ROLLING STONES LET IT BLEED LP on LONDON NM POSTER ORIG SLEEVE 1969
$
29
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Description
Here is an EXCELLENT PLUS! copy of the LP from THE ROLLING STONES titled LET IT BLEED. It is an ORIGINAL US pressing on the LONDON label, catalog #NPS-4 in STEREO sound. This LP was originally released in 1969. The vinyl is in NEAR MINT MINUS / EXCELLENT PLUS! condition, shiny and black, and should have excellent playback. It comes with its’ ORIGINAL INNER SLEEVE! It ALSO comes with its’ ORIGINAL POSTER! which has no tears, tape or pinholes and has a small corner fold that doesn’t affect this beautiful poster. The original cardboard cover is in EXCELLENT PLUS! condition with a light corner bumping, light edge and corner wear. It is an EXCELLENT PLUS! copy for you to own. It is an opportunity to purchase this SUPERB! LP by THE ROLLING STONES. It’s a must have for the STONES / BLUES-ROCK / HARD ROCK collector!! Email me with any questions and be sure to look at the pic’s. I DO NOT ACCEPT BIDS FROM OR MAIL TO SOUTH AMERICA, SOUTH AFRICA, ITALY & OTHER COUNTRIES. IF YOU ARE NOT FROM THE USA CONTACT ME BEFORE BIDDING! International bidders can email me for shipping rates. SHIPPING IN THE US IS $5.00 for MEDIA MAIL (IT IS NOT $4.00). US BUYERS PLEASE WAIT FOR INVOICE! Thanks for Looking & Good Luck!
Music Review from AllMusic.com by Richie Unterberger
Mostly recorded without Brian Jones -- who died several months before its release (although he does play on two tracks) and was replaced by Mick Taylor (who also plays on just two songs) -- this extends the rock and blues feel of Beggars Banquet into slightly harder-rocking, more demonically sexual territory. The Stones were never as consistent on album as their main rivals, the Beatles, and Let It Bleed suffers from some rather perfunctory tracks, like "Monkey Man" and a countrified remake of the classic "Honky Tonk Woman" (here titled "Country Honk"). Yet some of the songs are among their very best, especially "Gimme Shelter," with its shimmering guitar lines and apocalyptic lyrics; the harmonica-driven "Midnight Rambler"; the druggy party ambience of the title track; and the stunning "You Can't Always Get What You Want," which was The Stones' "Hey Jude" of sorts, with its epic structure, horns, philosophical lyrics, and swelling choral vocals. "You Got the Silver" (Keith Richards' first lead vocal) and Robert Johnson's "Love in Vain," by contrast, were as close to the roots of acoustic down-home blues as The Stones ever got.
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