Sonic Youth EVOL SST 059 1986 MEGA rare vinyl kim gordon W/insert DARL
$
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Description
nice copy ..
here's some wiki info for ya.
SST and Enigma: 1986–1989[edit]
Sonic Youth had a long fascination with influential indie label SST Records. Ranaldo said, "It was the first record company we were on that we really would have given anything to be on."[22] Sonic Youth eventually signed to the label in early 1986 and began recording EVOL with Martin Bisi in March of that year.
EVOL itself represented an evolution of sorts for the band: in addition to increasingly melodic material and the impact of new drummer Shelley's playing, the record also dealt with themes of celebrity, particularly with songs like "Madonna, Sean, and Me" (also known as "Expressway to Yr. Skull" and called "a classic" by Neil Young[23]) and "Marilyn Moore". Signing to SST catapulted the band on to a national stage, something that did not happen to their peers in the New York underground.[24] The mainstream music press subsequently began to take notice of the band. Robert Palmer of The New York Times declared that Sonic Youth was "making the most startlingly original guitar-based music since Jimi Hendrix" and even People praised EVOL as the "aural equivalent of a toxic waste dump."[25] EVOL is also notable for a guest appearance by bass guitarist Mike Watt, a friend whom the band coaxed to come to New York after he was deeply depressed by the death of his bandmate, D. Boon.
Around the same time, the band formed a side-project with Watt under the alias "Ciccone Youth", which is a play on the names "Sonic Youth" and "Ciccone", the original surname of pop singer Madonna.[26] As Ciccone Youth, the band released one single and one studio album during its career before disbanding in 1988.[27] The single, "Into the Groove(y)", consisted of three tracks: "Into the Groove(y)" (a cover of Madonna's hit "Into the Groove", incorporating snippets of her recording) and the short "Tuff Titty Rap" on the A side (both performed by the Sonic Youth members), and "Burnin' Up" (performed by Watt with additional guitars by Greg Ginn) on the B side. The studio album,The Whitey Album, included the previously released three tracks as well as three cover songs by other artists: "Addicted to Love" by Robert Palmer (recorded in a karaoke booth), and "Burnin' Up" and "Into the Groove" by Madonna.
On 1987's Sister, Sonic Youth continued refining their blend of pop song structures with uncompromising experimentalism. Another loose concept album, Sister is partly inspired by the life and works of science fiction writer Philip K. Dick (the "sister" of the title was Dick's fraternal twin, who died shortly after her birth, and whose memory haunted Dick his entire life).[28] Sister sold 60,000 copies and received very positive reviews, becoming the first Sonic Youth album to crack the Top 20 of the Village Voice's Pazz & Jop critics poll.
"Teen Age Riot" MENU 0:00 The track from Daydream Nationshowcases Sonic Youth's move toward more conventional pop/rock songcraft but still has some of the loud guitars that made them famous. Problems playing this file? See media help.Despite the critical success, the band was becoming increasingly dissatisfied with SST due to concerns about payment and other administrative practices.[29] Sonic Youth decided to release their next record on Enigma Records, which was distributed by Capitol Records and partly owned by EMI. The 1988 double LP Daydream Nation was a critical success that earned Sonic Youth substantial acclaim. The album came in second on the Village Voice Pazz & Jop poll and topped the year-end album lists of the NME, CMJ and Melody Maker. In 2005, it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry.[30] The lead single from the album, "Teen Age Riot", was the first song from the band to reach significant success, receiving heavy airplay in modern and college rock stations. A number of prominent music periodicals including Rolling Stone hailed Daydream Nation as one of the best albums of the decade and named Sonic Youth as the "Hot Band" in its "Hot" issue.[31] Unfortunately, distribution problems arose and Daydream Nation was often difficult to find in stores. Moore considered Enigma a "cheap-jack Mafioso outfit" and the band began looking for a major label deal.[32]
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