Sealed LP: Sonny Stitt: I Remember Bird

$

16

Sonny Stitt: I Remember Bird

FACTORY SEALED LP

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Songs

• Waltz For Diane
• Body & Soul
• Jeepers Creepers
• Streamlined Stanley
• I Remember Bird
• Watch What Happens
• Yes Jesus Loves Me

Credits

• Frank Rosolino: Trombone
• Allen Jackson: Bass
• Clarence Johnston: Drums
• Sonny Stitt: Sax (Alto), Main Performer, Sax (Tenor)
• Dolo Coker: Piano

Album Review

• The title refers to the Leonard Feather composition rather than a complete set of Charlie Parker songs. Sonny Stitt, who spent his entire career playing in a style built on Bird's, is in good form during this quintet date which features him on both alto and tenor. With trombonist Frank Rosolino, pianist Dolo Coker, bassist Allen Jackson and drummer Clarence Johnston, Stitt stretches out on the title tune, his own blues "Streamlined Stanley," three standards, Rosolino's "Waltz for Diane" and the traditional hymn "Yes Jesus Loves Me." This good bop date is long out of print. ~ Scott Yanow, All Music Guide

Biography

Sonny Stitt biography by Ron Wynn and Bob Porter, All Music Guide

• Charlie Parker has had many admirers and his influence can be detected in numerous styles, but few have been as avid a disciple as Sonny Sitt. There was almost note-for-note imitation in several early Stitt solos, and the closeness remained until Stitt began de-emphasizing the alto in favor of the tenor, on which he artfully combined the influences of Parker and Lester Young. Stitt gradually developed his own sound and style, though he was never far from Parker on any alto solo. A wonderful blues and ballad player whose approach influenced John Coltrane, Stitt could rip through an up-tempo bebop stanza, then turn around and play a shivering, captivating ballad. He was an alto saxophonist in Tiny Bradshaw's band during the early '40s, then joined Billy Eckstine's seminal big band in 1945, playing alongside other emerging bebop stars like Gene Ammons and Dexter Gordon. Stitt later played in Dizzy Gillespie's big band and sextet. He began on tenor and baritone in 1949, and at times was in a two-tenor unit with Ammons. He recorded with Bud Powell and J.J. Johnson for Prestige in 1949, then did several albums on Prestige, Argo, and Verve in the '50s and '60s. Stitt led many combos in the '50s, and re-joined Gillespie for a short period in the late '50s. After a brief stint with Miles Davis in 1960, he reunited with Ammons and for a while was in a three-tenor lineup with James Moody. During the '60s, Stitt also recorded for Atlantic, cutting the transcendent Stitt Plays Bird, which finally addressed the Parker question in epic fashion. He continued heading bands, though he joined the Giants of Jazz in the early '70s. This group included Gillespie, Art Blakey, Kai Winding, Thelonious Monk, and Al McKibbon. Stitt did more sessions in the '70s for Cobblestone, Muse, and others, among them another definitive date, Tune Up. He continued playing and recording in the early '80s, recording for Muse, Sonet, and Who's Who in Jazz. He suffered a heart attack and died in 1982.

• This record came from a record store called "Phantasmagoria" which was located in Allentown, Pennsylvania. Phantasmagoria went out of business in 1978. I purchased most of their unsold inventory some years later when I owned "Music Madness" - a new & used record store in Catasauqua.
• Phantasmagoria used round colored stickers to indicate the price of the albums. They had a sign on the wall with the color sticker combinations for the customers to use so they knew the price of the albums. Most of the albums still have these stickers on them, and in some rare cases, the stickers are written on. Some of the records have prices on them. This is the price you would have paid for the record in 1978 if you would have bought it at Phantasmagoria. Please don't confuse these prices with their current value.
• All sealed albums are being sold as collector's items and cannot be returned due to manufacturer's defects. It may be almost impossible to replace many of the sealed albums that I am selling.

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• All album reviews, credits and artist biographies are from All Music Guide. If you haven't been to their web site, you have to check it out. It's one of the most comprehensive music references on the internet. In some cases, credits may include reissue (CD) information. Obviously any credits referenced to CDs do not apply to this album release.

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I collect Grand Funk Railroad's music and memorabilia. If you think you might have something to trade for this item, let me know well before the auction ends. I normally do not end an auction early, but I will make an exception if we can work out some sort of trade for something that I can add to my Grand Funk collection.
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