Pink Floyd ?– The Wall

Early Original 1979 German First Press. David Gilmour publishing credit on the inside of the Gatefold sleeve. Original Card Inner Sleeves (Earliest issues only - they would later become paper inner sleeves) Original sticker to the front of the sleeve, clean, clear and firmly in place.
In astounding condition throughout. The vinyl is Near Mint. The audio is Near Mint.
The labels are Near Mint. The gatefold sleeve is Excellent. The original card inner sleeves are Near Mint.
Gatefold cover.
Front Cover: White Wall. Glossy. with the title sticker on the cover. (only "some" came with the sticker, I have no idea how many)
Back Cover: White Wall.
Inside Cover: Broken wall with the Scarfe paintings. In the lower right corner is the EMI/Electrola-logo.
Inner Sleeve: Cardboard. Lyrics on inner-sleeves. Side 2 features the lyrics for "Empty Spaces," and has "© Roger Waters 1979 Pink Floyd Music Publishers Ltd P 1979" in bottom right.
Labels - Wall picture label. GEMA. LC 1305. Made in Germany.
Complete, and in magnificent original condition. Brilliant audio.
Label: Harvest ?– 1C 198-63 410/11, EMI Electrola ?– 1C 198-63 410/11 Format: 2 × Vinyl, LP, Album, Stereo, Gatefold
Country: Germany Released: 1979 Genre: Rock Style: Alternative Rock, Prog Rock

Tracklist

A1 In The Flesh?
A2 The Thin Ice
A3 Another Brick In The Wall (Part 1)
A4 The Happiest Days Of Our Lives
A5 Another Brick In The Wall (Part 2)
A6 Mother
B1 Goodbye Blue Sky
B2 Empty Spaces
B3 Young Lust
B4 One Of My Turns
B5 Don't Leave Me Now
B6 Another Brick In The Wall (Part 3)
B7 Goodbye Cruel World
C1 Hey You
C2 Is There Anybody Out There?
C3 Nobody Home
C4 Vera
C5 Bring The Boys Back Home
C6 Comfortably Numb
D1 The Show Must Go On
D2 In The Flesh
D3 Run Like Hell
D4 Waiting For The Worms
D5 Stop
D6 The Trial
D7 Outside The Wall

Companies, etc.

• Phonographic Copyright (p) – Pink Floyd Music Ltd.
• Copyright (c) – Pink Floyd Music Publishers Ltd.
• Lacquer Cut At – The Mastering Lab

Credits

• Arranged By [Orchestra] – Bob Ezrin, Michael Kamen
• Backing Vocals – Bruce Johnston, Islington Green School, Jim Haas, Joe Chemay, John Joyce*, Stan Farber, Toni Tennille
• Co-producer, Engineer – James Guthrie
• Design [Sleeve] – Gerald Scarfe, Roger Waters
• Engineer [Other] – Brian Christian, John McClure, Nick Griffiths, Patrice Quef, Rick Hart
• Lyrics By – Roger Waters
• Performer – David Gilmour, Nick Mason, Richard Wright, Roger Waters
• Producer – Bob Ezrin, David Gilmour, Roger Waters
• Technician [Sound Equipment] – Phil Taylor (5)
• Written-By – Ezrin* (tracks: D6), Gilmour* (tracks: B3, C6, D3), Roger Waters (tracks: A1 to B2, B4 to C5, D1, D2, D4, D5, D7), Waters* (tracks: B3, C6, D3, D6)

A few words about condition.

Grade & 
score out of 100
                                           GRADING
Mint is a Rigid Band - The next Four Grades are all Narrow Bands, that slightly widen as the condition gradually deteriorates - Good is still Good, but there is a rapid widening of the Grade Bands, as the condition deteriorates over the last Four grades.

MINT
100
The record itself is in brand new condition with no surface marks or deterioration in sound quality.
The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition.
Only graded on records that are sealed or clearly unplayed.
 
NEAR MINT
97 to 99        

EXCELLENT
90 to 96
The record shows virtually no signs of having been played,  there is no lessening in sound quality.
The cover and  packaging might have the slightest of tiny defects.
 
The record shows some slight signs of having been played, but there is very little, (if any) lessening in sound quality.
The cover and  packaging might have very slight wear. 
 
VERY GOOD PLUS
80 to 89

VERY GOOD
69 to 79
The record shows signs of having been played, but there is very little lessening in sound quality.
The cover and  packaging might have slight wear, light creasing.

The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch.
Normal wear and tear on the cover or extra items, without any major defects.
This is an above average used record, that has been well looked after.




GOOD
56 to 68
The record has been played so much that the sound quality has deteriorated, but the record will still play through, and it will not be a completely unpleasant listening experience, even at the bottom of this grade (56).
The cover and contents may suffer from folding, scuffing of edges, spine splits, discolouration, etc. 




FAIR
41 to 55
The record is still playable but has not been cared for properly and displays considerable surface noise; it may even stick, skip or jump.. This is starting to be an unpleasant listening experience at the top of the grade (55) and will not be a pleasant listening experience at all by the end of it (41).
The cover and contents will be torn, stained and/or defaced. 
 
POOR
25 to 40
The record will not play properly due to scratches, bad surface noise, etc.
The cover and contents will be badly damaged or partly missing. 
 
BAD
0 - 24
The record is unplayable or might even be broken, and is only of use as a collection-filler.
The Sleeve is non existent (0) or what is left, is only just recognisable.

A few words about postage.

Within Australia, the best value for multiple purchases is a 5KG satchel, where as many as 15 to 20 LPs can be posted for $22.00 registered post. (well packed in a box, inside the satchel)

My Policies on postage are simple.

I post at cost.
The user pays.
I package well.

Any item that you purchase without choosing the option of "Signed for" or "Registered" Post, is at your risk.
I do accept that "signed for" can be expensive, especially internationally, but whether you take the option of this insurance, is entirely up to you.
I do not wish to withdraw the option of standard postage for the cheaper records, but it must be at your risk.