RARE MONO 1968 og THE LEGEND ● "EGO TRIP BOX" PRE-DRAGONFLY Hard Garage + FUZZ
$
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RARE 1968 "MEGAPHONE RECORDS" ORIGINAL
PRE-DRAGONFLY GARAGE ROCK
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W/ FUZZ and HARMONIES
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- = LEGEND =
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- USA - MEGAPHONE RECORDS - S 101
TOP COPY mint, in shrink wrap - none better
ESSENTIALLY the first LP 1968 (ORIGINAL) by "DRAGONFLY" members who went on to immediately release their self titled DRAGONFLY LP of monster HEAVY PSYCH notoriety and "psych"-collection fame.
This album by LEGEND is seldom seen, and exceedingly hard to find , was released in bold MONO format being highly suitable for the bands sound... By 1968 most labels had ceased issuing Lp's in monaural, this album, as limited as it was, a mono exception.
Very rare and clean 1968 first pressing by a formidable garage band that changed their name to DRAGONFLY a year later by kicking up the volume, oh, about by 50 times.... there's some DRAGONFLY influence of hard fuzz psych to be found on this platter:
Originally from Colorado, the five-piece LEGEND relocated to Los Angeles and a year later becoming the mighty Dragonfly, recording for the same "Megaphone" label.
The material on this album largely predates the psychedelic era and contains a few cover versions (The TROGGS "With A Girl Like You", Dylan's "Baby Blue" and The WHO's "The Kids Are Alright".
A few cuts, like "Where Oh Where Is Mother" contain some great guitar playing with psychedelic undertones and the album ends with a sitar solo.
Offering up a mixture of band originals and popular takes (The Troggs, The Who), musically has more than its share of charms. Tracks such as 'The Sky That Is Blue', 'Zepplin's Good Friday' and 'Yesterday's Child' showcases a tasty blend of tight, Beatlesque harmonies and catchy melodies. Legend occasionally drifts close to The Left Banke ('Sunny Day' and 'Gigi'). Even more impressive is their harder rock sound, including the fuzz guitar amid feedback 'Where Oh Where Is Mother' and their awesome fuzz & sitar powered take on Dylan's 'Baby Blue' (with sitar fade-out).
The album vanished without a trace, followed in short order by their legendary DRAGONFLY Lp. Their take on The Troggs hit 'With a Girl Like You' is in the same vein as the original but comes off interesting as the lead singer seems to have a strange accent. Great tune, with a touch of Mersybeat harmonies and there is even plenty of cowbell. 'The Sky That Is Blue' is a breezy, mid-tempo pop-rock song that features some nice vox organ and wonderful group harmony vocals. Kicked along by some wonderfully cheesy organ, 'The Sky That Is Blue' has one of those classic mid-1960s vibes - imagine something that tried to cross The Young Rascals and The Beatles. Highly infectious with some nice fuzz guitar in the background. The album's first all-out rocker and one of the album's psych-tinged numbers, 'Where Oh Where Is Mother' is built on an intriguing mixture of fuzz guitar, electric harpsichord, weird studio sound effects, and another display of the band's impeccable harmony vocals. This was another one where the lead singer (Corso?) seemed to display a noticeable accent. Pulling a page out of The Beatles songbook, 'Yesterday's Child' is seemingly a stab a writing a socially relevant ballad -- pretty isn't 'Eleanor Rigby'. Even though heavily arranged, 'Eyes of the World' is actually one of the album's most interesting performances with some wild lead guitar and an energetic lead vocals. While up there with the WHO's version, their vox-powered cover of The Who's 'The Kids Are Alright' is actually quite good with some chugging drums and a nice, fuzz-drenched lead guitar. The track was issued as a single. Another of the album's most pop-oriented efforts, 'Cold Wind In August' has a decent commercial tune with backing harmony vocals that is comfortable listening
'Sunny Day' has a pleasant "sunshine" feel to it with backing vocals that would have made John Phillips day. With the band playing at hyper-speed (sounds like they'd ingested meth amphetamines during the recording sessions ...), 'You'll Be Sorry Someday' is simply hysterical. Nice fuzz solo at the tail end of the track. Filled with lovely harpsichord, this one grabs attention from the opening chords. The fact that ballad 'Gigi' sounded like a Left Banke outtake doesn't hurt either. So if you're going to do a Dylan cover why not toughen it up and give it a fuzz-driven garage edge? To their credit that's exactly what these guys did on their version of 'Baby Blue'. Along with the totally bizarro sitar closing, the result is one of the album's best tracks and one of the best Dylan you'll ever hear.
- side I
With a Girl Like You
The Sky That Is Blue
Zepelin's Good Friday
Where oh Where Is My Mother
Yesterdays Child
Eyes of the World
side II
The Kids Are Alright
Cold Wind in August
Sunny Day
You'll Be Sorry Some Day
Gigi
Baby Blue - CONDITION:
- The cover: Rated: MINT in original factory shrink wrap - a beauty after 55 years carefully handled ... and has no imperfections such as NO bends, no split seams, no writing, no split seams ~ TOP SHELF!
- The vinyl: Rated: M- perfectly clean with full shrine over both sides and playing superb tops clean everywhere. 55 years onward has been carefully handled ... and has no imperfections with perfectly clean Megaphone labels
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SEE: SELLERS OTHER ITEMS
(((similar grooves for "head" people...)))
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