STEEL POLE BATH TUB The Miracle Of Sound In Motion LP BONER 1993 US orig+insert
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  $   35

 


€ 30 Sold For
May 19, 2024 Sold Date
Apr 4, 2024 Start Date
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Description

THIS IS THE US ORIGINAL PRESSING on BONER/TUPELO Records. SINGLE COVER + INSERT. The cover is in VG+ condition: normal wear and without any deterioration, BUT light discolouration on spines/corners, surface sticker mark on front (top left), left spine is fully readable, please for details see photos (with and without flashlight). The vinyl is in EX/NEAR MINT condition (barely played) and plays wonderfully. 

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STEEL POLE BATH TUB

Dense atmospheric indie rock with elements of hardcore and metal, 1990s Montanan band had a steady college following. Enigmatic noise rock trio Steel Pole Bath Tub crafted a grungy, droning, offbeat sound from a palette of fuzzed-out bass riffs, blasts of guitar feedback, and tape loops, plus a raft of alternately kitschy and disturbing dialogue samples from vintage TV shows and movies. Additionally, the band had a penchant for deconstructive covers of rock classics, some of which appeared only on 7" singles. Steel Pole Bath Tub was founded in Bozeman, MT, in 1986 by guitarist/vocalist Mike Morasky and bassist/vocalist Dale Flattum. After moving to Seattle, they joined up with drummer Darren Mor-X, a veteran of the local early-'80s hardcore band Mr. Epp (which featured future members of Green River and Mudhoney). Taking their name from a feature in a true-crime magazine, the trio relocated once again, this time to San Francisco.


"THE MIRACLE OF SOUND IN MOTION"

1993     LP    BONER/TUPELO RECORDS    BR39 / TUP47  

PRINTED IN U.S.A.    ORIGINAL PRESSING

SINGLE COVER + INSERT

NOTES: Includes double sided black & white insert.

Some copies came with full color poster. [NOT THIS ONE.]

A5 originally performed by The Pogues.


Barcode and Other Identifiers

Barcode: 0 38161-0039-1 2

Label: BONER - BLACK(A) & B/W PHOTO(B) LABELS - WHITE TEXT

Catalog on cover: BR39 / TUP47

Catalog on labels: (Side A only) BR39 / TUP47

Matrix / Runout (Side A, Etched): (A) BR-39 A₁ WE'RE SORRY... L-40913

Matrix / Runout (Side B, Etched): (A) BR-39 B₁ IT WON'T HAPPEN AGAIN L-40913-X  

On labels: (Side A only) BR39 1A / TUP47 1A

On Back Cover: Tracklist + Credits + Notes + Infos

A product of Boner Records...........Europe via the Tupelo Recording Company........USA

Printed in Canada(circled, bottom left)


tracklisting: please, for tracklist see pictures

grading

RECORD EX but (please, read above description)

SLEEVE VG(+) but (please, see pictures and read above description)

In 1987, Los Lobos released their ambitious and contemplative By the Light of the Moon and the surprise-hit soundtrack album La Bamba, while the following year they recorded a low-key set of Mexican folk songs, La Pistola y el Corazón. After making three such disparate albums, it was seemingly anyone's guess what path Los Lobos might follow next, and when they next emerged from the recording studio, 1990's The Neighborhood made it clear they had taken a number of enlightening side trips along the way. While building on the musical and lyrical maturity of By the Light of the Moon, The Neighborhood followed a number of different musical themes, with the musicians seeking (and finding) a common musical ground between the New Orleans R&B stomp of "Jenny's Got a Pony," the country-flavored fiddle of "Emily," the atmospheric late-night pulse of "Angel Dance," the blues-based swagger of "I Can't Understand," and the downbeat jazzy contemplation of "The Neighborhood." Anyone who had been listening already knew that Los Lobos were five singularly gifted musicians, but The Neighborhood found them challenging themselves with an ever-expanded musical palate, and as usual they rose to the occasion very well indeed, especially lead guitarist David Hidalgo, and producer Larry Hirsch gave the performances just the right amount of polish while providing the settings they deserved. And the songs, portraits of moments in lives both great and small, come together in the moving title track, in which Los Lobos return where they started their journey, their own back yard, where folks are still looking for a measure of hope and peace of mind. A genuine step forward for a great band, as well as the jumping-off point to their most experimental period...(AllMusic)





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