SCARCE SOUGHT NEIL YOUNG BROKEN ARROW = 2 LP CRAZY HORSE psych ROCK
  $   146

 


$ 146 Sold For
Feb 2, 2014 Sold Date
Jan 30, 2014 Start Date
$   10 Start price
20   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

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              LIMITED EDITION DOUBLE LP + LYRICS

          

          

                  NEIL YOUNG

                 Broken Arrow

              

                              

            

\                                                      USA - Reprise Records - 46291  

 

MINTY CLEAN ALL OVER THE PLACE!

BIG TIME SOUGHT AFTER, always been hard to find limited VINYL pressing ... a whopping DOUBLE album ...includes the printed lyrics inner sleeve ...

On Broken Arrow, Neil Young with Crazy Horse, opened another chapter by one of rock and roll's longest running musical collaborations. Young and the group - Poncho Sampedro, vocals, guitar; Billy Talbot, vocals, bass; and Ralph Molina, vocals, drums, percussion - have been playing together, on and off, since 1969, when original member Danny Whitten helped found Crazy Horse with Young. The group and its legendary frontman went on to record such epochal albums as Everybody Knows This Is Nowhere, After the Gold Rush, Comes A Time, etc.   Neil Young and Crazy Horse’s Broken Arrow is loosely structured, fuzzed out, even more jam sessiony playing than usual is likely something only die hard Neil fans ate up. And so, as many of the album’s best songs fell the way of the wind, so did perhaps one of Neil’s best songs from his many 90s releases—a song included as a bonus track only on the vinyl release. Recorded during the Ragged Glory sessions, but never included on the album, “Interstate” is an acoustic masterpiece right alongside Neil’s best works. Deep low-tuned guitars, heavy handed strums, fingers sliding up the fretboard, a wanderer’s tale… One of the most resonant and riveting offerings in the entire spectrum of Neil Youngand Crazy Horse's on-going sonic explorations. Broken Arrow features eight Neil Young originals, plus a relentlessly raw rendition of the Jimmy Reed classic "Baby What You Want Me To Do" recorded live at the frontlines of the quartet's continuing assault on the boundaries of electric expression. With Broken Arrow, Neil Young with Crazy Horse have set the standards for real rock 'n' roll into the oncoming millennium.   The term "grunge" has often been associated with Neil, and no one epitomizes the term better than him. Broken Arrow is rock at its slow, crawling, best. To understand why so many people virtually worship this guy's music, especially when he melds with Crazy Horse, you need to let yourself enter his music as if you were entering a dark and turgid river, and then just let it take you on a journey. If you try to analyze this album, you'll never figure it out.

Broken Arrow is all about deep longing, and struggling for some light in a dark world. The first three tracks on the album create a trance-like mood that can evoke a mystic state in the listener. There is a sense of the divine underlying the best music, from Beethoven, to Mahler to Robert Simpson. It's there in the jams of the Dead, Pink Floyd, Frank Zappa and Eric Clapton in his heroin days. If you let yourself go into this album, you will sense the mystic as strongly as in other great Neil and Crazy Horse jams (Powderfinger, Cortez the Killer, Change Your Mind, Love and Only Love, Down by the River, Last Dance, etc.).

In "Big Time," every pluck of Neil's guitar is a quest for something beautiful that has been lost, or a dream that is fading-an recurring Neil Young image. About six minutes into the song there's a classic Neil Young and Crazy epiphany that explodes with beauty.

"Loose Change" starts out optimistically, but becomes is a quest for something that is never found. It's like a cry for the sun during a horribly dark and gloomy day and, no matter how powerful the cry, the sun never seems to break through. About half way through the song, it's as if Neil and Crazy Horse get stuck in the mud, and the river just goes round and round the same notes. I've read somewhere that this part of the song was a sort of an aural wake for David Briggs, a long time collaborator and friend of Neil's.

"Slip Away" makes one think of the great jams of the seventies that are missing in the instant-gratification I-Pod stuffing music of today. Almost symphonic in scale, it's long, abstract, and has moments of true profundity.
The dark river runs through all the rest of the tracks too, although they seem lighter and more tuneful, oddly transcendent images of old souls flying through darkness ("Scattered) and not being asleep when he's lying down ("This Town") abound.

"Baby What You Want From Me", sounds like a raw primitive jammer from the back of a small but noisy bar. You hear a lot of the clatter of drinks clinking. There's one part where someone in the audience actually says, "Where's the door?" Somehow it fits in with the song and finishes the album with a strong sense of otherworldliness.

Broken Arrow is Neil and Crazy Horse at their slow, dark, turgid best. It's not for surface dwellers, but once you get caught up in its powerful undercurrents, you will never be able to leave.
  1. "Big Time" – 7:24
  2. "Loose Change" - 9:10
  3. "Slip Away" – 8:36
  4. "Changing Highways" – 2:28
  5. "Scattered (Let's Think About Livin')" – 4:13
  6. "This Town" – 2:59
  7. "Music Arcade" – 3:59
  8. "Baby What You Want Me to Do" – 8:08
  9. "Interstate" 6:24 (released on LP version only)

 

CONDITION: The Cover: The dark cover is TOP CLEAN, rated M- and has NO problems !

The Vinyl: Both records, all 4 sides are claen clean M- and plays perfect!

       

      A cool addition to anyone's music library!

 

SEE: SELLERS OTher items for similar cool sounds for "head" people...

 

EFFICIENT/CAREFUL GRADING

All imperfections are noted both cover & record

  NOTE: All Items backed by  money back guarantee! IF you have a problem PLEASE let us solve for you BEFORE leaving ANY negative feedback. Thanks!   GRADING SCALE: M, M-, EX, VG++,VG+, VG, VG- M    Completely clean, no marks M-   Carefully used, looks clean, plays clean, shiny gloss, no marks EX   Faint scuff or superficial mark, near M-, high gloss, plays clean VG++ Glossy with minimal scuffing or light mark playing very nice, clean VG+ a bit more scuff or markls still plays well with very minimal surface at worse VG   more marks/scratches only minor, nothing deep, no loud clicks or pops         this grade is abused by many, VG here does not mean "trashed" VG-  surface noise present, will not have skips or jumps     ALL PAYMENTS SHOULD BE MADE WITHIN 5 DAYS Of AUCTIONS END   BIDDERS PLEASE = Do Not Bid If You Are Not Serious About  Following Through The Transaction!   ALL ITEMS GUARANTEED FOR WINNING BID - LESS SHIPPING!

 


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