RAY BARRETTO [La Cuna] CTI [Latin-Jazz/breaks] DJ:
$
27
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Description
*** *** INNERSLEEVE HAS JUST ACQUIRED ANOTHER AMAZING JAZZ COLLECTION! *** *** PLEASE CHECK BACK OFTEN, AS MANY NEW LISTINGS WILL BE GOING UP *** ***
1981 CTI Records CTI 9002
ORIGINAL * STEREO
LATIN JAZZ FUNK!
[VAN GELDER] stamps in dead wax
****** *** SIGNED * AUTOGRAPHED * INSCRIBED ***
******
by: TITO PUENTE
*
VINYL is EX++ top copy!
COVER is VG edge/surface wear, corner bends
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Producer Creed Taylor has inspired everything from praise to anger among jazz fans. His work has been brilliant at times, detrimental at others (his worst flaw being a tendency to overproduce). Taylor plays a mostly positive role on La Cuna, a jazz-oriented effort unitingRay Barretto with such first-class talent as Tito Puente (timbales) and the late Joe Farrell(tenor & soprano sax, flute). As slick as things get at times on La Cuna (originally released on vinyl by Taylor's CTI label and reissued on CD in 1995), Taylor wisely gives the players room to blow on everything from the haunting "Doloroso" and the driving "Cocinando" (a piece by Carlos Franzetti that shouldn't be confused with Barretto's major salsa/cha-cha hit) to a somewhat Gato Barbieri-ish take on Mussorgsky's "The Old Castle." Barretto successfully moves into soul territory on Stevie Wonder's "Pastime Paradise" (which rapper Coolio recast as his hit "Gangsta's Paradise" in 1994). Barretto may hate the term "Latin jazz," but make no mistake: La Cuna is one of his most memorable contributions to that genre.
ALL MUSIC GUIDE
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