REIVERS End Of The Day LP DB/CAPITOL RECORDS 1989 US orig+inner ZEITGEIST
€
18
$
21
€ 18
Sold For
Mar 25, 2020
Sold Date
Mar 15, 2020
Start Date
1
Number Of Bids
Italy
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Description
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THE REIVERS
The Reivers began their existence as Zeitgeist, one of many melodic, jangly pop bands to emerge from the fertile Austin, Texas music community during the 1980s. Led by singers/guitarists John Croslin and Kim Longacre, Zeitgeist debuted in 1985 with the album Translate Slowly, which included their cover of Willie Nelson's "Blue Eyes Crying in the Rain." Shortly after the record's release, the group was slapped with a cease-and-desist order by another band called Zeitgeist, a Minneapolis-based percussion ensemble which had held the name longer; in honor of the William Faulkner novel, they became the Reivers. With Don Dixon producing, the band recorded 1987's Saturday, followed two years later by the assured End of the Day. 1991's Pop Beloved was the Reivers' final record; after their break-up...
"END OF THE DAY"
Produced by John Croslin and Andy Metcalfe
tracklisting
Side A: TIT'S ABOUT TIME - STAR TELEGRAM - LAZY AFTERNOON
HE WILL SETTLE IT - CUT ABOVE - DISCONTENT OF WINTER
Side B: ALMOST HOME - TRUTH TO TELL - INSIDE OUT
DUDE MAN HEY - YOUR SECRETS ARE NOT SAFE - END OF THE DAY
1989 LP DB/CAPITOL RECORDS C1-90119
PRINTED IN U.S.A. ORIGINAL PRESSING
STILL IN SHRINK SINGLE COVER + INNER SLEEVE
HEAVY CARDBOARD COVER
Barcode and Other Identifiers
Barcode: 0 7777-90119-1 9
LABEL: CAPITOL - PURPLE LABEL w/CAPITOL & DB LOGOS - SILVERTEXT
Catalog on cover: C1-90119
Catalog on labels: C1-90119 (C1-1-90119) / C1-90119 (C1-2-90119)
Matrix / Runout (Side A, Etched): C1-1-90119-Z1 l-l
Matrix / Runout (Side B, Etched): C1-2-90119-Z1 l-l
Other / Runout (on both sides, Stamped): SRC MASTERDISK
On labels: rim text reads "Manufactured by Capitol......Applicable Laws"
Produced & Engineered........? 1989 capitol Records, Inc.
On Inner Sleeve: Photos, Lyrics & Credits
On Back Cover: ? © 1989 capitol Records, Inc.
Printed in U.S.A.
grading
RECORD EX but (please, read above description)
SLEEVE EX but (please, see pictures and read above description)
Continuing the pattern of a new album every other year, End of the Day came out two years after 1987's Saturday. John Croslin was beginning to gain experience as a producer, doing more than half the tracks without co-producer Andy Metcalfe. This would lead to his total production of their next album, plus his future endeavors after the breakup of the Reivers. A very good album, marred slightly by a distracting too-high-in-the-mix drum sound, it continued in the same vein as their previous release. A sort of theme about the idea of "home" ran through this album, though, with songs like "Almost Home" (later covered by Hootie and the Blowfish), "Star Telegram," "End of the Day," and "Cut Above." Tying in to this was the album artwork which included family snapshots hung on a refrigerator. Musically, one of the highpoints was an impassioned electric cover of the Broadway musical number "Lazy Afternoon." ...(AllMusic)
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