R.E.M. Document LP I.R.S. 1987 EU re+inner 465383-1 SCOTT LITT-STEVE BERLIN
    24
  $   28

 


€ 24 Sold For
Jun 7, 2025 Sold Date
Apr 14, 2025 Start Date
1 Number Of Bids
  Italy Country Of Seller
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Description

THIS IS THE LATE-80s EUROPEAN REISSUE I.R.S. Records (Made in Holland on back cover & labels).  SINGLE COVER + INNER SLEEVE. The cover is in VG+ condition: normal wear, BUT 5cm seam split on top spine, left spine is fully readable; INNER also in great condition, normal wear; for details see photos. The vinyl is in EX condition [barely played].

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R.E.M.

Fronted by the charismatic Michael Stipe, one of the first alt-rock bands to make it big, maintaining 

their integrity and a sense of adventure over three decades...

 "DOCUMENT"

<reissue, originally published in 1987>

tracklisting: please, for tracklist see pictures

LP      I.R.S. RECORDS     ILP 465383 1 

MADE IN HOLLAND FOR THE EUROPEAN MARKET     LATE-80s REPRESSING

SINGLE COVER + INNER SLEEVE

Barcode and Other Identifiers

Barcode: 5 099746 538316

Label Code (Rear cover): LC 7014

Label Code (On label): LC -7014

Price Code (Boxed): CB 231

Price Code (Circled): 52

Rights Society: BIEM/STEMRA

Other (on labels): IRS 42059/465383

Other (Manufacturing code on rear cover and inner sleeve): 24-465383-20

LABEL: I.R.S. - SILVER LABEL w/LOGO on BOTTOM - PURPLE TEXT

Catalog on cover: ILP 465383 1

Catalog on label:

ILP 465383 1 IRS 42059/465383 (24-460105-20-1) / ILP 465383 1 IRS 42059/465383 (24-460105-20-2)

Matrix / Runout (Side A, Etched): 24-460105- 1A-1 24-465383 C

Matrix / Runout (Side B, Stamped/Etched): 24-460105-1B-1 24-465383-20 B A

On label: please, for details see dedicated pictures

On Back Cover: Tracklist

Produced by Scott Litt and R.E.M.

 1987 I.R.S..........Made in Holland........London W1.

grading

RECORD EX but (please, read above description)

SLEEVE VG+ (please, see pictures and read above description)

 

R.E.M. began to move toward mainstream record production on Lifes Rich Pageant, but they didn't have a commercial breakthrough until the following year's Document. Ironically, Document is a stranger, more varied album than its predecessor, but co-producer Scott Litt -- who would go on to produce every R.E.M. album in the following decade -- is a better conduit for the band than Don Gehman, giving the group a clean sound without sacrificing their enigmatic tendencies. "Finest Worksong," the stream-of-conscious rant "It's the End of the World as We Know It (And I Feel Fine)," and the surprise Top Ten single "The One I Love" all crackle with muscular rhythms and guitar riffs, but the real surprise is how political the mid-tempo jangle pop of "Welcome to the Occupation," "Disturbance at the Heron House," and "King of Birds" is. Where Lifes Rich Pageant sounded a bit like a party record, Document is a fiery statement, and its memorable melodies and riffs are made all the more indelible by its righteous anger. In other words, it's not only a commercial breakthrough, but a creative breakthrough as well, offering evidence of R.E.M.'s growing depth and maturity, and helping usher in the P.C. era in the process...(AllMusic)

 


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