Steely Dan – Pretzel Logic *1974:ABCD-808 *Santa Maria 1st Pressing (EX) copy
$
30
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Description
Steely Dan – Pretzel Logic
Label:ABC Records – ABCD-808
Format:Vinyl, LP, Album
Santa Maria Pressing, Gatefold
Country:US
Released:1974
Genre:Jazz, Rock
Style:Jazz-Rock, Pop Rock, Classic Rock
Tracklist
A1 Rikki Don't Lose That Number 4:30
A2 Night By Night 3:36
A3 Any Major Dude Will Tell You 3:05
A4 Barrytown 3:17
A5 East St. Louis Toodle-oo 2:45
B1 Parker's Band 2:36
B2 Through With Buzz 1:30
B3 Pretzel Logic 4:28
B4 With A Gun 2:15
B5 Charlie Freak 2:41
B6 Monkey In Your Soul 2:31
* Cleaned on a VPI using the disc doctors restoration method. * Indubitably makes all the difference increasing record quality: > Cleans all grooves deeply with specific restoration chemicals designed for vinyl. > Removes all oils and contaminants from previous handling. > Music depth is brought back from even years of neglect.
Jacket Grades: EX copy (see pics) Original custom printed inner sleeve...
(**IMPORTANT-- SEE GRADING SCALE BELOW DESCRIPTION).
Steely Dan – Pretzel Logic
Label:ABC Records – ABCD-808
Format:Vinyl, LP, Album
Santa Maria Pressing, Gatefold
Country:US
Released:1974
Genre:Jazz, Rock
Style:Jazz-Rock, Pop Rock, Classic Rock
Tracklist
A1 Rikki Don't Lose That Number 4:30
A2 Night By Night 3:36
A3 Any Major Dude Will Tell You 3:05
A4 Barrytown 3:17
A5 East St. Louis Toodle-oo 2:45
B1 Parker's Band 2:36
B2 Through With Buzz 1:30
B3 Pretzel Logic 4:28
B4 With A Gun 2:15
B5 Charlie Freak 2:41
B6 Monkey In Your Soul 2:31
Companies, etc.
Engineered At – The Village Recorder
Mixed At – Cherokee Studios
Phonographic Copyright ? – ABC Records, Inc.
Copyright © – ABC Records, Inc.
Published By – American Broadcasting Music, Inc.
Published By – Mills Music, Inc.
Published By – Red Giant Music, Inc.
Pressed By – Columbia Records Pressing Plant, Santa Maria
Credits
Art Direction, Photography By [Inside] – Ed Caraeff
Bass – Chuck Rainey, Tim Schmit*, Wilton Felder
Bass, Guitar – Walter Becker
Design – David Larkham
Drums – Jeff Porcaro, Jim Gordon, Jim Hodder
Engineer – Roger (The Immortal) Nichols*
Guitar – Ben Benay, Denny Diaz*, Jeff Baxter
Guitar, Banjo – Dean Parks
Keyboards – David Paich, Michael Omartian
Keyboards, Percussion – Victor Feldman
Lacquer Cut By – Az*
Management [Personal] – Kudo III
Orchestrated By – Jimmie Haskell
Other [Security] – Karen Stanley
Photography By [Cover] – Raenne Rubenstein*
Producer – Gary Katz
Saxophone – Ernie Watts, Jerome Richardson, Plas Johnson
Trumpet – Ollie Mitchell
Vocals, Keyboards – Donald Fagen
Written-By – Fagan* (tracks: A1 to A4, B1 to B6), Becker* (tracks: A1 to A4, B1 to B6)
Notes
Faint sideways "S" (squiggle) in runouts indicates pressing from Columbia Records Pressing Plant, Santa Maria
There are two different labels both came out the same year.
1st Pressing: This version with black labels, where all tracks (including credits) have two lines of text (excluding B5 which has three).
This is different than Pretzel Logic or Pretzel Logic, both black labels where multiple tracks have three lines of text on both sides.
2nd Pressing: See Pretzel Logic for Santa Maria pressing with with same text layout, but having the multi-colored concentric circles ABC label.
Gatefold Packaging.
Fuzz box — Courtesy of Valley Sound
Tim Schmit — Courtesy of Epic Records
Engineered at the Village Recorder, West Los Angeles. Overdub and mixdown at Cherokee Sound, Chatsworth, Calif.
All songs pub. by American Broadcasting Music, Inc. (ASCAP) unless otherwise indicated.
American Broadcasting Music, Inc./Red Giant Music, Inc. [A4]
Mills Music, Inc. (ASCAP) [A5]
American Broadcasting Music, Inc./Red Giant Music, Inc. (ASCAP) [B1, B5]
? 1974
Special thanks to Michael Omartian, Jim Gordon, Jeff Porcaro, David Paich, Chuck Rainey, Ben Benay, Dean Parks, Tim Schmit, Victor Feldman, Plas Johnson, Ollie Mitchell, Jerome Richardson, Lew McCreary, Ernie Watts, Wilton Felder, Tubby, Bruce, Dee, etc.
Barcode and Other Identifiers
Rights Society: ASCAP
Matrix / Runout (Center Label A): ABCD-808-A
Matrix / Runout (Center Label B): ABCD-808-B
Matrix / Runout (Runout Side A etching, Variant 1): ABCD 808-A RE2 Az
Matrix / Runout (Runout Side B etching, Variant 1): ABCD 808-B RE2 Az
Matrix / Runout (Runout Side A etched, Variant 2): S I ABCD 808-A RE 2 Az IA A20
Matrix / Runout (Runout Side B etched, Variant 2): S I ABCD 808-B RE 2 Az IB B8
Matrix / Runout (Runout Side A etched, Variant 3): I ABCD 808-A RE 2 Az IA A
Matrix / Runout (Runout Side B etched, Variant 3): 2 ABCD 808-B RE 2 Az IA A1
Matrix / Runout (Runout Side A etched, Variant 4): S I ABCD 808-A RE 2 Az IA C6
Matrix / Runout (Runout Side B etched, Variant 4): S 2 ABCD 808-B RE 2 Az IB A1
Matrix / Runout (Runout Side A etched, Variant 5): S \ ABCD 808-A RE 2 Az IA A5
Matrix / Runout (Runout Side B etched, Variant 5): S 2 ABCD 808-B RE 2 Az IB A6
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**IMPORTANT > GRADING SCALE: My grading is conservative (subjected to opinion) for your benefit, not mine. If you feel that I have erred > please contact me for resolution to your satisfaction. Up to and including 100% money back guaranteed (see below for criteria). (-) is used if it is at lower end of specific category. (++) is used if it is at higher end of specific category. Please note: I may use two grades for a record: eg VG (to) VG+ This means that each side has a variation (I am not side specific).
M (Mint): Never been played or item still sealed. Cover and any extra items such as lyric sheet, booklet or poster (ie contents) are in sealed condition (which exterior can vary - see description)
Nm (Near Mint): In brand new condition with no surface marks or deterioration in sound quality. Cover and contents have been opened and are nearly close to perfect.
Ex (Excellent): Shows some signs of being played, light marks, but there is very little lessening in sound quality. Cover and contents might have slight wear and /or nominal creasing.
VG+ (Very Good Plus): Better than Very Good: Obviously been played but no significant deterioration in sound quality despite some surface marks and light scratches. Some wear and tear on cover and contents, as in corner/edge/ring wear, with names or initials / prices tags on cover.
VG (Very Good): Obviously been played many times, some deterioration in sound quality, despite noticeable surface marks and light scratches. Wear and tear on cover or contents, including more severe corner/edge/ring wear, including a split spine & rips in seams up to 6" / including heavy marking of initials and names on cover. Tape on seams or spines (no masking tape)
Gd+ (Good Plus): Better than Good: Sound quality has deteriorated with surface noise heard. Some scratches and occasional more noticeable scratches that can be felt. Cover and contents suffer from peeling or discoloration, entire spine & split seams / including heavy drawing or marking of initials and names on cover. Tape on seams or spines - including masking tape.
Gd (Good): Sound quality has noticeably deteriorated, perhaps with continual surface noises. Scratches and marks are noticeable, yet record plays without skipping. Cover and contents suffer from more severe peeling or discoloration, entire spine & split seams. Tape on cover that has aged or is obvious.
F (Fair): Playable but has not been cared for properly and displays considerable surface noise - it may even skip due to scratches and marks . Cover and contents will be severely torn, stained and / or defaced, yet will still house an album.
P (Poor): Very poor sound due to scratches, bad surface noise, potential skips, deeper marks and scratches etc.... Cover and contents will be badly damaged or partly missing. This grading is pro-dominantly used for jacket cover grading (I will not sell any vinyl of this poor quality)
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