ROLLING STONES " LET IT BLEED " STEREO BOXED DECCA STICKERED SLEEVE SKL 5025 -EX

	£		26
	$		34

Description

TITLE - " LET IT BLEED " 

LABEL - STEREO BOXED DECCA

RECORD NO. - SKL 5025

YEAR - 1969

SLEEVE -  STICKERED SLEEVE - EX

NO POSTER

VINYL - EX

MATRIX -

             - XZAL-9363-P-3W No. 1 @ 9. o'clock

             - XZAL-9364-P-3W No. 1 @ 9. o'clock

TRACK LISTING........

A1 Gimme Shelter Bass – Bill WymanDrums – Charlie WattsGuitar – Keith Richard*Percussion – Jimmy MillerPiano – Nicky HopkinsVocals – Keith Richards, Mary Clayton*Vocals, Harmonica [Harp] – Mick Jagger 4:30 A2 Love In Vain Bass – Bill WymanDrums – Charlie WattsGuitar – Keith Richard*Mandolin – Ry CooderVocals – Mick JaggerWritten-By – Payne* 4:18 A3 Country Honk Drums – Charlie WattsFiddle – Byron BerlineGuitar – Keith Richard*Slide Guitar – Mick TaylorVocals – Keith Richards, Mick Jagger, Nanette Newman 3:00 A4 Live With Me Bass – Keith RichardsDrums – Charlie WattsGuitar – Keith Richard*, Mick TaylorPiano – Nicky HopkinsPiano, Arranged By [Horns] – Leon RussellTenor Saxophone – Bobby KeysVocals – Mick Jagger 3:35 A5 Let It Bleed Bass, Autoharp – Bill WymanDrums – Charlie WattsGuitar – Keith Richard*Piano – Ian StewartVocals – Mick Jagger 5:27 B1 Midnight Rambler Bass – Bill WymanDrums – Charlie WattsGuitar – Keith Richard*Percussion – Brian Jones (5)Vocals, Harmonica [Harp] – Mick Jagger 6:52 B2 You Got The Silver Autoharp – Brian Jones (5)Bass – Bill WymanDrums – Charlie WattsPiano, Organ – Nicky HopkinsVocals, Guitar – Keith Richard* 2:51 B3 Monkey Man Bass, Vibraphone [Vibes] – Bill WymanDrums – Charlie WattsPiano – Nicky HopkinsTambourine – Jimmy MillerVocals – Mick JaggerVocals, Guitar – Keith Richard* 4:12 B4 You Can't Always Get What You Want Arranged By [Choral Arrangements] – Jack NitzscheBacking Vocals – Doris Troy, Madelaine Bell*, Nanette NewmanBass – Bill WymanChoir – The London Bach Choir*Drums – Jimmy MillerGuitar – Keith Richard*Percussion – Rocky DijonPiano, Organ, French Horn – Al KooperVocals – Mick Jagger 7:28

Companies, etc.

• Mastered At – Decca Studios
• Manufactured By – The Decca Record Company Limited
• Printed By – Upton Printing Group

Credits

• Design [Cover & Liner] – Robert Brownjohn
• Design [Sleeve & Poster] – Victor Kahn (2)
• Engineer – Glyn Johns
• Mastered By – W (12)
• Photography By – Don McAllester
• Producer – Jimmy Miller
• Written-By – Jagger, Richard* (tracks: A1, A3 to B4)

Notes

Includes a free poster and a printed inner sleeve. 
Back cover shows the ''indicator hole'' to let the inner sleeve peep through: blue=stereo, red =mono. 

Sleeve is made by "Upton Printing Group". 

First cat.nr. on cover, second on label. Inner sleeve shows "London Bach Choir". 

This release has a blue boxed label. . No speed, date at bottom of label.
Sticker on front cover. 

Barcode and Other Identifiers

• Rights Society: BIEM/NCB/GEMA
• Matrix / Runout: XZAL-9363-P-3W
• Matrix / Runout: XZAL-9364-P-3W

There may be slight paper scuffs or hairlines - if you require further condition reports please just ask.

SIX  LPs CAN BE MAILED FOR SAME PRICE AS ONE SECOND CLASS ONLY **( UK ONLY ) ** DOUBLE ALBUM = 2 x LPs.

PLEASE WAIT FOR COMBINED INVOICE

Thank you for looking and happy bidding, and you can view my great feedback for peace of mind.

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GRADING: All records are graded using the standard UK Record Collector Grading system as follows:

• MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
• EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.
• VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
• GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
• FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
• POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
• BAD: The record is unplayable or might even be broken, and is only of use as a collection filler.

price rating

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