Squeeze - Cradle to the Grave

£ 15

$ 19

£ 15 Sold For

Dec 2, 2015 Sold Date

Oct 21, 2015 Start Date

1 Number Of Bids

Germany Country Of Seller

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Description

General

Article name: Cradle to the Grave
Genre: Pop englischsprachig Product type: LP (Vinyl) Label: EMI UK Number of tracks: 16

Tracklist LP - 1

1. Squeeze - Cradle to the Grave 2. Squeeze - Nirvana 3. Squeeze - Beautiful Game 4. Squeeze - Happy Days 5. Squeeze - Open 6. Squeeze - Only 15 7. Squeeze - Top of the Form 8. Squeeze - Sunny

Tracklist LP - 2

9. Squeeze - Haywire 10. Squeeze - Honeytrap 11. Squeeze - Everything 12. Squeeze - Snap, Crackle and Pop 13. Squeeze - Hangin' 'Round 14. Squeeze - Harper Valley PTA 15. Squeeze - This Strange Effect 16. Squeeze - I Don't Wanna Grow Up

Description

Chris Difford and Glenn Tilbrook reunited in 2007, but for the first few years the revived Squeeze were nothing more than a touring act, ducking into the studio to re-record their hits in 2010 (the perfectly fine Spot the Difference) but taking their time to write a new batch of songs. That long-awaited reunion record, entitled Cradle to the Grave, finally appeared in the autumn of 2015, eight years after the reunion started and 17 years after Squeeze's last album, Domino. Remarkably, especially given its mortality-obsessed title, Cradle to the Grave doesn't play like a revival, nor does it seem concerned with modern fashion. Difford and Tilbrook simply pick up the thread they left hanging in the '90s, acting as if no time has passed. Happily, the pair does not seem as knackered as they did on Domino, a record where they seemed to limp along out of habit. Without consciously reviving any specific Squeeze era -- the closest companion this album has may be the early-'90s efforts, such as Play and Some Fantastic Place -- Cradle to the Grave relies on the sharp melodic construction of Tilbrook and Difford's diffident wit, a combination the crackles throughout this lean 44-minute record. Although there's little doubt this is first and foremost a pop album constructed almost entirely out of tight three- to four-minute tunes, what Squeeze celebrate is classic pop aesthetics, not sound: perhaps the Tamla-Motown bounce of the title track is expected, but the glitterball disco that follows on "Nirvana" is not, and the record is filled with such sly curveballs, finding a bit of earthiness in the majestic contours of the Beach Boys and splendor within boozy singalongs. When applied to such sturdy songs, these grace notes make Cradle to the Grave feel nothing less than celebratory, an affirmation of Difford and Tilbrook's special chemistry as songwriters and bandleaders. ~ Stephen Thomas Erlewine

Stephen Thomas Erlewine