RINGO STARR AND HIS ALL-STARR BAND [Ryko] Clear Vinyl+obi USA EXC- LP Beatles

$

59

  Ringo Starr And His All-Starr Band ?– Ringo Starr And His All-Starr Band... Label: Ryko Analogue ?– RALP 0190 Format: Vinyl, LP, Album, Transparent  Country: US Released: 1990 Genre: Rock, Pop Style: Pop Rock Tracklist Hide Credits A1 It Don't Come Easy Vocals – Ringo Starr Written-By – Richard Starkey 3:03 A2 The No-No Song Vocals – Ringo Starr Written-By – D. Jackson*, H. Axton* 3:18 A3 Iko Iko Vocals – Dr. John Written-By – Ba. Hawkins*, J. Crawford*, J. Johnson*, R.L. Hawkins* 6:05 A4 The Weight Vocals – Levon Helm Written-By – R. Robertson* 5:48 A5 Shine Silently Vocals – Nils Lofgren Written-By – Dick Wagner, Nils Lofgren 6:39 A6 Honey Don't Vocals – Ringo Starr Written-By – C. Perkins* 2:30 B1 You're Sixteen Vocals – Ringo Starr Written-By – Richard Sherman*, Robert Sherman* 2:57 B2 Quarter To Three Vocals – Clarence Clemons Written-By – F. Guida*, Gary Anderson*, E. Barge*, J. Royster* 3:50 B3 Raining In My Heart Vocals – Rick Danko Written-By – Buddy Holly 5:14 B4 Will It Go Round In Circles Vocals – Billy Preston Written-By – B. Preston* 4:02 B5 Life In The Fast Lane Vocals – Joe Walsh Written-By – D. Henley*, G. Frey*, J. Walsh* 6:13 B6 Photograph Vocals – Ringo Starr Written-By – G. Harrison*, R. Starkey* 4:20 Companies, etc. Copyright (c) – Monteco B.V. Phonographic Copyright (p) – Monteco B.V. Manufactured By – Rykodisc Marketed By – Rykodisc Published By – Startling Music Ltd. Published By – Lady Jane Music Published By – Trio Music Co., Inc. Published By – Arc Music Corp. Published By – Melder Pub. Published By – Dwarf Music Published By – Hilmer Music Publishing Published By – Candlewood Mountain Music, Inc. Published By – Carl Perkins Music Inc. Published By – Warner-Tamerlane Publishing Corp. Published By – Rockmasters Int. Published By – House Of Bryant Publications Published By – Irving Music, Inc. Published By – Almo Music Corp. Published By – Cass County Music Published By – Red Cloud Music Published By – Wow And Flutter Music Published By – Loaves And Fishes Music Company, Inc. Recorded At – The Greek Theatre Mixed At – Sunset Sound Factory Mastered At – The Mastering Lab Credits Bass, Vocals – Rick Danko Drums – Jim Keltner, Zak Starkey Drums, Vocals – Levon Helm Guitar – Garth Hudson Guitar, Vocals – Joe Walsh, Nils Lofgren Keyboards, Vocals – Billy Preston, Dr. John Saxophone, Percussion, Vocals – Clarence Clemons Vocals, Drums – Ringo Starr Barcode and Other Identifiers Barcode: 0 14431-0190-1 2 Rights Society: PRS Rights Society: BMI Rights Society: ASCAP Matrix / Runout (A-side): RALP-0190-A KDISC Dmm JC 288416(3) Matrix / Runout (B-side): RALP-0190-B KDISC Dmm JC 28847(3)  

USA LIMITED EDITION NUMBERED [#3190] CLEAR VINYL ALBUM IN GATEFOLD SLEEVE WITH OBI AND ORIGINAL ANTI-STATIC INNER SLEEVE.

SLEEVE: VERY GOOD+, JUST LIGHT SHELF, CORNER, EDGE AND RING WEAR.  OBI AND INNER SLEEVE[S] VERY GOOD+ WITH NO SEAM SPLITS.

DISC[S]: EXCELLENT. NO MARKS OR SCRATCHES. CLEAN LABELS.

Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?

First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.

On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.  

     
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