PINK FLOYD DAVID GILMOUR THE DIVISION BELL RARITY MINTY
$
150
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Description
EXTREMELY RARE solid copy of PINK FLOYD-THE DIVISION BELL
GATEFOLD-VINYL
Stereo 1994 – COLUMBIA Custom label. # C 64200
Rare one of a kind Black vinyl press (most are the common blue colored vinyl)
Condition: Gatefold Cover/Vinyl/Labels/Play/S&H method
- Gatefold Cover (still in shrink never fully opened in NM condition cover is solid no splits or frays. NO ring wear, corner rubbing…, no cut corners, no splits or writing. (See photo of for detail)
- Vinyl = MINT PERFECT!
- Near perfect labels NO wol
- UNPLAYED
- I ship in LP mailers designed for shipping your precious vinyl. I package with care. Shipping is $4.00 Flat rate of which includes a small packaging materials/handling fee. Media delivery plus delivery confirmation (USPS)
Additional Information about The Division Bell by Pink Floyd (LP, Apr-1994, Columbia (USA))
Note: I am NOT responsible if in the unlikely event that item is damaged, lost, ect during shipping. Free delivery confirmation incl. Thank you!
Album Features
UPC:
074646420021
Artist:
Pink Floyd
Format:
LP
Release Year:
1994
Record Label:
Columbia (USA)
Genre:
Art Rock, Rock & Pop
Track Listing
1. Cluster One
2. What Do You Want From Me
3. Poles Apart
4. Marooned
5. Great Day for Freedom, A
6. Wearing the Inside Out
7. Take It Back
8. Coming Back to Life
9. Keep Talking
10. Lost for Words
11. High Hopes
Details
Producer:
David Gilmour, Bob Ezrin
Distributor:
Recording Type:
Studio
Recording Mode:
Stereo
SPAR Code:
n/a
Album Notes
Pink Floyd: David Gilmour (vocals, guitar, keyboards, bass, programming); Rick Wright (vocals, keyboards); Nick Mason (drums, percussion).
Additional personnel: Tim Renwick (guitar); Dick Parry (tenor saxophone); Bob Ezrin (keyboards, percussion); Guy Pratt (bass); Gary Wallis (percussion, programming); Jon Carin (programming, keyboards); Sam Brown, Durga McBroom, Carol Kenyon, Jackie Sheridan, Rebecca Leigh-White (background vocals).
Engineers: Keith Grand, Andrew Jackson, Steve McLaughin.
Personnel: David Gilmour (vocals, guitar, keyboards, programming); Richard Wright (vocals, keyboards); Tim Renwick (guitar); Dick Parry (tenor saxophone); Bob Ezrin (keyboards, percussion); Jon Carin (keyboards, programming); Nick Mason (drums, percussion); Gary Wallis (percussion, programming); G. William Forgey (sound effects); Jackie Sheridan, Durga McBroom, Rebecca Leigh-White, Sam Brown, Carol Kenyon (background vocals).
Audio Mixers: David Gilmour; Chris Thomas ; Andrew Jackson.
Recording information: Abbey Road Recording Studios; Astoria Recording Studio, London, England; Brittania Row Recording Studios; Metropolis Studios; The Creek Recording Studios.
Photographers: Stephen Piotrowski; Rupert Truman; Tony May.
Unknown Contributor Role: John Robertson.
Arranger: Michael Kamen.
The slow melodious instrumental overture that announces "Cluster One" trumpets the return of one of rock's most enigmatic ensembles, art rockers supreme--Pink Floyd. And in reclaiming center stage in the arena, THE DIVISION BELL straightaway tolls a characteristic chime of ambivalence, as a voice cries out from the heart of a massed chorale and strings, "What Do You Want From Me."
But for longtime fans of Pink Floyd, THE DIVISION BELL offers an immense, reassuring sense of scale, as David Gilmour and company continue to expand upon the dark subtexts, rich orchestral textures and densely detailed arrangements that are the band's sonic signatures. A song such as the moody film noir jazz-pop intro of "Wearing the Inside Out" presages the mysterious futuristic romanticism of the BLADE RUNNER soundtrack, with lyrics that offer a typically mordant view of life
Somewhere in the heart of all this darkness, David Gilmour's arching, anthemic guitar provides a powerful melodic focus, as on the moody instrumental tone poem "Marooned," where he seems to be floating out of Earth's orbit until Nick Mason's strong, centered drumming grounds his elisions in the gravitational pull of a simple backbeat. The closing "High Hopes" mixes mysticism with a dream-the-impossible groove, as Pink Floyd looks back longingly at old times and old friends. "Marooned" won a 1995 Grammy for Best Rock Instrumental Performance.
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