SAINT VITUS Hallow's Victim - 1985 DOOM Metal LP
  $   53

 


$ 53 Sold For
Dec 12, 2008 Sold Date
Dec 5, 2008 Start Date
$   10 Start price
10   Number Of Bids
  USA Country Of Seller
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Description

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ITEM 
Artist: Saint Vitus

Title: Hallow's Victim
Original Stereo LP with Lyric Inner Sleeve

 

CONDITION

Cover: vg+, cover has slight edge and ring wear

Vinyl: vg++

Grading scale: m-, vg++, vg+, vg, vg-, etc. 

(similar to goldmine's, except I do not use m or nm)

All vinyl is graded visually, play grade upon request.


INFO
Label: SST

Label / Matrix #: SST 052

Country of Origin: USA

Year made: 1985

Keep it simple, keep it good. Saint Vitus certainly put faith in this principle when they recorded Hallow’s Victim, but Scott Reagers’ and David Chandler’s melodic excellence turns everything to gold. Both vocalist who were in Saint Vitus in the 80s are incredible, but I prefer Reagers to Wino by a long shot. He has a multifarious and expressive voice, unlike Wino he mostly can be found in higher registers and sometimes there’s a strong NWOBHM-vibe going on, certainly comparable with Witchfinder General. You’ll be surprised how gripping the vocal lines are. Soon you’ll find yourself conspirationally grumbling the first couple of words from ‘Mystic Lady’ even when the music’s not running: Black smoke rising, yes, let the doom commence. The main/verse riff of the song literally oozes with hopelessness, everytime the guitar goes up the scale a bit, a crushing downfall follows instantly. Three minutes in, it suddenly speeds up and there’s a fuzzy solo before Saint Vitus show again why they’ll be remembered as one of best doom bands. Without the solo part there’re two riffs in more than seven minutes, but when the song’s over, you don’t want to hear anything but those two riffs and you’ll press the replay button. ‘Mystic Lady’ is the only song which most people would instantly label as doom metal, because the other ones may have a couple of slower parts, but the average pace varies between mid-tempo and fast, like the unexpectedly short title track. It’s hard not to notice the strong Black Sabbath influence, especially on ‘Prayer For the (M)asses’. When I get to hear a riff which sounds extremely familiar to me, I usually can’t put my finger on what’s the original song, but in this case it was absolutely obvious: ‘Symptom of the Universe’. The sensation is intensified by the fact that in the beginning it’s exactly the same drum pattern (minus the cymbal work). It’s astonishing how Saint Vitus can write such incredibly catchy songs and still be evidently minimalist, just like Motörhead, actually. The rather extensive and versatile soloing ranges from gloomy melodic leads to frenzied shredding with an extra dose of distortion and wah-wah. The bass fortunately can be clearly heard all the way through and sometimes just doubling the guitar does the job pretty well and proves to be the most effective way of contributing to the sound. The drumming is solid, never gets boring and perfectly fits the riffs. There’s almost no filler-material, it’s just that ‘Just Friends (Empty Love)’ isn’t remarkable at all. It’s a decent song, but if it wasn’t for Scott Reagers’ amazing voice, it’d seem that it’s the only song they wrote in a sober state of mind, it’s that unmemorable. Out of the other songs, only the aforementioned ‘Mystic Lady’ sticks out, but that’s solely due to it being the only crushingly slow doom metal tune. Well, it’s my favorite Saint Vitus song, but that’s because it was the first one I heard by them. Shamefully, Hallow’s Victim hasn’t been re-released on CD yet, but if you can find the LP, by all means go for it! You’ll be holding a metal classic in your hands. Written by DeathForBlitzkrieg
 

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All LPs, unless sealed, the vinyl will be removed from cover before packaging.
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