Robin Trower Twice Removed Yesterday LP Sealed 1973 PROMO VINYL CHR1039 Record
  $   91

 


$ 91 Sold For
Apr 22, 2013 Sold Date
Dec 23, 2012 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

Robin Trower Twice Removed From Yesterday
Factory Sealed/Factory New
PROMOTIONAL COPY - with sticker and  insert on back - Quite possibly a White Label Promo.
1973 ORIGINAL 1ST pressing - A True Original

FROM Wikipedia.com:
'Chrysalis entered into a licensing deal with Chris Blackwell's Island Records for distribution,[2] based on the success of bands like Jethro Tull, Cat Stevens, Robin Trower and Procol Harum, which were promoted by the label. Jethro Tull signed with Reprise Records in the United States, which led Chrysalis to an American distribution deal with Reprise's parent company, Warner Bros. Records. This lasted from 1972 until U.S. Chrysalis switched to independent distribution in 1976.'
This explains why there is a Warner Brothers Promo Sticker on this 1973 Chrysalis Record and adds validity to the date of the pressing.

Cover is NM- slight crease in bottom left, shelf wear on shrinkwrap
CHRYSALIS Records - CHR1039
OUT OF PRINT
Rare, and hard to find ORIGINAL, PROMO album.

"Robin Trower's debut solo album was the first evidence that the Fender Stratocaster sound of Jimi Hendrix could be effectively replicated and even refabricated. And like Hendrix, Trower had paid his dues as a more-or-less backup musician, his former band Procol Harum having emphasized stately organ and piano rather than guitar. After leaving his old group, Trower experimented with different musicians and ideas for several years, which paid off when he finally released Twice Removed From Yesterday, a record that displayed the characteristics that would make him a guitar hero and stadium attraction of the mid-'70s. He de-emphasized the Hendrix fuzz, feedback, and distortion, and let the reverb from his Strat become his dominant tonal device. He wasn't as flamboyant as Hendrix, as earthy as Eric Clapton, or as unpredictable as Jeff Beck, but he played cleanly, emphasizing singular, effective notes, and he brought a melodicism and creativity to the electric blues. His style is best suited for the slow, somber blues of songs like "Daydream" and "I Can't Wait Much Longer," where his solos are both carefully structured and melodic. The most intriguing tune on the album is the title track, a nugget of '70s-style psychedelic rock that showed Trower to be a pretty good songwriter. The best aspects of Twice Removed would come to full flowering on his next album, Bridge of Sighs, but this debut showed Trower to be an effective interpreter of the Hendrix sound, and not just what numerous others who came in his wake would prove to be: mere imitators."
-allmusic.com

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