SONIC YOUTH DAYDREAM NATION UK ORIG 2xLP on BLAST FIRST NM POSTER 1988
$
34
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Description
Here is a NEAR MINT MINUS! DOUBLE LP by SONIC YOUTH titled DAYDREAM NATION. It is an ORIGINAL! UK IMPORT! pressing on the BLAST FIRST label, catalog #BFFP 34 in STEREO sound and released in 1988. The vinyl is in NEAR MINT PLUS! condition shiny and black and should have superb playback. It has ITS’ UNIQUE POSTER! The GATEFOLD cover is in EXCELLENT! condition with a couple of creases in thin cardboard, light surface/ring wear, corner and edge wear. It is an opportunity to purchase this AWESOME! DOUBLE LP by SONIC YOUTH in this condition. It’s a true gem for the ALTERNATIVE/INDIE ROCK / COLLEGE UNDERGROUND ROCK / ROCK collector! Email me with any questions and be sure to look at the pic’s. I DO NOT ACCEPT BIDS FROM OR MAIL TO SOUTH AMERICA, SOUTH AFRICA, ITALY & OTHER COUNTRIES. IF YOU ARE NOT FROM THE USA CONTACT ME BEFORE BIDDING! International bidders can email me for shipping rates. SHIPPING IN THE US IS $4.00 for MEDIA MAIL. I COMBINE SHIPPING SO US BUYERS PLEASE WAIT FOR INVOICE! Thanks for Looking & Good Luck!
Music Review from AllMusic.com by Mark Deming
Sonic Youth made a major step forward with 1987's Sister, their first album where the songs were as strong as the group's visionary approach and they rocked with the force and authority they'd clearly sought since the beginning. If 1988's Daydream Nation didn't make as decisive a leap in terms of theory or style, as far as execution was concerned, it was Sonic Youth's first unqualified masterpiece, a triumph that made them one of the most respected bands in indie rock. Initially released as a two-LP set, the sheer scope of Daydream Nation was ambitious, but the longer tracks worked to Sonic Youth's advantage, allowing them the space to lay down solid melodic structures and then use them as a framework for extended jams (thankfully, the band made splendid use of their wanderlust without wearing out their welcome). Sonic Youth were playing at the top of their game on the Daydream Nation sessions; the guitar interplay between Thurston Moore and Lee Ranaldo was stronger and more intuitive than before, and bassist Kim Gordon and drummer Steve Shelley had grown into a powerful rhythm section that cut an impressive groove, giving the band a greater freedom to explore the space around them without getting lost. Sonic Youth were not simply tighter on Daydream Nation, they were making better and more satisfying use of their arsenal of alternate tunings and bent but elemental song structures, and the final product fused their love of creatively applied noise and the sound of the electric guitar with song structures that merged elements of punk, prog, boogie, and psychedelia. The journey from the trippy joy of "Teenage Riot" to the hot-rodded choogle of "Eliminator Jr." was a bracing, glorious experience, and Daydream Nation confirmed their status as one of America's best and most original alternative rock bands, and one that had a shot at a future outside the underground -- a pleasant surprise given the alienating air of their earliest work.
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