SHIRLEY COLLINS FALSE TRUE LOVERS INSANELY RARE ORIG '59 FOLKWAYS MONO LP w/BOOK

$

164

WE CURRENTLY HAVE  MORE THAN 400  LISTED ITEMS

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·       SHIRLEY COLLINS – FALSE TRUE LOVERS (THIS IS SHIRLEY COLLINS'S - CREDITED AS 'SHIRLEY ELIZABETH COLLINS - FIRST ALBUM: A PROVERBIAL CORNERSTONE OF TRADITIONAL BRITISH FOLK) – ORIGINAL 1959 FOLKWAYS MONO LP FG-3564.

·       ORIGINAL U.S. PRESSING

·       ORIGINAL FLAT (NON-GLOSSY) BLUE FOLKWAYS LABEL WITH SILVER SCRIPT.

·       DEEP GROOVE PRESSING

·       FLAT-EDGE PRESSING

·       The record has an "EAR" symbol (a pretzel-like engravure about 1/4-inch/6mm long) in the trail-off vinyl, which on SOME jazz labels is associated with very early or first pressings)

·       THE ALBUM COMES WITH THE ORIGINAL 12-PAGE ANNOTATED BOOKLET AND FOLKWAYS' MARKETING LEAFLET (TWO INSERTS IN ALL)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       ORIGINAL "TEXTURED" (NIBBED, LEATHER-LIKE) COVER.

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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As a key figure in the British folk revival, this recording originally produced for Folkways in 1959 presents Shirley Collins at a tender age of 23 recording under the eye of legendary Folkways producer and then partner Alan Lomax assisted by pragmatic engineer Peter Kennedy. Recorded in London in a two-day marathon, the most distinctive voice in British folk song interpretation recorded this album of a cappella renditions of British and Irish tunes. Inflecting the collection with Appalachian gems she and Lomax had discovered in one of their legendary research jaunts the same year, False True Lovers is as vital a collection of this astonishing singer that exhibits the full spectrum of her interest and research into folk music tradition. As with the Sweet England collection re-issued in 2000 on Topic, her voice is captured in intimacy and naïveté that carried through her '60s landmarks Love, Death and the Lady and Anthems in Eden. This album is as striking as either masterpiece, a work of profound beauty.

 (EXCERPT FROM AN ONLINE REVIEW BY DEAN McFARLANE, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical information on this album, including track listing ►CLICK HERE

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·                               CONDITION:

·                               THE RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VG++. Light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly  insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(c)           This is the original flat-edge pressing

(d)          The record has an "ear" symbol (a pretzel-like engravure about 1/4-inch/6mm long) in the trail-off vinyl, which on SOME  jazz and blues labels (such as Blue Note; Folkways; Period, etc…) is associated with very early or first pressings). The 'ear' symbol is actually a letter 'P' in italic script, denoting a pressing made by Plastylite Corporation’s pressing plant.

(e)           The album comes with the original annotated booklet included.

(f)            The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(g)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-        Cover shows some light yellowing on both sides, apparently from aging.

-        Cover has a partially split bottom seam (less than 1 inch / 2.5 centimeters)

-        Cover has some fraying/wear along the spine

-        Cover has two corners slightly dinged (nothing significant)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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