SOLOMON BURKE I WISH I KNEW RARE ORIG '68 ATLANTIC LP MONARCH WEST COAST PRESS

$

32

WE CURRENTLY HAVE  NEARLY 500  LISTED ITEMS

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·       SOLOMON BURKE – I WISH I KNEW – ORIGINAL 1968 ATLANTIC RECORDS STEREO LP SD-8185

·       ORIGINAL U.S. PRESSING

·       ORIGINAL GREEN AND BLUE ATLANTIC STEREO LABEL (NO OTHER PRESSINGS OR LABELS EXIST)

·       VERY RARE WEST COAST PRESSING (MONARCH PRESSING PLANT, LOS ANGELES)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Solomon’s last album for Atlantic Records, released in 1968, may not be as well known as his earlier material, but on its own it’s a superb collection of Southern-styled soul waxings.

Burke’s joyous, thrilling version of “I Wish I Knew” brings together country church grooves with Sweet Inspirations-like backing vocals. Those honey-dipped adlibs throughout are ace, as well… When the Rev speaks, you listen.

Proto-rappin’ on the first verses of Alan Toussaint‘s New-Orleans classic “Get Out of My Life Woman“, Burke and band shift into full funk mode and get down Nawlins-style: huge, fat horns, tinkeling piano, busy drums and an all-out Mardi Gras atmosphere. One HARD socking slice of fingerlickin’ good Southern Soul.

After churning out a rendition of Joe Tex‘ slow burning “Meet Me in Church“, the Rev delves into the popular “By the Time I Get to Phoenix“, giving it a slight jazzy edge. His husky baritone was made for stuff like this, even if the definitive version of this track, naturally, was done by Isaac Hayes a year later.

John Loudermilk‘s achingly beautiful “Then You Can Tell Me Goodbye” (later done by Bettye Swann) is given the Deep Soul treatment, featuring wailing horns, gospelish piano and a gentle but punchy beat.

Burke’s spin on Ray Charles‘ “What’d I Say” is sheer soul power, a party-pumpin’ floorshaker with a few improvised lyrics, and a whole lot of raw ‘n’ dirty brassy licks, while his treatment of the standard “Since I Met You Baby” is more restrained, although it does have some lazy horns and great country-soul guitar pickings. The same pretty much goes for the equally low key “Shame on Me“, with its plodding, mid-tempo beat and vamps of brass. Fingers get back to poppin’ on the hard driving “Save It“, a heavy jam featuring Solomon at his most nitty-gritty, just blasting out a mammoth vocal. The Rev closes his final Atlantic album with the beautiful country-esque “Why Why Why“, putting in one more of his inimitable spoken interludes.

A wonderful record, essential for Soul buffs.

 (EXCERPT FROM AN ANONYMOUS ONLINE REVIEW)

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record comes in the original stock inner sleeve.

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++.

The following flaws or imperfections are noted on the cover:

-        Cover has a small cutout saw-mark (an indent about 1.5-2 cm long ) on one of its seams.

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 1.

-         Cover has a few tiny wrinkles along the spine  (nothing significant)

-         Cover has two corners slightly dinged.

-         Cover has a minor wrinkle (air bubble in paper slick) on the front panel.

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No ring wear

-        No cut-out (drill) holes.

-        No cut-out corners

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No yellowing from aging

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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