SIMON & GARFUNKEL ? WEDNESDAY MORNING, 3AM ? NM archive Columbia stereo '64 folk

$

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Early stereo press of their overlooked debut, a fundamentally different release than any of the chart-toppers that began with their re-emergence in 1966. It contains their first recordings since their teen harmony days as Tom & Jerry, and was cut in March 1964, at a time when they were both under the spell of their local folk scene. As it had in 1957 with "Hey, Schoolgirl," their harmonizing came out of the Everly Brothers' playbook, but Simon was beginning to evolve into a serious songwriter, although he shares space with other contemporary composers. The album opens with a spirited rendition of Gibson and Camp's gospel/folk piece "You Can Tell the World," and Ian Campbell's "The Sun Is Burning" (which Simon had heard on his first visit to England as an itinerant folksinger) is another inspired choice. But the dominant outside personality is that of Bob Dylan: not only is his "Times They Are A-Changing" covered, but his influence is obvious on the oldest of the Simon originals, "He Was My Brother" (his first serious/topical song - dealing with the death of a freedom rider – which first interested producer Tom Wilson in the duo). By the time the album was recorded, Simon had evolved beyond Dylan's orbit and developed a unique songwriting voice of his own. His other originals betray the artifice of an English major at work, sometimes for better, as on "Sparrow" and the original acoustic "The Sound of Silence," and at times for worse, on the half-beautiful but too-precious title song (which he successfully rewrote as "Somewhere They Can't Find Me"). There are also a pair of traditional songs, a beautifully harmonized rendition of "Peggy-O" and "Go Tell It On the Mountain," both of which fit well into the zeitgeist of the folk revival. The record didn't sell on its original release, appearing too late to attract much attention in that scene (Dylan was already taking that audience to new electric places), which lead to their breakup (Simon moved to England and Garfunkel resumed his university studies at Columbia University). Months later "The Sound of Silence" started getting radio play on its own in some key markets, which possessed to producer Wilson to try and adapt it to the new sound, overdubbing an electric band.  The results were a massive smash, leading to the duo's rebirth with an album of the same name in January 1966, at which point this debut was also reissued to attempt to further cash in on the single's runaway success. This is an early press of such an issue.



Artist: SIMON & GARFUNKEL

Title: WEDNESDAY MORNING, 3AM

Year: 1966

Label: Columbia

Catalog Number: CS 9049

Mono/Stereo/Quadro: stereo

Country: USA

Dead Wax Numbers: XSM-77922-1D C2  /  XSM-77923-1E D3  (stamped)

Weight: 125 grams

Cover Format: standard, wrap-around front slick with paste-on rear panel

Cover Condition: EX (sharp, crisp, vivid and tight, NM if not for bottom opening corner crease, truly stunning overall)

Vinyl Condition:

NM (perfect gloss, possibly unplayed, top archive-grade vault copy)

Label Condition: like new

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Everything is strictly graded using the classic Goldmine Standards that we have been applying since 1983: 

M (rarely ever used unless still sealed)/ NM / EX / VG+ / VG / VG- / G+ / G (please see bottom of auction for specific grading information).

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We visually grade all records using the classic Goldmine Standard, to which we have added EX (as have many others), but we do not use any other variant from the classic scale.  No NM- or EX+ (which are both EX), EX- VG+++ or Near Excellent (which are all VG+), or any such other nebulous grades here!  We feel that nearly every collector will be more than pleased with anything listed EX or above in our auctions; they will all be top-shelf, archive quality items which will play M- throughout.  A VG+ record will truly satisfy all but the most critical curator.  On the very rare occasion we actually grade an opened LP as straight MINT, we can guarantee you’ll never find a nicer copy anywhere!

We will play-grade any LP if there is any reason to do so; any questionable mark, scuff or noteworthy artifact of any kind will be sampled to determine its true significance (which may obviously impact the grade ).  We will also gladly play-grade anything upon request; if you are curious about the actual pressing characteristics or any have other questions about its actual performance please feel free to ask.

MINT :  Absolutely perfect.

This record looks like it has just left the plant, with no flaws whatsoever.  It appears unhandled and unplayed, with no marks of any sort.  Usually only sealed or (sometimes) unplayed LPs will warrant this grade.

The cover does not appear to have had a record inside it; there is no wear or distraction of any kind.

 NM : Virtually flawless, top copy.

The record is virtually identical to the moment it was opened, but may have a few faint paper, packaging or pressing scuffs which will produce no sound whatsoever and are very hard to see without critical inspection.  It was very carefully handled and played, likely only once or twice.

The cover is as close to perfect as can be expected given its age.  There may be minor impressions due to the outer edge of the vinyl (no ring wear), the lightest possible corner bumps, or a few tiny laminate creases (mainly on imports), but no wear or whitening of any kind whatsoever.

EX : A beautiful specimen, which will please most critical collectors and not need to be upgraded.

The record has no scratches or significant blemishes, and will play NM throughout.  It retains 100% of the gloss, sheen and luster, but may have a handful of faint superficial scuffs, hairlines or light spindle marks which will not produce any sound whatsoever.

The cover is nearly perfect.  There may be the absolute faintest suggestion of ring wear or possibly a light touch of dulling on the corners (nothing wrinkled or obtrusive in any way), but no notable seam or spine wear, writing or sign of tape anywhere.

 VG+ : Plays perfectly nearly all of the time, with only a few minor distractions.

The record still retains nearly all of the gloss, sheen and luster, but there may be a handful of inaudible superficial marks or scuffs, a mild scattering of light hairlines (which would only be faintly audible between tracks or in some very quiet passages), or a few stray marks which may mildly sound for a few revolutions. Each flaw is very minor, barely noticeable to the naked eye, and will not detract from the enjoyment in any way.

The cover is still very clean and crisp, but may look slightly more aged and have a few minor flaws such as small unobtrusive writing, minor wear to the seams and spine (no splits), slightly worn corners, very light ring wear or minor creasing.  No flaw is at all distracting in and of itself.

 VG : A nice play copy, which will perform without much significant distraction.

The record appears well played, but still has the majority of the luster.  It will not have been abused, though there will be some audible sound defects which will not overpower the dynamics of the music, such as mild surface noise in the quietest sections, a handful of stray isolated pops and clicks (which are brief and occasional), or possibly some very mild groove wear; still no skips, repeats, or anything deep or seriously pronounced.  It will play through quite nicely most of the time, with very minimal distraction.

The cover looks somewhat used and shows some mild wear.  There may be some minor seam splitting, ring wear (which still doesn’t overwhelm the cover), discreet writing (not large magic marker), or mild yellowing due to air contaminants. It is still nice, just a few notable flaws away from VG+.

We will never sell anything less than VG, so the rest of the scale is unnecessary.  We absolutely detest groove wear, so we will almost never list anything lacking the overwhelming majority of the luster, sheen and gloss.  Anything of significance will always be noted. 

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