(TEX MORTON-Hallelujah I’m a Bum)-L8-FESTIVAL label-2xLP

	A$		40
	$		26

ITEM: VINYL 12” 2xLP 33 1/3rpm
ARTIST: TEX MORTON   
TITLE: Hallelujah I’m a Bum 
COUNTRY PRINTED: OZ
CAT No: FESTIVAL, L-45207/8
COVER: (Grade at EXCELLENT+)
LABELS: (Grade at NEAR MINT+)
VINYL:
Record #1:(Grade at NEAR MINT-)
Record #2:(Grade at NEAR MINT-)
TRACKS: See scans
COMMENT: Wiki  
Tex Morton (born Robert William Lane in Nelson, New Zealand, 30 August 1916; died 23 July 1983) was a pioneer of New Zealand and Australian country music.
  1930s & 1940s
About 1934, he recorded some "hillbilly" songs privately. He later claimed that these were played on New Zealand radio, though this is perhaps unlikely. Some of these recordings have recently come to light, though they have not been commercially reissued. About 1934 (the exact date is uncertain - Morton himself once claimed it was 1932), he emigrated to Australia, apparently intent on a recording career. On 25 February 1936, he recorded four songs for the Columbia Graphophone Company in Sydney, Australia.

Between 1936 and 1943, Morton recorded 93 78-rpm records of his songs, accompanying himself on an acoustic guitar for most tracks, for Columbia's Regal Zonophone label. On some later tracks, he was accompanied by his band, The Rough Riders, and a female singer 'Sister' Dorrie (real name Dorothy Carroll). In 1943, he left Columbia following a dispute with Arch Kerr, the Record Sales Manager, probably over the company's reluctance to use The Rough Riders. He was billed as 'The Yodelling Boundary Rider' on records, though he apparently didn't approve of the name.

During the 1930s and 1940s, he gradually 'Australian-ised' many of the songs he wrote. This approach was followed by other Australian country artists who followed in his footsteps, such as Buddy Williams and Slim Dusty, leading to a particular genre of country music - the Australian bush ballad, which was also influenced by the turn-of-the-century poetry of 'Banjo' Patterson and Henry Lawson.
1950s
In 1949 and 1950, he recorded more sides in Sydney and possibly New Zealand. These were released on the Rodeo and Tasman labels; some songs were probably recorded at the instigation of Ralph Peer, who visited Sydney in 1949 and met Morton.

From 1950 to 1959, Morton was in Canada and the United States. He toured with Pee Wee King in 1952 and recorded in Nashville in March 1953. He claimed to have toured for six months as an opening act for Hank Williams, but this is extremely unlikely, though he may have met Williams in late 1952 through Oscar Davis, who was Morton's manager and Williams's last manager.

Morton toured Canada and the United States as a stage hypnotist, memory expert, whip cracker and sharpshooter, and was associated for some time with the Canadian country singer, 'Dixie' Bill Hilton. He returned to Australia in 1959 with a Grand Ole Opry show, featuring Roy Acuff, the Wilburn Brothers and June Webb, but the show was not popular with Australian audiences and the tour had to be called off. As a sharpshooter, he was legendary, admitting to only one miss: He was about to shoot a cigarette out from between a man's lips when, at the moment he pulled the trigger, the man moved his lips, tilting the cigarette upward. The bullet nipped his nose and, recounted Morton, he was called "Nick" after that. He did a memory act, asking the audience to give him 100 words. He'd recount them back in order, "forgetting" one of them around the 50th word only to suddenly remember the word when he was almost finished his act.

  VINYL GRADING SYSTEM

MINT:
RECORD: New condition with no surface marks or loss of sound quality.
COVER: New condition with no surface marks, creases or wear.
NEAR MINT:
RECORD: Barely noticeable surface mark with no loss of sound quality.
COVER: Barely noticeable surface mark/ wear.
EXCELLENT:
RECORD: Some signs of being played with extremely little if no loss of sound quality.
COVER: Slight wear or creasing.
VERY GOOD:
RECORD: Obviously been played with noticeable surface marks & the occasional light scratches but exhibits no major loss of sound quality.
COVER: Noticeable wear on cover, seam or spine.
+(PLUS)/-(MINUS):
Slightly up or down in condition as appears in the comments above.
NOTE:
Gradings are done visually unless there appears to be a questionable surface mark on the vinyl, it is then put on the turntable to check. A comment describing the outcome will appear if this is the case.

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