(THE BAND-The Last Waltz)-Bob Dylan/Paul Butterfield/Neil Young/Dylan-D0-3xLP

	A$		50
	$		33

ITEM: VINYL 12” 3xLP 33 1/3rpm
ARTIST: THE BAND
TITLE: The Last Waltz
COUNTRY PRINTED: OZ
CAT No: WARNER BROS, 3WS 3146 (ORIGINAL 1978)
OUTER COVER: (Grade at EXCELLENT+) 2cm tear top seam opening & small tear/wear bottom seam opening
INNER COVERS: (Grade at EXCELLENT+) one sleeve has a 1.5cm tear on opening
LABELS: (Grade at NEAR MINT+)
BOOKLET: 12 pages (Grade at EXCELLENT+) small stains on bottom edges
VINYL:
Record #1:(Grade at EXCELLENT+)
Record #2:(Grade at EXCELLENT+)
Record #3:(Grade at EXCELLENT+)
TRACKS:
A1 Theme From The Last Waltz
Bass [Electric Standup] – Rick DankoGuitar [Dobro] – Richard ManuelGuitar [Harp] – Robbie RobertsonOrgan [Pipe Organ] – Garth HudsonWritten-By – R. Robertson* 3:28
A2 Up On Cripple Creek
Written-By – R. Robertson* 4:44
A3 Who Do You Love
Guitar [Solo] – Robbie RobertsonVocals – Ronnie HawkinsWritten-By – E. McDaniel* 4:16
A4 Helpless
Backing Vocals – Joni MitchellGuitar, Vocals – Neil YoungWritten-By – Neil Young 5:47
A5 Stagefright
Arranged By [Horns] – Tom MaloneGuitar [Solo] – Robbie RobertsonOrgan [Solo] – Garth HudsonWritten-By – R. Robertson* 4:25
B1 Coyote
Congas – Dr. JohnGuitar, Vocals – Joni MitchellWritten-By – Joni Mitchell 5:50
B2 Dry Your Eyes
Drums – Dennis St. JohnGuitar, Vocals – Neil DiamondWritten-By – N. Diamond*, R. Robertson* 3:57
B3 It Makes No Difference
Arranged By [Horns] – Howard Johnson (3)Written-By – R. Robertson* 6:48
B4 Such A Night
Piano, Vocals – Dr. JohnWritten-By – M. Rebennack* 4:00
C1 The Night They Drove Old Dixie Down
Arranged By [Horns] – Allen ToussaintWritten-By – R. Robertson* 4:34
C2 Mystery Train
Harmonica, Vocals – Paul ButterfieldWritten-By – H. Parker Jr.*, S. Phillips* 4:59
C3 Mannish Boy
Guitar – Bob MargolinHarmonica – Paul ButterfieldPiano – "Pine Top" PerkinsVocals – Muddy WatersWritten-By – E. McDaniels*, McKinley Morganfield, M. London* 6:54
C4 Further On Up The Road
Guitar [Solo] – Robbie RobertsonGuitar, Vocals – Eric ClaptonWritten-By – D.B. Robey*, J. Medwick Veasey* 5:08
D1 Shape I'm In
Arranged By [Horns] – Howard Johnson (3)Organ [Solo] – Garth HudsonWritten-By – R. Robertson* 4:06
D2 Down South In New Orleans
Accordion [Solo] – Garth HudsonGuitar, Vocals – Dr. JohnVocals – Bobby CharlesWritten-By – J. Anglin*, J. Anglin*, J. Wright* 3:06
D3 Ophelia
Arranged By [Horns] – Garth HudsonGuitar [Solo] – Robbie RobertsonWritten-By – R. Robertson* 3:53
D4 Tura Lura Lural (That's An Irish Lullaby)
Arranged By [Horns] – Henry GloverPiano – John SimonVocals – Van MorrisonWritten-By – James Royce Shannon 4:15
D5 Caravan
Vocals – Van MorrisonWritten-By – Van Morrison 6:02
E1 Life Is A Carnival
Arranged By [Horns] – Allen ToussaintGuitar [Solo] – Robbie RobertsonWritten-By – L. Helm*, R. Danko*, R. Robertson* 4:32
E2 Baby Let Me Follow You Down
Written-By – Rev. Gary Davis 3:00
E3 I Don't Believe You (She Acts Like We Never Have Met)
Written-By – Bob Dylan 3:23
E4 Forever Young
Written-By – Bob Dylan 4:42
E5 Baby Let Me Follow You Down (Reprise)
Guitar [Solo] – Robbie RobertsonGuitar, Vocals – Bob DylanWritten-By – Rev. Gary Davis 2:46
E6 I Shall Be Released
Backing Vocals – Bobby Charles, Dr. John, Eric Clapton, Joni Mitchell, Neil Diamond, Neil Young, Paul Butterfield, Ronnie Hawkins, Van MorrisonDrums – Ringo StarrGuitar – Ron WoodVocals – Bob DylanWritten-By – Bob Dylan 3:53

The Last Waltz Suite
F1 The Well
Written-By – R. Robertson* 3:27
F2 Evangeline
Guitar, Vocals – Emmylou HarrisWritten-By – R. Robertson* 3:17
F3 Out Of The Blue
Written-By – R. Robertson* 3:08
F4 The Weight
Arranged By [Horns] – Tom MaloneGuitar, Vocals – Roebuck Staples*Vocals – Mavis StaplesWritten-By – R. Robertson* 4:38
F5 The Last Waltz Refrain
Written-By – R. Robertson* 1:28
F6 Theme From The Last Waltz (With Orchestra)
Arranged By [Horns] – John SimonArranged By [Strings] – John SimonBacking Vocals – Alison HormelWritten-By – R. Robertson* 3:22
COMMENT #1: Biography by Bruce Eder
For roughly half a decade, from 1968 through 1975, the Band was one of the most popular and influential rock groups in the world, their music embraced by critics (and, to a somewhat lesser degree, the public) as seriously as the music of the Beatles and the Rolling Stones. Their albums were analyzed and reviewed as intensely as any records by their one-time employer and sometime mentor Bob Dylan. Although the Band retired from touring after The Last Waltz and disbanded several years later, their legacy thrived for decades, perpetuated by the bandmates' respective solo careers as well as the enduring strength of the Band's catalog.

COMMENT #2: Wikipedia
The Last Waltz was a concert by the Canadian-American rock group the Band, held on American Thanksgiving Day, November 25, 1976, at Winterland Ballroom in San Francisco. The Last Waltz was advertised as the Band's "farewell concert appearance,"[2] and the concert saw the Band joined by more than a dozen special guests, including Bob Dylan, Paul Butterfield, Neil Young, Emmylou Harris, Ringo Starr, Ronnie Hawkins, Dr. John, Joni Mitchell, Van Morrison, Muddy Waters, Ronnie Wood, Neil Diamond, Bobby Charles, The Staple Singers, and Eric Clapton. The musical director for the concert was the Band's original record producer, John Simon.

The event was filmed by director Martin Scorsese and made into a documentary of the same name, released in 1978. Jonathan Taplin, who was the Band's tour manager from 1969 to 1972 and later produced Scorsese's film Mean Streets, suggested that Scorsese would be the ideal director for the project and introduced Robbie Robertson and Scorsese. Taplin served as executive producer. The film features concert performances, intermittent song renditions shot on a studio soundstage, and interviews by Scorsese with members of the Band. A triple-LP soundtrack recording, produced by Simon and Rob Fraboni, was issued in 1978. The film was released on DVD in 2002 as was a four-CD box set of the concert and related studio recordings.

The Last Waltz is hailed as one of the greatest concert films ever made,[3] although it has been criticized for its focus on Robertson.[4]

VINYL GRADING SYSTEM

MINT:
RECORD: New condition with no surface marks or loss of sound quality.
COVER: New condition with no surface marks, creases or wear.
NEAR MINT:
RECORD: Barely noticeable surface mark with no loss of sound quality.
COVER: Barely noticeable surface mark/ wear.
EXCELLENT:
RECORD: Some signs of being played with extremely little if no loss of sound quality.
COVER: Slight wear or creasing.
VERY GOOD:
RECORD: Obviously been played with noticeable surface marks & the occasional light scratches but exhibits no major loss of sound quality.
COVER: Noticeable wear on cover, seam or spine.
+(PLUS)/-(MINUS):
Slightly up or down in condition as appears in the comments above.
NOTE:
Gradings are done visually unless there appears to be a questionable surface mark on the vinyl, it is then put on the turntable to check. A comment describing the outcome will appear if this is the case.

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