SONNY ROLLINS TENOR MADNESS TEST PRESSING AUDIOPHILE LP NEAR MINT CONDITION

$

49

SONNY ROLLINS~TENOR MADNESS TEST PRESSING~AUDIOPHILE LP~NEAR MINT CONDITION!

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Description :

SONNY ROLLINS "TENOR MADNESS" Product No: AJAZ 7047

45 RPM Vinyl Record Analogue Productions (Fantasy)
VERY RARE 2 LP TEST PRESSING OF THIS AUDIOPHILE REISSUE OF SONNY'S CLASSIC FROM 1956.  COMES IN PLAIN WHITE COVERS. BOTH LPs ARE IN MINT CONDITION!
At a time when he was a member of the legendary Clifford Brown/Max Roach sextet, Sonny Rollins was still the apple fallen not too far from the tree of Miles Davis. Tenor Madness was the recording that, once and for all, established Newk as one of the premier tenor saxophonists, an accolade that in retrospect, has continued through six full decades and gives an indication why a young Rollins was so well liked, as his fluency, whimsical nature, and solid construct of melodies and solos gave him the title of the next Coleman Hawkins or Lester Young of mainstream jazz. With the team of pianist Red Garland, bassist Paul Chambers, and drummer Philly Joe Jones, staples of that era's Miles Davis combos, Rollins has all the rhythmic ammunition to cut loose, be free, and extrapolate on themes as only he could, and still can. This is most evident on his version of "The Most Beautiful Girl in the World," started in its normal choppy waltz time, followed by a sax/drums prelude, a drum solo from Jones, and steamed from there on in, a hot 4/4 romp. Garland is particularly outstanding for keeping up the pace, depth and placement on this one. A bluesy version of "When Your Lover Has Gone," again enlivened by Jones, and the legendary title track with Rollins and John Coltrane trading long solos, and fours with Jones, are tunes that in the mid-'50s defined the parlance "blowing session." "Paul's Pal," in tribute to Chambers, has become a standard in its own right with a bright, memorable melody showing the good humor of Rollins, especially on the second time through, while the saxophonist's ability to sing vocal like tones through his horn is no better evinced as during the light ballad "My Reverie." A recording that should stand proudly alongside Saxophone Colossus as some of the best work of Sonny Rollins in his early years, it's also a testament to the validity, vibrancy, and depth of modern jazz in the post-World War era. It belongs on everybody's shelf.

The image included with the auction is a scan of the actual item but, due to size limitations of the scanner, the edges of the item may have been cropped.
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In Your Ear has been selling music to the masses since 1982. We carry new and used LPs, CDs, DVDs, 45s, 12" singles, posters and who-knows-what-else! We have 2 physical locations in Massachusetts and 1 in Rhode Island:

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SHIPPING PRICES ARE AUTOMATICALLY CALCULATED BASED ON YOUR GEOGRAPHIC LOCATION. PLEASE NOTE: WE PACK OUR LPs WITH LOTS OF ADDED PADDING, USING OTHER EMPTY LPs SLEEVES TO REINFORCE THE MAILER AND PROTECT THE ITEM BEING SHIPPED. THIS ADDS CONSIDERABLY TO THE WEIGHT AND, THEREFORE, TO THE COST OF SHIPPING.

RECORD GRADING POLICY

MINT = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale

EXCELLENT = Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play

VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially affect play

VG+ = a nice, but used record that may have a series of light scuffs or scratches. It probably plays with a few pops, but has no serious problems.

VG = a well-used record that still should sound OK when played, but may have moderate surface noise, pops, etc.

VG- = a very well-worn record that plays through without skipping, but will do until a better copy comes along.

Good = not actually good at all but probably will play through but with much in the way of surface noise, pops, crackles, etc. Still, will have no cracks, chips or the like

Fair = you are getting this record just to own but not to play

Poor = the sky's the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest

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