Saturday Morning Songs - Tom T. Hall LP w Coloring book
  $   26

 


$ 26 Sold For
Sep 3, 2011 Sold Date
Aug 27, 2011 Start Date
$   6 Start price
14   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

 LP NM

 

Jacket  VG+ (IN SHRINK, cut out nick)

Biography

by Stephen Thomas Erlewine

Tom T. Hall is known as a storyteller, a songwriter with a keen eye for detail and a knack for narrative. Many musicians have covered his songs -- most notably Jeannie C. Riley's 1968 hit "Harper Valley P.T.A." -- and he also has racked up a number of solo hits, including seven number one singles.

Hall is the son of a bricklaying minister, who gave his child a guitar at the age of eight. He had already begun to write poetry, so it was a natural progression for him to begin writing songs. Hall began learning music and performing techniques from a local musician, Clayton Delaney. At the age of 11, his mother died. Four years later, his father was shot in a hunting accident, which prevented him from working. In order to support himself and his father, Hall quit school and took a job in a local garment factory. While he was working in the factory, he formed his first band, the Kentucky Travelers. The group played bluegrass and gigged at local schools as well as a radio station in Morehead, Kentucky. The station was sponsored by the Polar Bear Flour Company; Hall wrote a jingle for the company. After the Kentucky Travelers broke up, Hall became a DJ at the radio station.

In 1957, Hall enlisted in the Army and was stationed in Germany. While in Germany, he performed at local NCO clubs on the Armed Forces Radio Network, where he sang mostly original material, which usually had a comic bent to it. After four years of service, he was discharged in 1961. Once he returned to the States, he enrolled in Roanoke College as a journalism student; he supported himself by DJ'ing at a radio station in Salem, Virginia.

One day a Nashville songwriter was visiting the Salem radio station and he heard Hall's songs. Impressed, the songwriter sent the songs to a publisher named Jimmy Key, who ran New Key Publishing. Key signed Hall as a songwriter, bringing the songs to a variety of recording artists. The first singer to have a hit with one of Hall's songs was Jimmy Newman, who brought "DJ for a Day" to number one on the country charts in 1963. In early 1964, Dave Dudley took "Mad" to the Top Ten. The back-to-back success convinced Hall to move to Nashville, where he planned to continue his career as a professional songwriter.

After Johnnie Wright had a number one hit with Hall's "Hello Vietnam," the music industry began pressuring Tom to become a performer. He decided to take the plunge in 1967, signing a contract with Mercury Records. His first single, "I Washed My Face in the Morning Dew," was released in the summer of 1967 and became a minor hit. Hall followed the single with two other singles in 1968 that failed to crack the Top 40. Then, in the late summer of 1968, Jeannie C. Riley had a major hit with Hall's "Harper Valley P.T.A.," which spent three weeks at the top of the charts and was voted the Single of the Year by the Country Music Association. Its success brought attention to Hall's own recording career, which was evident from the performance of "Ballad of Forty Dollars." The song became his first Top Ten hit, climbing all the way to number four.

Throughout 1969, he had a string of hit singles, culminated by the release of the number one single "A Week in a Country Jail" at the end of the year. The following year was just as successful, as "Shoeshine Man" and "Salute to a Switchblade" both hit the Top Ten. In 1971, he had his second number one single and his biggest hit, "The Year That Clayton Delaney Died," which was based on his childhood hero.

For most of the early '70s, Hall was a consistent hitmaker as well as a popular concert attraction. Between 1971 and 1976, he had five number one hits besides "The Year That Clayton Delaney Died": "(Old Dogs-Children And) Watermelon Wine," "I Love," "Country Is," "I Care," and "Faster Horses (The Cowboy and the Poet)." Hall was appearing on television shows with regularity during this time, particularly Hee Haw. He also wrote a book on songwriting, which led to his authorship of a pair of books in the late '70s and early '80s -- the semi-autobiography The Storyteller's Nashville (1979) and the novel The Laughing Man of Woodmont (1982).

Although he continued to have the occasional Top Ten hit in the late '70s -- most notably the number four "Your Man Loves You, Honey" (1977) -- Hall didn't deliver hit singles as consistently as he did during the first half of the decade. That pattern continued in the early '80s, when he began having trouble cracking the Top 40; only 1984's "P.S. I Love You," a cover of a 1934 Rudy Vallée hit, made it into the Top Ten. After 1986, Hall retired from recording, although artists continued to record his songs. In 1996, he delivered Songs from Sopchoppy, his first album in ten years. Hall was inducted into the Country Music Hall of Fame in 2008 and the Kentucky Music Hall of Fame in 2011. To celebrate his 75th birthday, producers Eric Brace and Peter Cooper assembled a tribute album covering Hall's 1974 album, Songs of Fox Hollow.

 

Note: All Lps are sight graded

Note: I Do Not Grade inner sleeves, If these are Important to you then you may e-mail me)

RECORD GRADING Based On Goldmine Grading Standards:

Near Mint (NM): A nearly perfect record. There may be one or two small inaudible defects. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as almost invisible ring wear or other sights of slight handling. An LP jacket should have no creases, folds, seam splits or any other noticeable similar defect. No cut-out holes, either.

Near Mint Minus (NM-): A record that should play mint but has a few slight visible marks. The album will have as much luster as an NM, there just may be some superficial scuffs from the sleeve or very light hairlines that shouldn't be audible. An NM- album cover subjectively fits somewhere in between VG+ and NM.

Very Good Plus (VG+): A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some slight signs of wear and may have slight scuffs or very light scratches that don t significantly affect play. Slight warps that do not affect the sound are OK. The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play. 45 Picture sleeves will have some slight wear, lightly turned-up corners, or a slight seam-split. An LP jacket may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount.

Very Good (VG): Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song s intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as will light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, just two or three of them.

Good (G), Good Plus (G+): Good does not mean Bad! A record in Good or Good Plus condition can be put onto a turntable and will play though without skipping. But it will have significant surface noise and scratches and visible groove wear. A jacket or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the subject.

Poor (P), Fair (F): Below good. imperfections will be described.



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