Stephen Sondheim ?– Follies - A Broadway Legend (Original London Cast, 1987) LP
$
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Description
Media: Mint (M) like new
Sleeve: Near Mint (NM or M-) wax has full luster and looks like new without signs of handling.
Labels M no spindle marks . Comes with booklet. All pictured
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Stephen Sondheim ?– Follies - A Broadway Legend (Original London Cast, 1987)
Label: First Night Records ?– ENCORE 3 Format: 2 × Vinyl, LP, Album, Gatefold sleeveCountry: UK Released: 1987 Genre: Stage & Screen Style: Musical
Tracklist
Act One A1 Beautiful Girls A2 Don't Look At Me A3 Montage A3.1 Rain On The Roof A3.2 Ah! Paree A3.3 Broadway Baby A4 Waiting For The Girls Upstairs B1 Who's That Woman? B2 In Buddy's Eyes B3 Country House B4 Too Many Mornings Act Two C1 Social Dancing C2 I'm Still Here C3 The Right Girl C4 Could I Leave You? C5 One More Kiss C6 Loveland D1 Love Will See Us Through D2 Buddy's Blues D3 Losing My Mind D4 You're Gonna Love Tomorrow D5 Ah, But Underneath D6 Make The Most Of Your Music D7 You're Gonna Love Tomorrow / Love Will See Us Through (Reprise) D8 Beautiful Girls - FinaleCompanies, etc.
- Recorded At – CTS Studios
- Mixed At – CTS Studios
- Designed At – Dewynters Ltd.
- Published By – Exallshow Ltd.
Credits
- Alto Saxophone, Flute, Clarinet – John Franchi, Richard Ihnatowicz
- Arranged By [Dance Arrangements], Supervised By [Musical Supervision] – Chris Walker (2)
- Baritone Saxophone, Clarinet, Bass Clarinet – Cyril Reuben
- Bass – Pete Morgan
- Cello – Anita Burrowes, Barry Belcher*, David Burrowes, Ruth Alford
- Coordinator – John Craig (5)
- Design [Libretto Book] – Dewynters
- Directed By – Mike Ockrent
- Engineer – David Hunt*
- Engineer [Assistant Engineer] – Jonathan Rutley, Sean Cotter
- Harp – David Snell (2), Jane Lister
- Horn – Hubert Staar
- Keyboards, Music Director [Assistant Musical Director] – Simon Lowe (2)
- Leader – Paul Wood (11)
- Liner Notes – Michael Billington
- Management [Orchestral Managers] – Orchestral Advisory Management
- Music By, Lyrics By – Stephen Sondheim
- Music Director [Production Music Director] – Martin Koch (3)
- Oboe, Cor Anglais – Nicola Woods
- Orchestrated By – Jonathan Tunick
- Other [Stage Choreographer] – Bob Avian
- Other [Stage Designer] – Maria Björnson
- Other [Stage Lighting] – Mark Henderson
- Other [Stage Producer] – Cameron Mackintosh
- Other [Stage Sound] – Andrew Bruce
- Percussion – Chris Barron (5), Peter Beament (2)
- Photography By – Michael Le Poer Trench
- Producer – Chris Walker (2)
- Producer [Associate Producer] – Nicholas Allott
- Producer [Associate Record Producer] – David Caddick, Stephen Sondheim
- Production Manager [Company Manager] – Robert M. West
- Production Manager [Production Administrator] – Howard Harrison (2)
- Tenor Saxophone, Clarinet – Robert Sydor*
- Trombone – Mike Smith (19)
- Trumpet – Martin Drover, Michael O'Gorman, Peter Parkes
- Violin – Godfrey Salmon, Homi Kanga, Jill Jackson (4), Laurie Lewis, Nicholas Hayley, Perry Montague Mason*, Peter Benson, Raymond Keenleyside*, Raymond Prescott, Rosilyn Lishak, Bill Reid*
- Vocals [Ben Stone] – Daniel Massey
- Vocals [Billie Whitman] – Pearl Carr
- Vocals [Buddy Plummer] – David Healy
- Vocals [Carlotta Campion] – Dolores Gray
- Vocals [Christine Donovan] – Josephine Gordon
- Vocals [Deedee West] – Dorothy Vernon
- Vocals [Ensemble] – Brad Graham (2), Julian Wild, Luke Baxter, Pepi Borza*, Raymond Marlowe, Roger Sutton (2), Stephen Lübmann
- Vocals [Follies Girls] – Catherine Terry, Dawn Spence, Dierdre Laird, Jeniffer Scott Malden, Lisa Henson, Margaret Houston, Siobhan O'Kane, Vanessa Leigh-Hicks
- Vocals [Hattie Walker] – Margaret Courtenay
- Vocals [Heidi Schiller] – Adele Leigh
- Vocals [Margie] – Sally Ann Triplett
- Vocals [Max Blanck] – Bruce Graham
- Vocals [Meredith Lane] – Jill Martin
- Vocals [Phyllis Stone] – Diana Rigg
- Vocals [Ronnie Cohen] – Ronnie Price
- Vocals [Sally Plummer] – Julia McKenzie (2)
- Vocals [Solange Lafitte] – Maria Charles (2)
- Vocals [Stella Deems] – Lynda Baron
- Vocals [Wally Whitman] – Teddy Johnson
- Vocals [Young Ben] – Simon Green (4)
- Vocals [Young Buddy] – Evan Pappas
- Vocals [Young Heidi] – Michelle Todd (2)
- Vocals [Young Phyllis] – Gillian Bevan
- Vocals [Young Sally] – Deborah Poplett
- Voice [Dimitri Weismann] – Leonard Sachs
- Voice [Stage Manager] – Roy Sone
- Written-By [Book] – James Goldman
Notes
The First Complete Recording - Original London Cast, 1987. Revised version with new songs.Recorded and Mixed at CTS Studios, Wembley on a Sony 3324 24 Track digital machine, mixed and edited onto a PCM 1610 system.
Contains:
- Lyrics booklet (12 pages) I do combine items so you will safe on shipping charges. Each additional album shipped via Media Mail costs $1 extra. For Priority Mail and international shipments an additional album charge will be the actual shipping cost for an additional weight added to the package total weight. All gate-fold albums are counted as double albums for shipping purposes for Media Mail. All records are sent in hard cardboard packing boxes, removed from the covers to prevent seam splits and placed in protective plastic covers. Additional generic inner sleeve for transportation is provided for albums that contain already original inner sleeve with pictures or lyrics. If not satisfied with my grading return record for a full refund minus back shipping. I grade records visually and occasionally by playing the record to check for actual sound quality. I try my best in grading the albums. GRADING M only for sealed records or really in pristine condition. M- no scratches and no spindle marks very little signs of playing or handling. If there’s a cut corner or punch hole the LP can still be M-, but I will mention if it is there Excellent the record shows some signs of having been played, very superficial wear, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing. Plays like new but may not look perfect, some scuffs that don’t affect play, etc VG++ Plays essentially clean but may have a few spots with very minor hiss or crackle but still very little signs of playing, very little marks from spindle and minimal signs of handling. Light scratches, maybe some scuffing, the cover may have very minor ring wear or dirt, small writing or a very small seam split in the middle, but not all of those defects at the same time. VG+ handling and wear more visible, slight O-ring starts to show, light splits, spindle marks on label. The record has obviously been played many times, but displays noJa major deterioration in sound quality, despite noticeable surface marks light scratches. Normal wear and tear on the cover plays mostly clean with some noise in the quiet areas or between songs. May have a few pops but nothing major. VG definite sings of playing some scratches, deep O-ring, seam splits, corners bent, torn covers etc. The record has been played so much that the sound quality has noticeably deteriorated, Records with this grade I will describe more precisely with all flaws I can detect. As always you can ask for more info. VG- / Fair considerable surface noise, lots of pops and crackle. Cover is ragged, stained and/or defaced G The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partially missing. I do not sale albums graded less then VG-.
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