SS DECONTROL GET IT AWAY 1983 2ND LP PUNK HARDCORE KBD

$

75

 THIS IS VERY RARE SS DECONTROL SECOND  ALBUM 1983 FIRST PRESS  LP

CONDITION:

OUTER SLEEVE:VERY GOOD

INNER SLEEVE:GREAT WITH SOME VERY SMALL TEARS AT OPENING

RECORD:GREAT WITH LITE SURFACE MARKS NOT AFFECTING SOUND QUALITY

MADE IN USA ON XCLAIM! RECORDS 

NO. X3

SONGS:

SIDE ONE:

GLUE

FORCED DOWN YOUR THROAT

GET IT AWAY

 SIDE TWO:

UNDER THE INFLUENCE

NOTHING DONE

XCLAIM

NO REPLY

THIS IS NOT SOME UNLIMITED SOURCE OF HARD TO FIND OLD GEMS.

THIS MAY BE THE ONLY CHANCE FOR YOU TO OWN THIS,SO PLACE YOUR BID NOW AND GOOD LUCK

Most of my listings come from my personal collection,this why they are in such a great condition.I am forced to sell by sudden,heart related huge medical bills,otherwise i would never part with these irreplacible gems,which have very special sentimental value because i was there then and bought these things when they just came out.Most of them i bought directly from bands at their shows and others were saved for me every weekend at my favorite record shop.I hope to find good home for these old things for next 20-30 years.Watch my future auctions for some rare 7"eps,lps,out of print rare books,fanzines,imposible to find demo tapes,fliers,posters,pins,patches,stickers and some one of the kind,or very rare promo items from 70s,80s,90s.

 

 

 

 

Seller accepts money orders,visa,m-c,am-ex,pay pal

and for domestic orders only personal checks-

allow 10 days to clear for personal check orders.

 

On Jun-08-07 at 11:47:42 PDT, seller added the following information:

GET IT AWAY 12"
Label: XClaim Records
Cat. #: XClaim 3
Released: 1983

1. Glue
2. Forced Down Your Throat
3. Get It Away
4. Under the Influence
5. Nothing Done
6. XClaim
7. No Reply

LYRICS
Reviews:

I've no doubt this is the best hardcore album of the history. I'm not sXe but when I listen to the Get It Away song I really hate the people who smoke and "stole my air". Glue is the song more imitated that I know (DYS, FU's, Crucial Youth...). The second guitar in this record is just brutal and savage (not heavy like in the rest of albums). Springa is the king of the voice, nobody can scream like he in the "gotta stick together..." And finally a cover of the Buzzcocks to say that hardcore is punk and punk is hardcore.
-CARLOS

SS DECONTROL come on strong... physically, mentally, emotionally... there is nothing halfway about them... their live attack is relentless and can be imposing to the uninitiated... their message is indellibly etched on every scrap of music... they have been branded everything from neo-nazi's to mindless bullies... protagonists of a "right wing straight edge" philosophy... they seem to feed on the myths, the stereotypes... all the while strengthening the bond that exists between crowd and band... yes as an outsider to the Boston scene this will appear as somewhat conjecture... but I feel strongly that their message is a powerful one... brimming with a personal optimism that belies the menacing nature of their attack... although still a young scene the Boston thing has changed over the last year as the band stated in a revent interview with T & G... "The Boston scene has expanded to large numbers in the last year, with more and more kids coming in from the suburbs"... Let's face it folks the city of Boston didn't have much to cheer about until the likes of SSD/DYS/FU's and the floundering GANG GREEN burst on the scene... the band remains conscious of what is said about them but doesn't let it affect their overall attack... (in a recent Boston Rock poll "Hardcore" was biggest fad of the year - "what hurt the Boston music scene the most in 82") Sour grapes from the art fags? A little jealous that maybe all that media that has so eluded them should suddenly be laid waste on the likes of SSD? The band said it best... "We remain separate and underground for the most part"... with the release of their new 12" entitled "Get It Away" the secret is out folks... simply one of the most powerful records ever made... "'The Kids Will Have Their Say' was representative in its time and place, but we weren't pleased with its sound. GET IT AWAY is more characteristic of our sound, but 3rd phase SSD should be the most reflective yet"... indeed where the first LP combined a mixture of fast and slow, GET IT AWAY storms through your living room with a two guitar onslaught... fuller and more direct... the reason for the addition of a second axe man?? "We wanted to add to our sound and power, along with adding fresh, new ideas. ANOTHER MARSHALL!!" Whereas a lot of bands seem to shoot their representative wads upon first records, where SSD is concerned there is a sense of resistance to sameness... a need to change and mature as a band with each outing... when any hint of stagnation begins to creep in they move on... perusing this new turf with all the tact and grace of a Sherman tank... needless to say all do not share my enthusiasm with the band... on a recent trip to Michigan they were greeted with mixed reactions. "We had a lot of fun on the road. Ann Arbor was good with a lot of young energetic kids. In Detroit the audience had problems dealing with our enthusiasm."
Boston seems to share a lot of similarities with the DC scene... indeed there is a need for a steady all ages club (what city doesn't need one? ED). Their first trip to the nation's capital was a bit tense with the crew from Boston mixing it up with the locals... certainly emotions run high among the Boston regulars... things are in the works for a return to town by SSD... their schedules do not allow them the freedom to tour like they would like... But don't fret all you west coasters... they plan a west coast tour between July 22 and Aug 8... Influences range from the Bad Brains to AC/DC to Black Flag to Minor Threat... but thankfully their sound is their own... their message? "FREE BODY FREE MIND FREE SOUL"............. (indeed)...
Tesco Vee, from Touch & Go

Second full frontal assault of raw, rigorous rapidity from S.S.D. Seven more classic attacks of persistent manisfestation. Springa's harsh, garroting vocals onslaught wild power as the band now featuring a second guitarist, delivers some intense unrestrained material. The years best so far.
-Pushead, from MRR #5, March 1983