ROBBIE BASHO VENUS/CANCER NICE ORIG '70 BLUE THUMB LP=

$

29

    
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·       ROBBIE BASHO - VENUS IN CANCER - ORIGINAL 1969 BLUE THUMB STEREO LP BTS-10

·       ORIGINAL U.S. PRESSING

·       ORIGINAL OFF-WHITE (BEIGE) BLUE THUMB RECORDS LABEL WITH BLUE THUMB FINGERPRINT.

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       THICK CARDBOARD GATEFOLD COVER, AMERICAN STYLE

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1C/-1D'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Astrological concepts and mystically inspired recording from the brilliant American folk guitarist Robbie Basho, whose work is as essential in the continuum of folk music as that of the masters John Fahey and Sandy Bull. The American primitive guitarist created some of the most stunning solo guitar improvisations, which drew heavily on Eastern modalities and structure forms -- his work recalls the Indian raga of Ravi Shankar as much as it does Appalachian folk. This 1970 album is a glorious display of his technique that later proved to be a profound influence on a generation of folk guitarists such as Rod Poole and Stefan Grossman. Robbie Basho was greatly admired by contemporaries -- six-string masters Burt Jansch, John Renbourn, and John Fahey among them. This 1970 recording is the last of what could be called his American primitive recordings -- his later works are equally gorgeous, although he went further into new age territory than is comfortable for many fans of instrumental American folk. Robbie Basho used raga and flamenco techniques to develop an entirely unique style with the steel-string acoustic -- creating long, flowing melodies that are simply exquisite to hear. Essential stuff for the folk guitar fans.

 (EXCERPT FROM AN ONLINE REVIEW BY STEVE HUEY, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical information on this album, including track listing ►CLICK HERE

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THIS IS A NO-RESERVE AUCTION!

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VG++, just a notch below NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Cover has a small cutout hole in one of the corners

-        The gatefold cover has partially split seams on 1 out of 4 "legs" of the cover (about 2 inches / 1 inch = 2.5 centimeters).

-         Cover has some visible fraying/tattering on the top seam

-         Minor shelf wear noted on the bottom seam  and spine (nothing significant)

-         Cover has two corners slightly worn / dinged  / bent.

-         Cover has a few tiny wrinkles along the spine

-         Cover shows JUST A HINT of yellowing on both sides, apparently from aging.

-         The cover has a single, but long, razor-like line (cut) on the front panel, as if someone attempted to cut away the shrink wrap with a razor, but inadvertently left the mark on the cover as well. The paper slick is intact and no part is missing, but the razor line is visible.

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 4

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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