QUEENS OF THE STONE AGE X [Rated R (X Rated)] LP INTERSCOPE 2000 EU orig KYUSS
£
45
$
60
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Description
U.K. BUYERS PLEASE IGNORE THE SHIPPING COSTS MARKED ON EBAY BECAUSE WE ARE ITALIAN SELLERS
SO PLEASE DO NOT PAY IMMEDIATELY AFTER WINNING
BEFORE I SEND CORRECT INVOICE!
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CAREFULLY READ BELOW THE CORRECT SHIPPING COST!
The shipping cost from Italy to ENGLAND from 1 up to 5 albums
is £ 13.00 with DHL courier
[NOT for Norway, Russia, Ukraine, Switzerland, Ireland, please ask for prices with registered letter],
with a sturdy and well conceived box.
The shipping cost also depends by the exchange euro/pounds.
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QUEENS OF THE STONE AGE
Highly acclaimed hard rockers from the California desert who update old-school riff rock without overloading irony or slavish imitation.
Formed from the ashes of stoner rock icons Kyuss, Queens of the Stone Age reunited the group's singer/guitarist Josh Homme, drummer Alfredo Hernandez, and bassist Nick Oliveri along with new guitarist/keyboardist Dave Catching. The project's origins date back to Homme, who in the wake of Kyuss' 1995 demise relocated to Seattle to tour with the Screaming Trees; he soon began working with a revolving lineup of musicians including the Trees' Van Conner, Soundgarden's Matt Cameron, and Dinosaur Jr.'s Mike Johnson, recording a series of 7"s originally issued under the name Gamma Ray. After rechristening the group Queens of the Stone Age, Homme recruited Hernandez to begin work on their self-titled debut LP, issued in late 1998 on Loosegroove; after the album was completed, Oliveri left the Dwarves to rejoin his former bandmates, with the subsequent addition of Catching rounding out the roster. In addition to extensive touring, Homme put together a series of albums for the indie label Man's Ruin; the various volumes of the Desert Sessions feature Homme's collaborations with a loose-knit lineup of like-minded musicians, some from bands like Soundgarden, Fu Manchu, and Monster Magnet."X"
<RATED X (X RATED)> [sticker on front]
<FEEL GOOD HIT OF THE SUMMER> on spine
tracklisting
Side A: FEEL GOOD HIT OF THE SUMMER - THE LOST ART OF KEEPING A SECRET
LEG OF LAMB - AUTO PILOT - BETTER LIVING THROUGH CHEMISTRY
MONSTERS IN THE PARASOL - QUICK AND TO THE POINTLESS
Side B: IN THE FADE - TENSION HEAD - LIGHTNING DONG
I THINK I LOST MY HEADACHE - ODE TO CLARISSA
2000 LP INTERSCOPE RECORDS 000 000-0
MADE IN EUROPE ORIGINAL PRESSING
LIMITED EDITION
GATEFOLD COVER + INSERT
NOTES: Sticker on front sleeve reads: "Queens Of The Stone Age - Rated R (X Rated)
Features The Hit Single The Lost Art Of Keeping A Secret & Bonus Track
Ltd Edition Gatefold Vinyl 000 000-0".
"Ode To Clarissa" is a bonus track, not appearing on the CD version.
Title "X" taken from label. Title on spine "Feel Good Hit Of The Summer".
Sticker on rear reads "Im Vertrieb von: CARGO RECORDS GERMANY www.cargo-records.de
Rear sleeve reads: "Don't make me beg, just fuck me".
Barcode and Other Identifiers
Barcode: (Sticker, back of shrink wrap): 0 606949 086411 [this copy is withouth shrinkwrap/barcode]
Label Code: LC 06406
LABEL: INTERSCOPE - RED LABEL w/WHITE STRIPE - WHITE TEXT
Catalog on cover: 000 000-0
Catalog on labels: (Side A only) 000 000-0
Matrix / Runout (Side A): B041493-01 A1 MK
Matrix / Runout (Side B): B041493-01 B1 MK
On labels: (Side A only) ? 2000 Interscope Records. © 2000 Interscope Records.
The copyright..........Made in the E.U.
BIEM/MCPS. LC 06406. 000 000-0
On Inside Panel: Photos
On Insert: Photos & Credits
On Back Cover: ? 2000 Interscope Records. © 2000 Interscope Records.
The copyright.........and licensed exclusively to Polydor Ltd (UK), aq Universal Music Company.
All rights..............Made in the E.U.
grading
RECORD EX but (please, read above description)
SLEEVE VG+ but (please, see pictures and read above description)
The second Queens of the Stone Age album makes its stoner rock affiliations clear right from the opening track. The lyrics of "Feel Good Hit of the Summer" consist entirely of a one-line list of recreational drugs that Josh Homme rattles off over and over, a gag that gets pretty tiresome by the end of the song (and certainly doesn't need the reprise that follows "In the Fade"). Fortunately, the rest of the material is up to snuff. R is mellower, trippier, and more arranged than its predecessor, making its point through warm fuzz-guitar tones, ethereal harmonies, vibraphones, horns, and even the odd steel drum. That might alienate listeners who have come to expect a crunchier guitar attack, but even though it's not really aggro, R is still far heavier than the garage punk and grunge that inform much of the record. It's still got the vaunted California-desert vibes of Kyuss, but it evokes a more relaxed, spacious, twilight feel, as opposed to a high-noon meltdown. Mark Lanegan and Barrett Martin of the Screaming Trees both appear on multiple tracks, and their band's psychedelic grunge -- in its warmer, less noisy moments -- is actually not a bad point of comparison. Longtime Kyuss fans might be disappointed at the relative lack of heaviness, but R's direction was hinted at on the first QOTSA album, and Homme's experimentation really opens up the band's sound, pointing to exciting new directions for heavy guitar rock in the new millennium...(AllMusic)
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