ROLLING STONES STICKY FINGERS RARE SEALED VIRGIN 180gr AUDIOPHILE LP ANDY WARHOL

$

96

WE CURRENTLY HAVE  MORE THAN 300  LISTED ITEMS

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·       ROLLING STONES - STICKY FINGERS - VERY RARE ORIGINAL, LONG OUT-OF-PRINT 1994 VIRGIN RECORDS (AMERICA) ANALOG,AUDIOPHILE PRESSING ON A 180-GRAM, HI-GRADE, 'VIRGIN RTI VINYL' MASTERED FROM THE ORIGINAL MASTER TAPES - ORIGINAL VIRGIN STEREO  LP

·       ORIGINAL U.S. PRESSING

*** STILL SEALED TRUE AUDIOPHILE PRESSING OF THIS ROCK MASTERPIECE WHICH BEATS THE MOBILE FIDELITY PRESSING INTO A PULP***

·       GUARANTEED ORIGINAL YELLOW ROLLING STONES RECORDS "STICKING TONGUE" LABEL WITH THE SMALL 'VIRGIN' LOGO ON THE LEFT SIDE

·       THE THICKNESS OF THE VINYL, THE APPEARANCE AND THE CONSTRUCTION OF THE COVER, LABEL’S LOGO AND OTHER PERIPHERAL ELEMENTS OF THE COVER, ARE ALL PERFECTLY CONSISTENT WITH THE ORIGINAL, FIRST PRESSING OF THIS TITLE.

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. 180-GRAM AUDIOPHILE PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL UNIPAK-LIKE CUSTOM-MADE COVER UNIQUE TO THIS TITLE; WITH  ARTWORK BY ANDY WARHOL AND WITH CONCEALED PHOTO OF A, UM… WELL-ENDOWED DUDE INSIDE – PROBABLY THAT OF MR. MICK “JUMPIN’ JACK” JAGGER HIMSELF (YOU WOULDN’T EXPECT ANYTHING ELSE FROM ANDY WARHOL, WOULD YOU?).

·       THIS RELEASE SPORTS U.K. VERSION OF THE COVER ARTWORK (SLIGHTLY DIFFERENT THAN THE CORRESPONDING U.S. RELEASE)

·       THE ALBUM IS GUARANTEED TO INCLUDE ITS ORIGINAL INSERT

·       VERY THICK, HEAVY VINYL PRESSING

THIS ITEM COMES FROM THE INCREDIBLE, SINGLE-OWNER COLLECTION WE ACQUIRED A WHILE AGO, IN WHICH ITEMS ORIGINALLY BOUGHT BY THE OWNER FROM THE MID-1970s to THE MID-2010s WERE KEPT STILL SEALED IN A NEAR-LABORATORY, TIME-CAPSULE CONDITIONS AND IN PRACTICALLY CLIMATE- AND HUMIDITY- CONTROLLED ENVIRONMENT.  CONDITIONS OF SOME OF THESE ITEMS RANGE FROM IMPECCABLE TO TRULY UNBELIEVABLE. SOME OF THESE BEAUTIFUL MUSEUM PIECES LOOKED SO PERFECT THAT WE HAD TO REINSPECT AND RE-EXAMINE THEM A FEW TIMES TO MAKE SURE THEY OUR EYES ARE NOT DECEIVING US.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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Pieced together from outtakes and much-labored-over songs, Sticky Fingers manages to have a loose, ramshackle ambience that belies both its origins and the dark undercurrents of the songs. It's a weary, drug-laden album -- well over half the songs explicitly mention drug use, while the others merely allude to it -- that never fades away, but it barely keeps afloat. Apart from the classic opener, "Brown Sugar" (a gleeful tune about slavery, interracial sex, and lost virginity, not necessarily in that order), the long workout "Can't You Hear Me Knocking" and the mean-spirited "Bitch," Sticky Fingers is a slow, bluesy affair, with a few country touches thrown in for good measure. The laid-back tone of the album gives ample room for new lead guitarist Mick Taylor to stretch out, particularly on the extended coda of "Can't You Hear Me Knocking." But the key to the album isn't the instrumental interplay -- although that is terrific -- it's the utter weariness of the songs. "Wild Horses" is their first non-ironic stab at a country song, and it is a beautiful, heart-tugging masterpiece. Similarly, "I Got the Blues" is a ravished, late-night classic that ranks among their very best blues. "Sister Morphine" is a horrifying overdose tale, and "Moonlight Mile," with Paul Buckmaster's grandiose strings, is a perfect closure: sad, yearning, drug-addled, and beautiful. With its offhand mixture of decadence, roots music, and outright malevolence, Sticky Fingers set the tone for the rest of the decade for the Stones.

 (EXCERPT FROM AN ONLINE REVIEW BY STEPHEN THOMAS ERLEWINE, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, or for some other innate quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye , Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565 (or ►click here  for the complete album listing)

And the music…well, if you don’t know the music by now, you must have spent the last 36 years in some (very) uninhabited place or in solitary confinement. Track listing: Brown Sugar --- Sway --- Wild Horses --- Can't You Hear Me Knocking --- You Gotta Move --- Bitch --- I Got The Blues --- Sister Morphine --- Dead Flowers --- Moonlight Mile.

ABOUT ANDY WARHOL ALBUM COVERS

Andy Warhol did album covers throughout his life - the most well-known being the 1967 Velvet Underground album featuring a banana and the 1971 cover for The Rolling Stones' album Sticky Fingers, co-designed with Craig Braun, which featured an image of a man's crotch in a pair of jeans with a functioning zipper. The Nations Nightmare was probably the first album cover featuring Warhol's work. Concidentally, it dealt with the use of recreational drugs - a theme that would often be associated with Warhol and his entourage throughout the 1960s as a result of films like The Chelsea Girls which showed Brigid Berlin shooting up speed on camera. Warhol would also became known for his use of transvestites in his films. In approximately 1952, the same year that he won the award for The Nation's Nightmare, Warhol also did some of his earliest drawings of a man in drag when he sketched the photographer, Otto Fenn, dressed as a woman. Warhol's drawings were similar to photographs that Fenn had taken of himself dressed as a woman.

Other than these, Andy Warhol also did fine cover artwork for albums by Artie Shaw, Count Basie, Kenny Burrell (3 covers), Johnny Griffin, Joe Newman, Bennie Green, Diana Ross, John Cale (2 covers), John Wallowitch, Rolling Stones (3 covers), Velvet Underground (2 covers), Moondog, Liza Minelli,  Thelonious Monk, Paul Anka, Billy Squier, Tennesse Williams and many, many others.

Unzip your mind (and your fly) and your wallet will follow!

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·                               CONDITION:

·                               THE RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          THE ALBUM IS STILL FACTORY SEALED AND IS BELIEVED TO BE PERFECTLY MINT. Please note: sealed items are assumed to be mint and are sold as-is, as we have no way of inspecting them. For our policy on still sealed records ►click here (PLEASE READ BEFORE PLACING A BID).

(b)          The record is  apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)             The record is believed to come in a poly-lined inner sleeve

(d)          The album comes with the original insert (this would have been custom inner sleeve on the original 1971 release/

(e)           The record is  apparently pressed on a beautiful, high-quality, virgin-grade vinyl, which is usually used for audiophile, extended-dynamic-range, half-speed mastered and connoisseur pressings.

(f)            Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

COVER IS STRONG NEAR MINT, STILL SEALED AND COVERED IN ITS ORIGINAL ►SHRINK WRAP

The following flaws or imperfections are noted on the cover:

-         Cover shows JUST A HINT of yellowing on both sides, apparently from aging.

-         Cover has a few tiny wrinkles along the spine  (BARELY VISIBLE)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.

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OUR REFUND POLICY :

WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 30 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►Click here  for the full text of our policy

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