REM (R.E.M.)-MURMUR Greek LP rare NM VINYL 1st PRESS

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REM (R.E.M.)-Murmur
IRS/CBS Greece ILS -4653781 1983

condition: Sleeve:EX+ Vinyl: NM THE SLEEVE SHOWS VERY LIGHT CREASING  WHILE THE VINYL  GOT ONLY A FEW LIGHT PAPER SCUFFS AND SOME  THIN SUPERFICIAL LINE SCRATCHES PER SIDE. NOT ANY HARD FEELABLE SCRATCH. HAS ONLY SOME PAPER SLEEVE'S HAIRLINES, THE RECORD STILL KEEPS NICE GLOSS AND SHINE, CLEAR SOUNDS, WITHOUT ANY SCRATCH OR ANY BACKGROUND OR SURFACE WEAR ANNOYING NOISE, EXCEPT MAYBE SOME LIGHT CLICKS HERE AND THERE OR BETWEEN SOME TRACKS, SOUND IS SOLID, CLEAN AND  LOUD WITHOUT ANY OF THE SLIGHTEST DISTRACTED NOISE OR ANNOYING SCRATCH!!! 

Rare original greek issue in near mint condition pressed in a few hundreds of copies.

Murmur is the debut album by the American alternative rock band R.E.M., released in 1983 on I.R.S. Records. Murmur drew critical acclaim upon its release for its sound, defined by singer Michael Stipe's cryptic lyrics and guitarist Peter Buck's jangly guitar style. Murmur was one of the first alternative rock albums to gain attention in the mainstream press, and the album peaked at number 38 on the Billboard charts.

R.E.M. started recording its debut album in December 1982. I.R.S. paired R.E.M. with producer Stephen Hague, who had a higher industry profile than the band's previous producer Mitch Easter.[1] Hague's emphasis on technical perfection did not suit the band; the producer made the group perform multiple takes of the song "Catapult", which demoralized drummer Bill Berry. Unsatisfied, the band members asked the label to let them record with Easter.[2] I.R.S. agreed to a "tryout" session, allowing the band to travel to North Carolina and record the song "Pilgrimage" with Easter and producing partner Don Dixon. After hearing the track, I.R.S. permitted the group to record the album with Dixon and Easter.[3]

R.E.M. entered Reflection Studios in Charlotte, North Carolina in January 1983 to begin recording sessions with Easter and Dixon. Much of the band's material for the album had been tested on preceding tours. Because of its bad experience with Hague, the band recorded the album via a process of negation, refusing to incorporate rock music clichés such as guitar solos or then-popular synthesizers, in order to give its music a timeless feel.[4] Berry in particular was resistant to "odd" musical suggestions. Berry insisted that his drums be recorded in a drummer's booth, a practice that was antiquated at the time.[5] Dixon and Easter took a hand off approach to much of the recording process. The pair would only fix up a vocal track or ask singer Michael Stipe to re-record a vocal if it was very substandard.[6]

[edit] Music

Murmur's sound characterized the quieter, introverted side of the first wave of alternative rock in the United States. The sound was new at the time, though not stepping beyond the constructs of traditional rock music. The guitars have a bright ring like chimes that brought on comparisons to The Byrds, and the bass guitar has the bright punchy sound of the Rickenbacker favored by Mike Mills. As the most experienced musician in the group, Mills carries much of the melodic element of the music on the bass, contributing to the moody sound of early R.E.M. albums. Also contributing to this sound is the distant singing of Michael Stipe whose obscure lyrics, sung indistinctly, lend to the mystery and depth of the music.

[edit] Packaging

The trestle featured on the album's cover, originally part of the Georgia Railroad line into downtown Athens, has become something of a local landmark. Plans to demolish the trestle, now commonly referred to as the "Murmur Trestle," met with public outcry. On October 2, 2000, the Athens-Clarke County Mayor and Commission voted to save the trestle.[7]

[edit] Reception

Murmur was released in April 1983. The record reached number 36 on the Billboard album chart.[8] A re-recorded version of "Radio Free Europe" was the album's lead single and reached number 78 on the Billboard singles chart that year. Despite the acclaim awarded the album, by the end of 1983 Murmur had only sold about 200,000 copies, which I.R.S.'s Jay Boberg felt was below expectations.[9] Murmur was eventually certified gold (500,000 units shipped) by the Recording Industry Association of America in 1991.[10]

The album drew substantial critical acclaim. Rolling Stone gave the album four out of five stars. Reviewer Steve Pond felt the album fulfilled the promise the band showed on Chronic Town. He wrote, "Murmur is the record on which [R.E.M.] trade that potential for results: an intelligent, enigmatic, deeply involving album, it reveals a depth and cohesiveness to R.E.M. that the EP could only suggest." He concluded, "R.E.M. is clearly the important Athens band."[11] It was Rolling Stone's Best Album of 1983, beating Michael Jackson's Thriller, The Police's Synchronicity and U2's War. Buck noted in 2002 that I.R.S. was "mind-boggled" by the album's positive reviews, especially in the British press, since R.E.M. had not yet toured that country.[12]

In 1989, it was rated number eight on Rolling Stone magazine's list of the 100 greatest albums of the 1980s. In 2003, the album was ranked number 197 on Rolling Stone magazine's list of the 500 greatest albums of all time. [1] Also in 2003, the TV network VH1 named Murmur the 92nd greatest album of all time. Pitchfork Media named Murmur the fifth best album of the 1980s. It is the third highest-rated album of 1983 on Rate Your Music, behind Swordfishtrombones by Tom Waits and Script of the Bridge by The Chameleons.[13]

[edit] Track listing

All songs written by Bill Berry, Peter Buck, Mike Mills and Michael Stipe.

1. "Radio Free Europe" – 4:06
2. "Pilgrimage" – 4:30
3. "Laughing" – 3:57
4. "Talk About the Passion" – 3:23
5. "Moral Kiosk" – 3:31
6. "Perfect Circle" – 3:29
7. "Catapult" – 3:55
8. "Sitting Still" – 3:17
9. "9-9" – 3:03
10. "Shaking Through" – 4:30
11. "We Walk" – 3:02
12. "West of the Fields" – 3:17

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