TALKING HEADS Speaking In Tongues EX+ 1983 Sire 1ST PRESS MONARCH STERLING

$

45

Vinyl:  EX+ Play Graded. Sounds Great!   Sire Labels are Clean.  This is the Original 1983 Sire 1st Pressing! 1-23883.  This is the definitive, audiophile acclaimed version, Mastered by Ted Jensen at Sterling Sound, NYC and Pressed at Monarch Mfg. Co, Los Angeles, CA!  Enjoy warmer, deeper bass and drums. Silkier vocals. It feels like you're in the room where the music's being made!  Talking Heads' at the Pinnacle of their Game.  Quirky and wonderful!  Gospel thro the Heads' lens...Call and response, stop making sense!  Has their instant classic, "Burning Down The House", but also has killer cuts like "Girlfriend Is Better" and "Swamp"...Instant 80s Freaky Dance Party!!!    allmusic gives it 4 stars!!   See Review Below!
In the Dead Wax:  Side 1:  B-17863-SH2  SLM  "delta" 3951  1-1  STERLING ((STAMPERS)) 1-23883-A-SH2  and the glyph for Monarch Mfg. Corp, Los Angeles, CA Side 2:  B-17864-SH1  SLM  "delta" 3951-X  1-1  STERLING ((STAMPERS)) 1-23883-B-SH1  and the glyph for Monarch Mfg. Corp, Los Angeles, CA
Cover:  EX+  (see photos) Includes the lyric inner sleeve.
Goldmine Standards.   I play test every album that I sell on eBay as I have found you can't rate an LP accurately by just visually inspecting an album.  I wipe the dust off of every cover with clean, unscented baby wipes.  I professionally clean the vinyl.
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album? 
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm. 

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.  

 On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.     

AllMusic Review by William Ruhlmann  [-]

Talking Heads found a way to open up the dense textures of the music they had developed with Brian Eno on their two previous studio albums for Speaking in Tongues, and were rewarded with their most popular album yet. Ten backup singers and musicians accompanied the original quartet, but somehow the sound was more spacious, and the music admitted aspects of gospel, notably in the call-and-response of "Slippery People," and John Lee Hooker-style blues, on "Swamp." As usual, David Byrnedeterminedly sang and chanted impressionistic, nonlinear lyrics, sometimes by mix-and-matching clichés ("No visible means of support and you have not seen nothin' yet," he declared on "Burning Down the House," the Heads' first Top Ten hit), and the songs' very lack of clear meaning was itself a lyrical subject. "Still don't make no sense," Byrne admitted in "Making Flippy Floppy," but by the next song, "Girlfriend Is Better," that had become an order -- "Stop making sense," he chanted over and over. Some of his charming goofiness had returned since the overly serious Remain in Light and Fear of Music, however, and the accompanying music, filled with odd percussive and synthesizer sounds, could be unusually light and bouncy. The album closer, "This Must Be the Place (Naive Melody)," even sounded hopeful. Well, sort of. Despite their formal power, Talking Heads' preceding two albums seemed to have painted them into a corner, which may be why it took them three years to craft a follow-up, but on Speaking in Tongues, they found an open window and flew out of it.