QUEEN - A KIND OF MAGIC. 12" VINYL STEREO LP RECORD ALBUM EMI RECORDS 1986 MINT
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Description
QUEEN
A KIND OF MAGIC
ORIGINAL PRESSING 12" VINYL STEREO LP RECORD ALBUM
GATEFOLD COVER
VINYL IN NEAR MINT CONDITION
COVER IN EXCELLENT CONDITION (SEE PHOTOS)
EMI RECORDS
EU 3509
1986
A BEAUTIFUL NEAR MINT VINYL COPY OF THIS EXCELLENT QUEEN ALBUM FROM MY OWN PERSONAL COLLECTION
THE PICTURES SHOWN IN THE LISTING ARE OF THE ACTUAL ITEM FOR SALEI DO NOT USE MISLEADING STOCK PHOTOS
FREE UK POSTAGE
OVERSEAS SHIPPING IS VIA ROYAL MAIL TRACKED AND SIGNED, IS FULLY TRACKED AND WILL REQUIRE A SIGNATURE ON DELIVERY FOR YOUR PEACE OF MIND
ADDITIONAL INFORMATION KINDLY PROVIDED BY DISCOGS
THANKS FOR LOOKING
A Kind Of Magic
Label: EMI – EU 3509 Format: Vinyl, LP, Album, DMM, Gatefold Country: UK Released: 1986 Genre: Rock Style: Arena RockTracklist
Hide Credits A1 One Vision Engineer – Mack (2) Producer – Mack (2) Written-By – Queen Engineer – Mack (2) Producer – Mack (2) Written-By – Queen 5:10 A2 A Kind Of Magic Engineer – David Richards Producer – David Richards Written-By – Taylor* Engineer – David Richards Producer – David Richards Written-By – Taylor* 4:25 A3 One Year Of Love Arranged By [Strings] – Lynton Naiff Engineer – Mack (2) Producer – Mack (2) Saxophone – Steve Gregory Written-By – Deacon* Arranged By [Strings] – Lynton Naiff Engineer – Mack (2) Producer – Mack (2) Saxophone – Steve Gregory Written-By – Deacon* 4:27 A4 Pain Is So Close To Pleasure Engineer – Mack (2) Producer – Mack (2) Written-By – Mercury*, Deacon* Engineer – Mack (2) Producer – Mack (2) Written-By – Mercury*, Deacon* 4:22 A5 Friends Will Be Friends Engineer – Mack (2) Producer – Mack (2) Written-By – Mercury*, Deacon* Engineer – Mack (2) Producer – Mack (2) Written-By – Mercury*, Deacon* 4:08 B1 Who Wants To Live Forever Arranged By [Orchestra] – Brian May, Michael Kamen Engineer – David Richards Performer [Orchestra] – National Philharmonic Orchestra Producer – David Richards Recorded By [Orchestra] – Eric Tomlinson Written-By – May* Arranged By [Orchestra] – Brian May, Michael Kamen Engineer – David Richards Performer [Orchestra] – National Philharmonic Orchestra Producer – David Richards Recorded By [Orchestra] – Eric Tomlinson Written-By – May* 5:14 B2 Gimme The Prize (Kurgan's Theme) Engineer – David Richards Producer – David Richards Written-By – May* Engineer – David Richards Producer – David Richards Written-By – May* 4:33 B3 Don't Lose Your Head Engineer – David Richards Producer – David Richards Vocals [Incidental] – Joan Armatrading Written-By – Taylor* Engineer – David Richards Producer – David Richards Vocals [Incidental] – Joan Armatrading Written-By – Taylor* 4:38 B4 Princes Of The Universe Engineer – Mack (2) Producer – Mack (2) Written-By – Mercury* Engineer – Mack (2) Producer – Mack (2) Written-By – Mercury* 3:32Companies, etc.
- Phonographic Copyright ? – Queen Productions Ltd.
- Phonographic Copyright ? – Raincloud Productions Ltd.
- Copyright © – Queen Productions Ltd.
- Copyright © – Raincloud Productions Ltd.
- Published By – EMI Music Publishing Ltd.
- Published By – Queen Music Ltd.
- Recorded At – Abbey Road Studios
- Recorded At – The Town House
- Recorded At – Musicland Studios
- Recorded At – Mountain Studios
- Printed By – Howards Printers (Slough) Ltd.
- Record Company – EMI Records Ltd.
- Manufactured By – EMI Records Ltd.
- Mastered At – The Town House
- Pressed By – EMI Records
Credits
- Artwork [Colour] – Jenny Robinson
- Bass Guitar, Keyboards, Guitar [Occasional] – John Deacon
- Consultant [Management Consultant] – Jim Beach (2)
- Design [Sleeve] – Richard Gray (2)
- Drums, Vocals [Occasional], Keyboards – Roger Taylor
- Engineer [Assistant] – Croydon
- Guitar, Vocals [Occasional], Keyboards – Brian May
- Illustration [Front Cover] – Roger Chiasson
- Illustration [Other Original] – Chuck Gamage, Mike Smith (56), Roger Chiasson
- Keyboards [Computer Keyboards] – BBC B, UMI (4)
- Keyboards [Extra Keyboards] – Spike Edney
- Mastered By – Kevin Metcalf*
- Photography By – Peter Hince
- Producer – Queen
- Technician [Studio Equipment] – Brian Zellis, Chris Taylor (25)
- Vocals, Keyboards – Freddie Mercury
Notes
The same original release as A Kind Of Magic with 'TownHouse DMM' etched in runouts.Issued in a gatefold sleeve with full colour printed lyric inner sleeve.
Computer keyboards by UMI & BBC B.
Orchestra on "Who Wants To Live Forever" recorded at Abbey Road Studios.
Recorded mainly at the Townhouse Studios, London; Musicland Studios, Munich and Mountain Studios, Montreux. Mastered at The Townhouse Studios
? 1986 Original sound recordings made by Queen Productions Ltd.
© 1986 Queen Productions Ltd.
except "One Vision"
? 1985 Original sound recording made by Raincloud Productions Ltd. / Queen Productions Ltd.
© 1985 Raincloud Productions Ltd. / Queen Productions Ltd.
Barcode and Other Identifiers
- Barcode: 5 099924 053112
- Other (Sleeve printed, date, company): SP8606HP
- Other: 24 0531 1
- Matrix / Runout (Variant 1 Runout, A-side, stamped): EU 3509 A-2U-1-1-X1 D
- Matrix / Runout (Variant 1 Runout, B-side, stamped): EU 3509 B-2U-1-1-X1 D
- Matrix / Runout (Variant 1 Runout, both sides, etched): TownHouse DMM
- Matrix / Runout (Variant 2 Runout, A-side, stamped): EU 3509 A-2U-1-4 -X1 D
- Matrix / Runout (Variant 2 Runout, A-side, etched): TOWNHOUSE DMM
- Matrix / Runout (Variant 2 Runout, B-side, stamped): EU 3509 B-4U-1-1-7
- Matrix / Runout (Variant 3 Runout, A-side, stamped): EU 3509 A-4U-1-4-
- Matrix / Runout (Variant 3 Runout, B-side, stamped): EU 3509 B-2U-1-1-
- Matrix / Runout (Variant 3 Runout, B-side, etched): TOWNHOUSE DMM
Record Collector Magazine's Grading Guide
"MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.
VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
BAD: The record is unplayable or might even be broken, and is only of use as a collection filler."
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