STEVE ASHLEY Stroll On LP GULL 1975 insert+orig BARRY DRANSFIELD-DANNY THOMPSON
  $   35

 


$ 35 Sold For
Aug 27, 2012 Sold Date
Aug 17, 2012 Start Date
1 Number Of Bids
  Italy Country Of Seller
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Description

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STEVE ASHLEY

VOCALS, HARMONICA, GUITAR, WHISTLE

with

DAVE MATTACKS, DAVE PEGG, BARRY DRANSFIELD, B.J.COLE

DANNY THOMPSON, ASHLEY HUTCHINGS, DARRYL RUNSWICK, etc.

"STROLL ON"

<published first in UK in 1974>

1975 LP GULL RECORDS GU6-401S1


PRINTED IN USA   ORIGINAL COPY

DEBUT ALBUM   WITH INSERT

BECOMING HARD TO FIND

 FROM MY RECORDS COLLECTION

tracklisting

FIRE AND WINE / FINITE TIME / SILLY SUMMER GAMES

SPRINGSONG / MONKEY PUZZLE TREE / FAREWELL GREEN LEAVES

MORRIS MINOR / CANDLEMAS CAROL / JOHN DONNE SONG

LORD BATEMAN / FOLLOW ON

  grading

RECORD near EX (the record plays really well)

SLEEVE VG+ (normal wear, cut hole, no ring, no tears, no splits, no stickers)

Steve Ashley has influenced the evolution of British folk music for nearly four decades.
A member of the short-lived Albion Country Band in the early '70s, Ashley has continued to perform in a variety of settings.
His harmonica playing can be heard on albums by Plainsong, Marc Ellington, Richard Thompson, Ashley Hutchings, and Mike D'Abo.
Melody Maker declared that he was "one of the finest singer/songwriters in Britain, if not the entire English-speaking world."
Upon release, Steve Ashley's debut album was rated The Sunday Telegraph's folk album of the year, and even landed its maker
a U.S. deal with Motown, which released it to wild acclaim in America in 1975.
Across the board, Ashley seemed set for a powerful career. Instead, he all but vanished, releasing new albums with infuriating irregularity
and condemning Stroll On to a "lost treasure" status that wholly undervalues its importance.
Stroll On was originally recorded in 1971 (Ashley suffered some 30 rejections before Gull finally picked it up),
but the timelessness of its contents barely registered the delay. The sparse accompaniment of a band built around
drummer Dave Mattacks, but diversifying to encompass tablas, concertina, pedal steel (the redoubtable B.J. Cole),
fretless bass, and, on one occasion, the Albion Band, offers an exquisite backdrop to Ashley's thoughtful,
almost foreboding voice, yet is happy to remain subservient to it...(AllMusic)

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