Pogues Shane MacGowan Rum Sodomy & The Lash LP 1st US Pressing Celtic Punk
  $   32

 


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Jun 30, 2023 Sold Date
Jun 4, 2023 Start Date
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Pogues Shane MacGowan Rum Sodomy & The Lash  LP 1st US Pressing Celtic Punk Elvis Costello Archival Sleeve One of the best records ever
Rum Sodomy & the Lash is the second studio album by the London-based folk punk band The Pogues, released on 5 August 1985. The album reached number 13 on the UK charts. The track "A Pair of Brown Eyes", based on an older Irish tune, reached number 72 on the UK singles chart. "The Old Main Drag" later appeared on the soundtrack to the film My Own Private Idaho. Elvis Costello, whose manager Jake Riviera approached the band, was originally employed to produce two songs for a single, "A Pair of Brown Eyes" and "Sally MacLennane", but after recording at Elephant Studios in Wapping was extended Costello agreed to record the entire album. Chevron later said, "The Pogues needed, more than anything, not to be not so much as produced as facilitated. Recording the band as live as possible, but with a great deal of natural acoustic presence in the instruments - was quite a revolutionary thing to do 1985." Costello said, "I saw my task was to capture them in their dilapidated glory before some more professional producer fucked them up

The Pogues were an English or Anglo-Irish Celtic punk band fronted by Shane MacGowan and others, founded in King's Cross, London in 1982, as "Pogue Mahone" – the anglicisation of the Irish Gaelic póg mo thóin, meaning "kiss my arse". The band reached international prominence in the 1980s and early 1990s, recording several hit albums and singles. MacGowan left the band in 1991 owing to drinking problems, but the band continued – first with Joe Strummer and then with Spider Stacy on vocals – before breaking up in 1996. The Pogues re-formed in late 2001, and played regularly across the UK and Ireland and on the US East Coast, until dissolving again in 2014. The group did not record any new material during this second incarnation.

Their politically tinged music was informed by MacGowan and Stacy's punk backgrounds, yet used traditional Irish instruments such as the tin whistle, banjo, cittern, mandolin and accordion


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