ROLAND KIRK w/ELVIN JONES RIP, RIG+PANIC RARE ORIG '65 LP w/GIMMICK COVER & BOOK

$

141

WE CURRENTLY HAVE  NEARLY 500  LISTED ITEMS

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·       ROLAND KIRK with JAKI BYARD, RICHARD DAVIS AND ELVIN JONES – RIP, RIG & PANIC – ORIGINAL 1965 LIMELIGHT RECORDS STEREO LP LS-86027

·       ORIGINAL U.S. PRESSING

·       ORIGINAL DARK GREEN LIMELIGHT LABEL WITH MULTIPLE “STAGE LIGHT” LOGOS

·       DEEP GROOVE PRESSING

·       RECORDED (AND POSSIBLY MASTERED?) BY RUDY VAN GELDER

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL GATEFOLD COVER, MADE OF THICK CARDBOARD (AMERICAN STYLE) – THIS IS NOT A REISSUE IN A SINGLE-POCKET COVER

·       INCLUDES ORIGINAL INSERT / BOOKLET CUT IN A PAPER POP-UP FORM

·       ORIGINAL "TEXTURED" (NIBBED) COVER.

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1/-1'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Despite its brevity, Rip, Rig, and Panic may be pre-Rahsaan Roland Kirk's greatest outing. Recorded in 1965 at Rudy Van Gelder's studio in New Jersey, Kirk is teamed with the most awesome rhythm section he ever recorded with: drummer Elvin Jones, pianist Jaki Byard, and bassist Richard Davis. Clocking in at a mere 36 minutes, Kirk and his quartet moved through a series of musicological changes that defined him as an artist at the time. Five of the seven compositions are his, and reach through each of the phases that Kirk was interested in integrating into his compositional and improvisational voice. First there is the elegant modal music of "No Tonic Press," with its non-linear mathematic groove maintained with verve by Jones in all the knotty spots. Then there is the ethereal Middle-Eastern harmony juxtaposed against the changes in "Once in a While" by Bennie Green. But the whole thing comes together by the third tune, when Kirk sifts his hearing of New Orleans music into gear with "From Bechet, Byas, and Fats." Using his loopy manzello to approximate the soprano saxophone, Kirk and Byard trade fours on some odd open-D modal theme before shifting into the music of Bechet's time and coming out on tenor with direct quotes from the Don Byas book, with Byard and Davis turning around on a blues motif as Jones double times with a sheet of rim shots. Through the rest, the set moves consistently more outside, with Kirk flipping instruments and Jones and Davis turning the rhythmic patterns around on Byard, who takes it all in stride and shifts the harmonic levels to Kirk's intensity on the title track and "Mystical Dream." The set ends with the bluesy, somnambulant groove of "Slippery, Hippery, and Flippery." There's a paranoid opening with Jones running all over the kit, Byard slipping up and down the board, and Kirk making siren sounds before entering his bluesy post-bop nightmare of a jam that winds itself out over studio distortion, Kirk's noises, and a killer tenor solo that caps everything on the album. Positively smashing.

 (EXCERPT FROM AN ONLINE REVIEW BY THOM JUREK, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

"Roland Kirk has forever been my idol. Some people create a total thing by using the audience as a base of communication, not just playing for themselves or for a certain market — which is the same thing. That's what he did, and that's what I do. Others play the same music live that they played on record which is fine, but it's like who are they doing it for and why? I mean, they've already done it. Why do they go backwards?  Why don't they move into new territory and explore new concepts like Roland Kirk does, or Miles Davis? Music should be alive, in-the-now. It should come out of the moment you're sharing with the audience. Roland has been my idol for years, his rhythmic time, his conception, all of his chops, but his expression is the thing I'm really moved by. He doesn't hold anything back. He gives it all and it's awake and vital, in the moment, not some retread of an album he did ten years ago or even yesterday. Everything great is rooted in spontaneity and Roland Kirk is the epitome of spontaneity".

- TIM BUCKLEY, AS QUOTED BY ►LEE UNDERWOOD, THE AUTHOR OF 'BLUE MELODY: TIM BUCKLEY REMEMBERED

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(d)          The record comes in the original (all-green) stock inner sleeve.

(e)           The album comes with its original 8-page insert / booklet

(f)            Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

COVER IS NEAR MINT

The following flaws or imperfections are noted on the cover:

-        Front panel has a small sticker with a filing code affixed with clear scotch tape around it (may be possible to remove, but we did not attempt to)

-         Minor shelf wear noted on the seams (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No ring wear

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No wrinkles or creases

-        No yellowing from aging

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

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