Splatter Color Vinyl PATERSON SQURL Third Man Records SEALED Jack White Stripes

$

50

SQU?RL - Paterson Original Film Score
Third Man Records ?– TMR-495 Limited Edition, BLACK & WHITE SPLATTER COLOR VINYL
This record is NEW / MINT / SEALED / UNPLAYED
See all 11 Pics!  (The last photo of the splatter vinyl is lifted from the internet and included for reference only)



SIDE A  1. Bright Air 2. Dark To Light 3. Blue And Gray 4. Persian Dream
SIDE B 1. Warm Sun On Cold Snow 2. Water Falls 3. Trillions Of Molecules


Details: 
SQU?RL is: Carter Logan and Jim Jarmusch.
An enthusiastically marginal rock band from New York City who like big drums & distorted guitars, cassette recorders, loops, feedback, sad country songs, molten stoner core, chopped & screwed hip-hop, and imaginary movie scores.
SQU?RL began in 2009 when Jim and Carter teamed with producer/engineer Shane Stoneback to record some original music for the film THE LIMITS OF CONTROL. Echoing the varied Spanish landscapes captured in the film, the three emerged with a set of slow-motion psychedelic rock instrumentals (releasing them originally as Bad Rabbit). As the artists settled into their new moniker SQU?RL, the group released a series of 3 EPs, recorded over a 3 year period by Shane at Treefort Recording in Brooklyn, NY.
In 2013, SQU?RL collaborated with Dutch lutenist Jozef Van Wissem to compose and perform the score for the film ONLY LOVERS LEFT ALIVE. Bridging ancient and modern sounds, the score serves as a reflection of the distinct textures of Detroit and Tangier. The film and soundtrack album were released worldwide in 2014, and earned the group the Cannes Soundtrack Award from a consortium of film and music critics. Earlier in 2017 SQU?RL released EP #260, a heavier instrumental suite, with innovated b-side remixes by Anton Newcombe and Fo?llakzoid. With their most recent project, the score for PATERSON, SQU?RL have taken inspiration from their performances live-scoring Man Ray’s surrealist silent films and made a dive into the ocean of ambient electronic music.
This time, the poetry of the film requested a slightly different approach in texture, timbre and tone, and led the band to use primarily analog synthesizers. Drums and guitars have been temporarily left behind -- feedback gives way to glass harmonica drones, kick drums to sub-bass punctuation marks. While a brighter counterpoint to some of SQU?RL’s previous work, using some new tools, the band’s purpose has remained to create their own variation on ecstatic music.