this project, Pink Floyd resurrected older and unfinished numbers, some of which came from the multitude of soundtracks the band members had previously worked on.
The film ZABRISKIE POINT, a study of American materialism from a foreigner's perspective, provided "Us and Them" (originally titled "The Violence Sequence").
Waters rewrote "Breathe" after its appearance on his and avant-garde composer Ron Geesin's score for THE BODY, a surreal medical documentary.
Floyd and their long-time engineer, Alan Parsons, used a multitude of sound effects--from stereophonically projected footsteps and planes flying overhead ("On the Run") to a roomful of ringing clocks ("Time").
Further adding to the record's mystique, barely audible spoken passages were sprinkled throughout--a result of hours interviewing random Abbey Road occupants about their views on insanity, violence, and death.
Floyd must have struck a nerve; DARK SIDE OF THE MOON remained on Billboard's albums chart for an astounding 14 years. It made Pink Floyd a household name, elevating them to the level of the Rolling Stones and The Who in the rock pantheon.
The until-recently-defunct "Mobile Fidelity Labs" audiophile album vinyl pressings were not only analogue, audiophile masterpieces and connoisseur delights; they have become true pieces of audio history and lore.
These majestic recordings received a meticulous and laborious treatment like no other recordings in the entire history of the recorded sound. They are characterized by the massively extended dynamic and frequency range, mastering from the very first generation of original master tapes, almost compulsive attention paid to the detail and integrity of the pressing, and the highest quality of the material.
Only the virgin audiophile-grade vinyl was used, and most of the titles were pressed by RCA/Victor and/or Warner-Pioneer corporations of Japan, both known for their near-obsessive attention paid to the fine sonic detail and audio craftsmanship.
A special proprietary technology was used to achieve analogue-like, warm, translucent, radiant, vivid and all-encompassing sound.
To this day, many of these recordings remain unsurpassed, delivering music reproduction as close to the actual recording session as possible, without any loss of musical information inherent in the standard practice of mastering from the inferior "production" copies.
This is a rare opportunity to acquire this great album in its FINEST audio format, no longer in print, and no longer easily obtainable.
Additional pictures are available if there is a specific detail that someone wants to see.
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