Saigon Rock & Soul record lp sublime frequencies rare oop asian psychedelic

$

27

Double LP vinyl edition (edition of 1500 copies only) of truly remarkable compilation assembling incredibly rare Vietnamese rock and soul records, recorded and released in and around Saigon Vietnam during the years 1968-1974. A stunning and incredible achievement of audio-archeology and presentation of one of the world's most obscure and almost completely unknown '60s/'70s rock music scenes. An epic release of truly historic proportions.

High-quality 180-gram vinyl pressing.

Artists/Tracks on this Double LP are as follows:

• Bich Loan and CBC Band - 'Tinh Yeu Tuyet Voi' (The Greatest Love)
• Elvis Phoung - 'Bai Ca Ngong' (The Crazy Song)
• Carol Kim - 'Cai Tram Em Cai' (Your Hair Clip)
• Thanh Mai - 'Toc Mai Soi Van Soi Dai' (Long, Uneven Hair)
• Carol Kim - 'Noi Buon Con Gai' (The Sadness Of Being A Girl)
• Bich Loan and CBC Band - 'Con Tim Va Nuoc Mat' (Heart And Tears)
• Phuong Tam - 'Dem Huyen Dieu' (Magical Night)
• Le Thu - 'Sao Bien (Etoile Des Neiges)' (Starfish)
• Minh Xuan & Phuong Hoang - 'Mat Troi Den' (Black Sun)
• Thai Thanh - 'Bung Sang' (Dawn)
• Bang Chan - 'Nhung Dom Mat Hoa Chau' (Fireballs)
• Giao Linh - 'Chuyen Tinh Sao Ly' (A Love Story From Sau Ri)
• Elvis Phuong - 'Kho Tang Cua Chung Ta' (Our Treasures)
• Thanh Lan - 'Hoai Thu' (Autumn Memory)
• Hung Cuong & Mai Le Huyen - 'Hon Anh Gian Em' (Jealousy)
• Mai Le Huyen - 'Duyen Phan Con Gai' (A Gir's Destiny)
• Phuong Dung - 'Do Ai' (Riddles)

The long-awaited foray into the Vietnamese Rock, Pop and Soul sound of the late 1960s and early 1970s is finally here. Saigon Rock and Soul delivers the goods International retro collectors have been searching for in vain for many years - and it delivers beyond belief. Every song is a mini-masterpiece be it heavy acid rock psychedelia, horn and guitar drenched funk grooves, or gripping soul ballads reflective of life during wartime.
The tracks that form this collection cut a window into a rich musical Vietnamese music scene that has long been obscured, and for the most part, forgotten. As the scope of electrified Vietnamese music from the 1960s and 1970s begins to be revealed, it becomes evident that this was among the heaviest and most eclectic musical scenes of South East Asia at the time. These songs tell of war, love and what war does to love. All of them were recorded in makeshift studios and even US army facilities while the Vietnam War raged – and were issued by a handful of Saigon record companies on vinyl 45s and reel or cassette tapes.
Westernized forms of music in Vietnam had appeared during the latter nineteenth century, and especially during the early 20th century, under the influence of the French colonizers. Tan Nhac (modern music) always incorporated both domestic and international sounds, and continued to develop alongside Western musical trends.
During the 1960s and 1970s, pulp ballads were being recorded by leading crooners of the time who alternated between modern and traditional forms of regional music. When the electric guitar hit the streets of Saigon, Vietnamese renditions of contemporary instrumental trends such as surf rock, beat and twist soon emerged, followed by some pretty deep soul sounds inspired by Motown radio hits as well as funk grooves brought on by James Brown and his contemporaries.
By the mid-1960s, Vietnam had been ravaged by war for years. American G.I.s had become a standard fixture in Saigon, as did many of the cultural artifacts they brought with them. This certainly included the music. The sounds of rock and roll dominated the radio waves, and Saigon nightclubs were teeming with new sounds. Musically, the Shadows and the Ventures soon gave way to the Beatles and the Rolling Stones as an enthusiastic set of young Vietnamese rockers signed on to the lifestyle, always eager to hear the latest musical trends the G.I.s would bring in on LP or tape. This era saw the birth of a vibrant rock scene yet rock music and anything that came close was commonly referred to as ‘soul’ in the Vietnamese genre-listings.
Like many cultures in Asia, Vietnamese music is recorded, marketed, listened to and disposed of in a relatively quick manner. This level of advanced ephemera ensures a degree of difficulty when trying to unearth and discover cultural histories. Literally, most of the music heard here has been brought back from the dead. Artists featured include some of Vietnam’s most popular at the time: Elvis Phuong, Hung Cuong, Mai Lei Huyen, Le Thu, Thai Thanh, Giao Linh, Mai Lei Huyen and the CBC Band. This CD version of the out of print 2-LP release features 70 minutes of classic original recordings compiled by Mark Gergis with booklet and extensive liner notes.