SEALED LP: CHARLIE DANIELS: TE JOHN, GREASE, & WOLFMAN

$

30

Charlie Daniels Band: Te John, Grease, & Wolfman
FACTORY SEALED LP Format: Album
Country: U.S.A. Condition of the cover: MINT
Condition of this Album: Sealed - Assumed Mint Record Company & Release Number: Epic: JE 34665
Original release date: 1978
Bar Code: NONE My inventory number: 205067
Shipping Weight: 1 pounds, 1 ounces
Notes: - - - Please contact me if you have any difficulty viewing the photos.
Songs

• Great Big Bunches of Love
• I'll Try Again Tomorrow
• Parchment Farm
• Tomorrow's Gonna Be Another Day
• Black Autumn
• In the City
• King Size Rosewood Bed
• Evil
• Billy Joe Young
• Drinkin' Wine, Spo-Dee-O-Dee

• Jeff Myer: Drums
• Charlie Daniels: Guitar, Main Performer, Vocals
• Joel "Taz" DiGregorio: Keyboards, Vocals
• Earl Grigsby: Bass, Vocals

On this, Charlie Daniels' second release, there are obvious signs of a bright future for the guitar- and fiddle-playing hillbilly rocker. Along for the ride is Joel "Taz" DiGregoria, Charlie's longtime bandmate and keyboard wizard. Taz even takes lead vocal duties on one song, "Billy Joe Young," and his ivory tickling is a highlight of this historical Southern-rock document. Daniels rocks with the intensity of a downbound train on "Great Big Bunches of Love," and on his cover of the Jerry Lee Lewis chestnut "Drinkin' Wine, Spo-Dee-O-Dee." A true Southern poet, Charlie Daniels is seen here in the infancy of his artistic development, but even at this early stage, the poet is alive and well. ~ Michael B. Smith, All Music Guide

A talented and showy fiddler, Charlie Daniels and his band fuse hardcore country with a hard-edged Southern rock boogie and blues. The group -- which has had a rotating cast of musicians over the years -- has always been known for their instrumental dexterity, but they were also notorious for their down-home, good-old-boy attitude; in the early '80s, they became a virtual symbol of conservative country values. Daniels and his band experienced the height of their popularity at the end of the '70s and early '80s, but they remained a popular concert attraction well into the '90s.

Daniels was born and raised in North Carolina, playing fiddle and guitar in several bands during his teenage years. At the age of 21, he decided become a professional musician, assembling an instrumental rock & roll combo called the Jaguars. The group landed a recording session for Epic Records in 1959 with Bob Johnson, who would later become Columbia Records' leading folk and country producer. The record didn't receive much attention, but the band continued to play and Daniels continued to write songs. One of his originals, "It Hurts Me," was recorded by Elvis Presley in 1963. By the late '60s, it had become clear that the Jaguars weren't going to hit the big time, so Johnson recommended to Daniels that he move to Nashville to become a session musician. Daniels followed the advice and became one of the most popular fiddlers in Nashville. He played on several Bob Dylan albums -- Nashville Skyline, Self Portrait, New Morning, and Dylan -- as well as Ringo Starr's 1970 record Beaucoups of Blues. He also became part of Leonard Cohen's touring band in the late '60s and produced the Youngbloods' Elephant Mountain album around the same time.

Daniels cut an album for Capitol Records in the early '70s that was ignored. In 1972, he formed the Charlie Daniels Band, using the Southern rock of the Allman Brothers as a blueprint. The band comprised Daniels (lead guitar, vocals, fiddle), lead guitarist Don Murray, bassist Charlie Hayward, drummer James W. Marshall, and keyboardist Joe DiGregorio. The formula worked, and in 1973 they had a minor hit with "Uneasy Rider," which was released on Kama Sutra Records. In 1974, they released Fire on the Mountain, which became a gold record within months of its release; the album would eventually go platinum. Its successor, 1975's Nightrider, did even better, thanks to the Top 40 country hit "Texas." Saddle Tramp, released in 1976, became his first country Top Ten album, going gold.

• Throughout the mid-'70s, the Charlie Daniels Band pursued a Southern rock direction. They were moderately successful, but they never had a breakthrough hit either on the pop or country charts. By the late '70s, Daniels sensed that the audience for Southern rock was evaporating, so he refashioned the band as a more straightforward country band. The change paid off in 1979 when the single "The Devil Went Down to Georgia" became a number one hit, crossing over into the pop charts, where it hit number three. The song was named the Country Music Association's Single of the Year and helped its accompanying album, Million Mile Reflections, become a multi-platinum success.
• Daniels wasn't able to follow "The Devil Went Down to Georgia" with another blockbuster single on the country charts, ironically, but he had several rock crossover successes in the years following the success of Million Mile Reflections: Full Moon (1980) went platinum and Windows (1982) went gold. Although he continued to sell respectably throughout the '80s, he didn't have a big hit until 1989's Simple Man, which went gold. In the '90s, his records failed to chart well, although he remained a popular concert draw.

This record came from a record store called "Phantasmagoria" which was located in Allentown, Pennsylvania. Phantasmagoria went out of business in 1978. I purchased most of their unsold inventory some years later when I owned "Music Madness" - a new & used record store in Catasauqua.

Phantasmagoria used round colored stickers to indicate the price of the albums. They had a sign on the wall with the color sticker combinations for the customers to use so they knew the price of the albums. Most of the albums still have these stickers on them, and in some rare cases, the stickers are written on. Some of the records have prices on them. This is the price you would have paid for the record in 1978 if you would have bought it at Phantasmagoria. Please don't confuse these prices with their current value.

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