SEVERED HEADS - Ear Bitten (reissue) - Vinyl (gatefold 2xLP + insert)
£
34
$
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SEVERED HEADS
Ear Bitten (reissue) (gatefold 2xLP + insert)
Dark Entries US
Cat: DE 314. Rel: 9 Sep 24
Industrial/Noise
Side 1 - Track 1. All Rights Resevered Side 1 - Track 2. God Factory Side 1 - Track 3. Hawaii/Torso/97 Cigarettes Side 1 - Track 4. Acid Fur Side 1 - Track 5. Dance Side 1 - Track 6. New York Is A Lonely Town Side 1 - Track 7. (This Track Doesn't Exist) Side 2 - Track 1. Much About Bones Side 2 - Track 2. Scat Side 2 - Track 3. Pander To The Natives Side 2 - Track 4. For Garry 5 Side 2 - Track 5. The Monkey Is Safe Side 2 - Track 6. 1-2-3 A Baby Buggy Side 3 - Track 1. Walking Best Friend Side 3 - Track 2. Untitled 1 Side 3 - Track 3. Untitled 2 Side 3 - Track 4. Now This Is God's Son 1 Side 3 - Track 5. Acid Fur (demo) Side 3 - Track 6. Now This Is God's Son 2 Side 3 - Track 7. Hello Donald, Merry Christmas Side 3 - Track 8. Pinstripe Bus Side 4. The Man Of My Dreams
Dark Entries picks up Severed Heads yet again for Ear Bitten, a double LP reissue of some of the band's earliest material. Pegged as early pushers of the Australian underground industrial scene, Severed Heads emerged in the wake of a former project also shared between three members, Tom Ellard, Richard Fielding and Andrew Wright: Mr. And Mrs. No Smoking Sign. The edgier name Severed Heads was also, conveniently, snappier, and the sonic result of this resignal act would soon prove it a good decision. Though they say they aimed simply to take after forebears like Throbbing Gristle or Suicide, Ear Bitten proves much more than the simple fact of stylogeny. The 22-track record was born of an anarchic assemblage of found domestic and street-larked objects (as well as specialist musical instruments) blurring the lines between the two: using every sound-making tool from cassette deck, to rare Korg or Kawai synth, to proverbial pots and pans, to open-reel (and thus implicatively fuckable-with) dictaphones, Ear Bitten offers a diabolical vision of the sheer, wordless length of the post-punk deserts parched by their 70s, New York precursors.
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