THE ARTISTRY OF LARS GULLIN - SWEDISH JAZZ LP ON SONET
$
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Description
THE ARTISTRY OF LARS GULLIN
SONET SLP-1
Mega Rare Original 1958 Swedish Jazz LP of the great Swedish Baritone Saxophonist LARS GULLIN, a giant of European jazz.
Hard-Back Gatefold Cover with Integrated Booklet
Limited Edition of 1000 Numbered and Signed Copies
This is the Copy # 536 (Signed by Lars Gullin himself)
THE LINEUP INCLUDES:
Lars Gullin, Baritone saxophone
Rune Gustafsson, guitar
Claes Lindhoth, bass
Claes-Göran Fagerstedt, piano
Torbjorn Hultcrantz, bass
Gana M’Bow, bongos
Rolf Billberg, alto saxophone
Jan Allan, trumpet
Lasse Bagge, piano
Lars Pettersson, bass
TRACKS:
Night in Tunisia
My Old Flame
Icarus on the Moon
The Song is You
Aesthetic Lady
Fine Together
Everything Happens to Me
The Knob
Good Day to You
The Flight
GRADING:
COVER:
The cover is in great VG++ condition, with only some age stains on the internal pages and some very light, almost unnoticeable, corner wear. NO seam splitting; NO writing, NO spine damage.
RECORD:
The record appears to be in VG- condition, with some surface scratches, but still plays enjoyably with some not too distracting background noise. NO skips or jumps.
*****NO RESERVE*****
Read what they said about Lars Gullin:
Source: The Lars Gullin Website
Scott Yanow on Lars Gullin:
"One of the top baritone saxophonists of all times and a giant of European jazz, Lars Gullin would be better known if he had visited the US often and if excessive drug use had not cut short his career... All bop and cool jazz collectors should be aware of Lars Gullin and own several of his sets."
All Music Guide to Jazz; Miller Freeman Books 1998
Chet Baker on Lars Gullin:
"The only baritone player that I was aware of was Gerry Mulligan. When I heard Lars, I thought, Jesus, there is another way of playing the baritone! Lars played with a lot more fire and a lot more authority in some ways than Gerry did."
Private interview by Pär Rittsel.Read the whole interview
Leonard Feather on Lars Gullin:
"If he ever decides to emigrate to this country, I might add, he is going to scare a lot of people, make a lot of records and gain a lot of admirers."
Liner notes: Lars Gullin Baritone Sax; Atlantic 1246, now reissued on CD
Jack Kerouac on Lars Gullin:
"... a whole case of longplayed bop albums ... and first Wig plays Stan Getz and the Swedish group with Bengt Hallberg on piano, the marvelous Lars Gullin on baritone, great rhythm section – first music I'd heard in months ..."
from Selected Letters 1940–1956, Penguin Books.
Brian Priestly on Lars Gullin:
"The first musician after Django Reinhardt to have an impact in the USA without relocating there, Gullin has never been duplicated or surpassed. His facility and relaxation, especially in the 1950s, were able to make the baritone feel like a delicately handled tenor. But his tone (thanks to the Tristano influence detectable in many Swedish and German musicians of this period) was so light and pure that it recalled not so much a tenor as altoist Lee Konitz ...Local commentators detect the inspiration not only of folk-music but the 19th-century Swedish composers in Gullin´s distinctive writing."
Jazz, the Essential Companion; Paladin, London 1987
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