PRIMUS Frizzle Fry LP CAROLINE 1990 US orig+inner+red CAROL 1619 LES CLAYPOOL

	£		49
	$		65

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 One of the original and most distinctive alt-metal groups, a whimsical party band 

with chops that absorbed punk rock, thrash, speed metal, and funk. 

Primus is all about Les Claypool; there isn't a moment on any of their records 

where his bass isn't the main focal point of the music, 

with his vocals acting as a bizarre side-show

"FRIZZLE FRY"

1990     LP     CAROLINE RECORDS     CAROL 1619  

PRINTED IN U.S.A.    ORIGINAL PRESSING

LIMITED EDITION RED COLOUR VINYL

SINGLE COVER   PARTIALLY STILL IN SHRINK + INNER SLEEVE

Barcode and Other Identifiers

Barcode: 0 1704-61619-1 6

LABEL: CAROLINE - RED LABEL - BLACK TEXT

Catalog on cover: (spine) CAROL 1619

(rear) 0 1704-61619-1 6

Catalog on labels: CAROL 1619 (Side 1 / Side 2)

Matrix / Runout (Side A, Etched): CAROL-1619-A   JG   EMW 08938

Matrix / Runout (Side B, Etched): CAROL-1619-B   JG   EMW 08938X

Other / Runout (on both sides, Stamped): kdisc 

On labels: rim text reads "All Rights.........Prohibited"

produced by Primus and Matt Winegar

all songs written and arranged by Primus........

all lyrics by Claypool published by Sturgeon, (BMI)

? & © 1990 Sturgeon all rights reserved

manufactured and distributed by Caroline Records, Inc.

Made in U.S.A.

On Back Cover: © & ? 1990 Sturgeon All Rights Reserved.....

from my records collection

tracklisting

Side A: TO DEFY THE LAWS OF TRADITION - GROUND HOG'S DAY

TOO MANY PUPPIES - MR. KNOWITALL - FRIZZLE FRY

Side B: JOHN THE FISHERMAN - YOU CAN'T KILL MICHAEL MALLOY

THE TOYS GO WINDING DOWN - PUDDING TIME

SATHINGTON WILLOBY - SPEGETTI WESTERN

HAROLD OF THE ROCKS - TO DEFY

  grading

RECORD NEAR MINT but (please, read above description)

SLEEVE NEAR MINT but (please, see pictures and read above description)

Primus' first studio album wouldn't necessarily be a surprise to anyone familiar with their 

Suck on This days, not least because a good chunk of that album ended up being 

represented here. Not that this was surprising, but what was pleasant was how well 

and easily the at-once frenetic and extremely precise way the trio had around its 

spastic rhythms, translated into a great effort away from the stage. Certainly the 

fact that Les Claypool had once tried out for Metallica was clear enough with the 

doomy metal opening of "To Defy the Laws of Tradition," but once Claypool started 

singing about brides choosing colors other than white for marriages, the band's own 

world came to the fore. It's pretty easy to see in retrospect how much of a melange

 went into the group's work. Nods but thankfully few outright steals to everything 

from Frank Zappa's arch humor and Funkadelic's sprawl to the Police's early, 

spare effectiveness crop up and, indeed, so does plenty of Metallica 

(the title track's extreme climax in particular...(AllMusic)