SEALED LP Talking Heads MORE SONGS ABOUT BUILDINGS AND FOOD from 1978 ??????
  $   35

 


$ 35 Sold For
Mar 25, 2013 Sold Date
Mar 18, 2013 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

SEALED LP Talking Heads MORE SONGS ABOUT BUILDINGS AND FOOD from 1978 ??????



A MINT ORIGINAL LP ON SIRE RECORDS SRK 6058

FROM 1978 AND STILL SEALED!

PRODUCED BY BRIAN ENO AND THE TALKING HEADS

11 TRACKS INCLUDE THANK YOU FOR SENDING ME AN ANGEL, WITH OUR LOVE, THE GOOD THING, WARNING SIGN, THE GIRLS WANT TO BE WITH THE GIRLS, FOUND A JOB, ARTISTS ONLY, I'M NOT IN LOVE, STAY HUNGRY, TAKE ME TO THE RIVER, THE BIG COUNTRY,

COVER STOCK STILL SEALED WITH WHAT APPEARS TO BE THE ORIGINAL SHRINK WRAP INTACT. CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.

FROM A NOTED JAZZ REVIEWER'S PRIVATE COLLECTION

?PLEASE
NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT MY GRADING SYSTEM AND IS IN ADDITION TO ANYTHING WRITTEN ABOVE AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE STATE OF VINYL......YOU PLAY THE VINYL AND NOT THE COVER....COVER IS NOTED SEPARATELY. IF I'VE TEST PLAYED THE LP IT WILL BE NOTED. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.

FROM
THE ALLMUSIC.COM WEBSITE:
review
by William Ruhlmann
The title of Talking Heads' second album, More Songs About Buildings and Food, slyly addressed the sophomore record syndrome, in which songs not used on a first LP are mixed with hastily written new material. If the band's sound seems more conventional, the reason simply may be that one had encountered the odd song structures, staccato rhythms, strained vocals, and impressionistic lyrics once before. Another was that new co-producer Brian Eno brought a musical unity that tied the album together, especially in terms of the rhythm section, the sequencing, the pacing, and the mixing. Where Talking Heads had largely been about David Byrne's voice and words, Eno moved the emphasis to the bass-and-drums team of Tina Weymouth and Chris Frantz; all the songs were danceable, and there were only short breaks between them. Byrne held his own, however, and he continued to explore the eccentric, if not demented persona first heard on 77, whether he was adding to his observations on boys and girls or turning his "Psycho Killer" into an artist in "Artists Only." Through the first nine tracks, More Songs was the successor to 77, which would not have earned it landmark status or made it the commercial breakthrough it became. It was the last two songs that pushed the album over those hurdles. First there was an inspired cover of Al Green's "Take Me to the River"; released as a single, it made the Top 40 and pushed the album to gold-record status. Second was the album closer, "The Big Country," Byrne's country-tinged reflection on flying over middle America; it crystallized his artist-vs.-ordinary people perspective in unusually direct and dismissive terms, turning the old Chuck Berry patriotic travelogue theme of rock & roll on its head and employing a great hook in the process.

AND,
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