PRINCE Purple Rain EX+ PLAY GRADED 1984 Warners 1ST PRESS MONARCH Darling Nikki

$

29

Vinyl:  EX+ Play Graded. Sounds Great!   Warner Brothers Picture Labels are Clean.  This is the 1984 Warner Brothers 1st Pressing!!  The Definitive Analog version, Pressed by Monarch Records Mfg. Co., Los Angeles, CA!  Enjoy warmer, deeper bass and drums. Silkier vocals. It feels like you're in the room where the music's being made!   Instant Dance Party!  Prince's Finest Hour!  Remember, this is Prince &&&& The Revolution!!  They together make this one of the best Rock albums ever... Be sure to see the Movie, if you haven't already.  One of Rolling Stone's 500 Greatest Albums of All Time!!!  allmusic gives it 5 stars!!! See Review Below!
In the Dead Wax:  Side 1:  1-25110A-SH3  B19421-SH3  The stamped glyph for Monarch Records Mfg. Corp., Los Angeles, CA     SLM  "delta" 6851 SH-SP Side 2:  1-25110-B-SH2  B-19422-SH2  SPSLM   "delta" 6851-X  1-2  SR  0-1 S:M1-1
Cover: EX+ (see photos) Includes the custom photo/lyrics inner sleeve insert.  
Goldmine Standards.   I play test every album that I sell on eBay as I have found you can't rate an LP accurately by just visually inspecting an album.  I wipe the dust off of every cover with clean, unscented baby wipes.  I professionally clean the vinyl.

U.S. Shipping:  $4 Media Mail.  50 cents additional shipping per additional album, when the shipment is combined.   If you wish to take advantage of my COMBINED SHIPPING deal, simply select your records by clicking on "ADD TO CART" on the main listing page.  Do this for all of your selections and then go to your cart to checkout.  Your combined shipping discount will be computed automatically.  Free domestic shipping if you spend $100 or more! 
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?  First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.  First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.   On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music. AllMusic Review by Stephen Thomas Erlewine  [-] Prince designed Purple Rain as the project that would make him a superstar, and, surprisingly, that is exactly what happened. Simultaneously more focused and ambitious than any of his previous records, Purple Rain finds Prince consolidating his funk and R&B roots while moving boldly into pop, rock, and heavy metal with nine superbly crafted songs. Even its best-known songs don't tread conventional territory: the bass-less "When Doves Cry" is an eerie, spare neo-psychedelic masterpiece; "Let's Go Crazy" is a furious blend of metallic guitars, Stonesy riffs, and a hard funk backbeat; the anthemic title track is a majestic ballad filled with brilliant guitar flourishes. Although Prince's songwriting is at a peak, the presence of the Revolution pulls the music into sharper focus, giving it a tougher, more aggressive edge. And, with the guidance of Wendy and Lisa, Prince pushed heavily into psychedelia, adding swirling strings to the dreamy "Take Me With U" and the hard rock of "Baby I'm a Star." Even with all of his new, but uncompromising, forays into pop, Prince hasn't abandoned funk, and the robotic jam of "Computer Blue" and the menacing grind of "Darling Nikki" are among his finest songs. Taken together, all of the stylistic experiments add up to a stunning statement of purpose that remains one of the most exciting rock & roll albums ever recorded.