Pink Floyd, Dark Side Of The Moon, Original Master Recording LP Vinyl MFSL 1-017
$
84
$ 84
Sold For
Oct 27, 2024
Sold Date
1
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USA
Country Of Seller
eBay
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Description
Pink Floyd – The Dark Side Of The Moon
More images
Label:
Mobile Fidelity Sound Lab – MFSL 1-017, Harvest – MFSL 1-017Series:
Original Master RecordingFormat:
Vinyl, LP, Album, Limited Edition, Reissue, Remastered, StereoCountry:
USReleased:
Jun 1979Genre:
RockStyle:
Art Rock, Prog Rock, Psychedelic RockTracklist
Hide Credits A1 Speak To Me A2 Breathe A3 On The Run A4 Time A5 The Great Gig In The Sky Vocals – Clare Torry Vocals – Clare Torry B1 Money Saxophone – Dick Parry Saxophone – Dick Parry B2 Us And Them Saxophone – Dick Parry Saxophone – Dick Parry B3 Any Colour You Like B4 Brain Damage B5 EclipseCompanies, etc.
- Record Company – Mobile Fidelity Productions, Inc
- Record Company – Mobile Fidelity Sound Lab, Inc.
- Licensed From – Capitol Records, Inc.
- Distributed By – Mobile Fidelity Sound Lab
- Manufactured By – Mobile Fidelity Sound Lab
- Phonographic Copyright ℗ – The Gramophone Co. Ltd.
- Copyright © – TRO-Hampshire House Publishing Corp.
- Published By – TRO-Hampshire House Publishing Corp.
- Recorded At – Abbey Road Studios
- Pressed By – Victor Company Of Japan, Ltd.
- Mastered At – JVC Cutting Center
Credits
- Artwork [Sleeve Art, Stickers Art] – George Hardie N.T.A*
- Backing Vocals – Barry St John*, Doris Troy, Leslie Duncan*, Liza Strike
- Bass, Vocals, Synthesizer [Vcs3], Effects [Tape], Lyrics By – Roger Waters
- Design [Sleeve], Photography By – Hipgnosis (2)
- Engineer – Alan Parsons
- Engineer [Assistant] – Peter James
- Keyboards, Vocals, Synthesizer [Vcs3] – Richard Wright
- Lacquer Cut By – SR*
- Lyrics By – Roger Waters
- Mastered By [Half-speed] – Stan Ricker
- Mixed By [Supervised] – Chris Thomas
- Percussion, Effects [Tape] – Nick Mason
- Producer, Music By – Pink Floyd
- Vocals, Guitar, Synthesizer [Vcs3] – David Gilmour
- Written-By – Gilmour* (tracks: A2 to A4, B3), Mason* (tracks: A1, A4, B3), Wright* (tracks: A2, A4, A5, B2, B3), Waters* (tracks: A2 to A4, B1, B2, B4, B5)
Notes
Originally released in 1973.Standard gatefold sleeve with warranty card.
░̸̶̸░̸̶̸░̸̶̸ in runouts represents unreadable scratched-out characters.
Recorded at Abbey Road Studios, London between June 1972 and January 1973.
States "Pressed in Japan" on the LP label (see images), "imported pressing" and "Printed in the U.S.A." on spine of the sleeve.
Came with two lists of other available MFSL releases and MFSL style inner.
On innersleeve:
Half-Speed Mastering by Stan Ricker, JVC
Super High Definition Vinyl (extended life)
Imported Pressing
Static Free Inner-Sleeve
Source: the Original Stereo Master Tape.
Note on Credits:
Though not specified in the liner notes, Barry St. John, Doris Troy, Lesley Duncan, and Liza Strike perform backing vocals only on tracks A4, B2, B4, and B5.
The 1979 release has an insert titled: "An Audiophile's Dream Come True"
Also issued in 1981 with different inserts The Dark Side Of The Moon
Engineer Assistant Peter James miscredited on this edition of The Dark Side Of The Moon as "Peter Jones"
Barcode and Other Identifiers
- Matrix / Runout (Runout A, variant 1): MFSL-1-017-A2-1 SR2 H213
- Matrix / Runout (Runout B, variant 1): MFSL-1-017-B2-1 SR2 H215
- Matrix / Runout (Runout A, variant 2): MFSL-1-017-A ░̸̶̸░̸̶̸░̸̶̸ 2-1 SR/2 211 ※ ※ ※ F
- Matrix / Runout (Runout B, variant 2): MFSL-1-017- ░̸̶̸░̸̶̸░̸̶̸ B2-1 SR/2 212 ※ ※
- Matrix / Runout (Runout A, variant 3): MFSL-1-017-A ░̸̶̸░̸̶̸░̸̶̸ 2-5 SR/2 252 ※ ※ ※ ※ ※ ※ ※ ※
- Matrix / Runout (Runout B, variant 3): MFSL-1-017-B2-4 SR/2 241 ※ ※ ※ ※ ※ ※ ※ ※
- Matrix / Runout (Runout A, variant 4): MFSL-1-017-A# 2-2 SR/2 221 ※ ※ F
- Matrix / Runout (Runout B, variant 4): MFSL-1-017-B# 2-1 SR/2 214 ※
- Matrix / Runout (Runout A, variant 5): MFSL-1-017-A2-1 SR 2 H 215 ※ ※ ※
- Matrix / Runout (Runout B, variant 5): MFSL-1-017-B2 SR 2 H 212 ※ ※ ※ ※
- Matrix / Runout (Runout A, variant 6): MFSL-1-017-A ░̸̶̸░̸̶̸░̸̶̸ 2-1 SR/2 211 ※ F
- Matrix / Runout (Runout B, variant 6): MFSL-1-017-B2-4 SR/2 241 ※ ※ ※
- Matrix / Runout (Runout A, variant 7): MFSL-1-017-A ░̸̶̸░̸̶̸░̸̶̸ 2-5 SR/2 252 ※ E
- Matrix / Runout (Runout B, variant 7): MFSL-1-017-B̶9̶ B2-2 SR/2 221 ※
- Matrix / Runout (Runout A, variant 8): MFSL-1-017-A ░̸̶̸░̸̶̸░̸̶̸ 2-3 SR/2 231 ※
- Matrix / Runout (Runout B, variant 8): MFSL-1-017-B̶1̶0̶ B2-1 SR/2212 ※
- Matrix / Runout (Runout A, variant 9): MFSL-1-017-A ░̸̶̸░̸̶̸░̸̶̸ 2-2 SR/2 2 2 ※
- Matrix / Runout (Runout B, variant 9): MFSL-1-017-B̶1̶0̶ B2-1 SR/2 2 1 2 ※
- Matrix / Runout (Runout A, variant 10): MFSL-1-017-A░̸̶̸░̸̶̸░̸̶̸ 2-1 SR/S H213 ※ ※ ※ ※ ※ X
- Matrix / Runout (Runout B, variant 10): MFSL-1-017-░̸̶̸░̸̶̸░̸̶̸ B2-1 SR/2 H215 ※ ※ ※
- Matrix / Runout (Runout A, variant 11): MFSL-1-017-A ̷1̷0̷ ̷ 2-1 SR/2 2 215 ※ F
- Matrix / Runout (Runout B, variant 11): MFSL-1-017- ̷B̷1̷0̷ B2-1 SR/2 211 ※
- Matrix / Runout (Runout A, variant 12): MFSL-1-017-A ̷1̷0̷ ̷ 2-1 SR/2 2 H213 ※ ※ ※ O
- Matrix / Runout (Runout B, variant 12): MFSL-1-017- ̷B̷1̷0̷ B2-1 SR/2 H215 ※ ※ ※
- Matrix / Runout (Runout A, variant 13): MFSL-1-017-A ̷1̷0̷ ̷ 2-1 SR/2 2 211 ※ E
- Matrix / Runout (Runout B, variant 13): MFSL-1-017- ̷B̷1̷0̷ B2-1 SR/2 211 ※
PLEASE READ BEFORE BUYING-Thanks
All of our vinyl's have had a basic cleaning, tested and sleeved. LP's with any wavy streaks on them (Bag Rash) will need a deep cleaning to remove but bag rash doesn't effect playability. We use a None-Alcohol solution to clean to vinyl. We also wear gloves during the cleaning, testing and posting process to preserve the condition. All grading comments are visual so please refer to pics and video (if applicable) for your owe opinion on condition. We handle the new Albums with the same care.
We do combine shipping on our LP's
Grading (Modified Goldmine Standard)
Mint (M): Absolutely perfect in every way. To qualify as Mint, a record must never have been played and is possibly still sealed. Mint should be used sparingly as a grade, if at all. Note that an item can be sealed and not Mint. (I do not use this grade. If an item is still sealed, I?ll just say that.)
Near Mint (NM) Excellent (EX): Nearly perfect. Near Mint (NM) vinyl has more than likely never been played. By its appearance, one would expect no imperfections during playback. The item should show no obvious signs of wear. The cover can have very minor defects, but it should have no folds, seam splits, scratches, or other noticeable defects. The same should be true of any inserts such as posters, lyric sleeves, etc. Many dealers won't give a grade higher than NM, implying (perhaps correctly) that no item is ever truly perfect. (NM is my top grade.)
Very Good Plus (VG+): The item will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and affect playback minimally if at all. Surfaces may show some signs of wear, such as slight scuffs or very light (?hairline?) scratches, light bag rash and slight warps that do not affect the sound are okay. Paper products like sleeves will have some wear, slightly turned-up corners, or a small seam-split (less than 1/4?). In general, a VG+ record plays (nearly) perfectly and, if not for some minor aesthetic wear, it would be Near Mint. (I may use an additional + (VG++) to indicate a record exceptionally close to New Mint. A VG+ record will have no feel-able marks on it!
Very Good (VG): An items defects will be more pronounced. Surface noise will be evident upon playing, especially in soft passages and during a songs intro and fade, but will not overpower the music. Wear may start to be noticeable, noticeable bag rash, and light scratches on vinyl (deep enough to feel with a fingernail) that will affect the sound. Labels, covers, and sleeves may be marred by writing or have tape, stickers, and residue attached. However, a VG item will not have all of these problems at the same time. (I may use a - (VG-) to indicate a record very close to G+.)
Good (G), Good Plus( G+): An item in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, crackling, or visible wear. Covers or sleeves will have scratches or seam splits, especially at the bottom or on the spine. Tape, writing, or other defects will also be present.
Poor (P), Fair (F): A record in this condition is cracked, badly warped, and won't play through without skipping or repeating. The cover could be cracked, water-damaged, and heavily marred by wear or writing. Cover and inner sleeves are fully split, crinkled, and written upon.
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