SEALED LP: YUSEF LATEEF: 1984

$

40

Yusef Lateef: 1984

FACTORY SEALED LP

• 1984
• Try Love
• Soul Sister
• Love Waltz
• One Little Indian
• Listen to the Wind
• Warm Fire
• Gee Sam Gee
• The Greatest Story Ever Told [The Greatest Story Ever Told]

• Tamaki Beck - Supervisor
• James Black - Drums
• Robert Flynn - Cover Design
• Bob Hammer - Liner Notes
• Yusef Lateef - Flute, Oboe, Sax (Tenor)
• Joe Lebow - Liner Design
• Shigeo Miyamoto - Mastering Engineer
• Mike Nock - Piano
• Charles Stewart - Liner Notes, Cover Photo
• Bob Thiele - Producer
• Rudy Van Gelder - Engineer
• Reggie Workman - Bass

• Yusef Lateef has long had an inquisitive spirit and he was never just a bop or hard bop soloist. Lateef, who does not care much for the name "jazz," has consistently created music that has stretched (and even broke through) boundaries. A superior tenor-saxophonist with a soulful sound and impressive technique, Lateef by the 1950s was one of the top flutists around. He also developed into the best jazz soloist to date on oboe, an occasional bassoonist and introduced such instruments as the argol (a double clarinet that resembles a bassoon), shanai (a type of oboe) and different types of flutes. Lateef played "world music" before it had a name and his output was much more creative than much of the pop and folk music that passes under that label in the 1990s.
• Yusef Lateef grew up in Detroit and began on tenor when he was 17. He played with Lucky Millinder (1946), Hot Lips Page, Roy Eldridge and Dizzy Gillespie's big band (1949-50). He was a fixture on the Detroit jazz scene of the 1950s where he studied flute at Wayne State University. Lateef began recording as a leader in 1955 for Savoy (and later Riverside and Prestige) although he did not move to New York until 1959. By then he already had a strong reputation for his versatility and for his willingness to utilize "miscellaneous instruments." Lateef played with Charles Mingus in 1960, gigged with Donald Byrd and was well-featured with the Cannonball Adderley Sextet (1962-64). As a leader his string of Impulse recordings (1963-66) were among the finest of his career although Lateef's varied Atlantic sessions (1967-76) usually also had some strong moments. He spent some time in the 1980s teaching in Nigeria. His Atlantic records of the late '80s were closer to mood music (or new age) than jazz but in the 1990s (for his own YAL label) Yusef Lateef has recorded a wide variety of music (all originals) including some strong improvised music with the likes of Ricky Ford, Archie Shepp and Von Freeman.

FINE PRINT

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• This record came from a reocrd store called "Phantasmagoria" which was located in Allentown, Pennsylvania. Phantasmagoria went out of business in 1978. I purchased most of their leftover inventory some years later when I owned a new & used record store in Catasauqua called "Music Madness". Music Madness is still listed in the phone book if you want to try to contact me.
• Phantasmagoria used round colored stickers to indicate the price of the albums. They had a sign on the wall with the color sticker combinations for the customers to use so they knew the price of the albums. Most of the albums still have these stickers on them, and in some rare cases, the stickers are written on.
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