THE BEATLES REVOLVER RARE XEX 606-1 UK FIRST MONO PRESS

	£		215
	$		285

Thank you for visiting my listing. The section immediately below sets out information specific to the particular album / record offered in this listing. This is followed by my general comments about vinyl which you may want to browse through if you have time. Please feel free to email me with any related comments or observations; particularly if you have any reliable information which contradicts any of my descriptions as I am always interested in adding to my knowledge on this subject. When preparing my listings I use a combination of facts from reliable sources, more than forty years of personal experience and, occasionally, music industry anecdotes. Just a visual inspection of used vinyls is almost always misleading so I play grade every vinyl I offer, before listing, on a Project III deck fitted with an Ortofon OM 5E cartridge down-force set at 17.5 mN (1.75 g), fitted with a first grade stylus which I renew at intervals according to manufacturers specification, through a manufacturers pre-set Rega Brio amplifier with sound delivered by Focal Chorus 706 loudspeakers, which is unforgiving where there are surface imperfections. If I think a vinyl will benefit from professional cleaning I use my ‘Moth’ RCM2, but I do not clean vinyls for the sake of it - many I offer for sale have had little use and although there can be slight contamination in the grooves, even when new, that is the original authentic sound. I believe in cleaning only when my ‘ear’ tells me that the audio performance has deteriorated by exposure over time and will obviously be returned closer to the original sound by cleaning. Although it is extremely rare, there can be a difference between my descriptions, and opinions, and an individual buyer’s expectations so I have a clearly stated Returns Policy for added reassurance which is detailed at the bottom of all my listings. In the unlikely event that you want to use this facility please read the details carefully first, and then contact me to agree the procedure. There really will never be a reason to have any problem with an item you purchase from me. Before bidding please take a careful look through my terms and conditions to avoid any misunderstandings.

First Issues, First Pressings & Originals: Please note that when I refer to a First Issue I mean that the evidence suggests that the album offered is from the first batch that was issued for commercial release in the country of origin stated in the listing. Where I state First Press I mean that based on a reasonable interpretation of the matrices and stamper codes the vinyl comes from the first batch pressed using that particular ‘mother’; these statements alone do not always mean that the vinyl is from the very first ’stamper’ ever made. However, where I state First Issue and First Press it is likely that the album offered includes one (or more) of the early vinyl(s) produced in the country of origin from the first ‘mother(s)’ and ‘stamper(s)’. Original means that the record bears the first label design for that particular pressing and, in the case of the cover, it is from the first cover manufacturer for that pressing; it may have very slight changes, if they were made within the first production run or, if the album was issued with a choice of cover designs or colours on first release, but in these cases I will try and explain the differences. This is not an exact science and anomalies will occur where I may make a mistake but I believe this will not happen very often - if it does then all of my buyers have the unequivocal reassurance of my Comprehensive Returns Policy.

Condition & Grading: Regular visitors to my listings will know that I offer albums that range from very good to near mint in terms of condition. I don’t restrict my offerings to just near mint, and I don’t just call everything great or excellent plus regardless of condition. Occasionally a rare album turns up which in some respects grades very good plus but in other ways is  outstanding so providing each of the features are individually and accurately graded, and I take great care with this, I am happy to offer it for sale. However, all vinyl albums I offer are at least highly presentable and deliver enjoyable audio, and most are much better than that – if you are intending to bid please read the individual gradings and check that you are satisfied before placing your bid.

Album / Record Title: REVOLVER

Rarity: CONSIDERED TO BE ONE OF THE RAREST AND MOST HIGHLY COLLECTABLE VARIANTS OF THIS BEATLES CLASSIC. THE FIRST MONO FORMAT VARIANT OF REVOLVER on the first yellow/black £ Parlophone labels BEARING THE XEX 606-1 MATRIX ON SIDE 2 IS A HIGHLY PRIZED COLLECTORS ITEM. The fact that you are reading this listing probably means that you are already fully aware of the history behind the variant so I will just summarize. The first UK issue of Revolver was the first stereo pressing. Contrary to the norm the first 1966 monos were technically the second pressing. The album was released August 1966 which was during the long commercial transition period from mono to stereo. Many of the record buying public had still not invested in the more expensive stereo reproduction record players by that time and, although you could play stereo record on mono equipment, there may still have been a consumer preference for mono. It seems that pre-release it was decided this album would be heard at its best using stereo technology due to the intricacy and complexity of some of the pioneering and experimental techniques. Consequently the intention may have been to release exclusively in the stereo format but this changed and quite soon after the first stereos were released it was pressed in mono. However the EARLIEST UK FIRST MONO were pressed with a version of ‘Tomorrow Never Knows’ that John Lennon was not happy with – these bear the side 2 matrix XEX 606-1 like this one – this was quickly changed using a new master bearing the side 2 matrix XEX 606-2. As a result few of these original variants were made and they are extremely rare today. This is a PRESENTABLE AND ENJOYABLY PLAYABLE EXAMPLE OF THE EARLIEST FIRST MONO PRESSING recorded on the Parlophone £ yellow and black label printed with the ‘GRAMOPHONE CO. LTD…’ on label perimeter and ‘SOLD IN THE U.K. SUBJECT TO….SEE PRICE LISTS’ text, pressed on HEAVY VINYL with FIRST MONO PRESS MATRICES and relatively EARLY MOTHERS, STAMPERS & ‘KT’ purchase tax code, all housed in the original Garrod & Lofthouse Patents pending classic front laminated single slip cover with ‘flip-backs’, solid ‘mono’ notation top right, and bearing the original DR. ROBERT title on the cover track list and the DR. ROBERT on the record label (later changed to 'Doctor Robert' at John Lennon's request), which along with the mono format are characteristics of the EARLIEST ORIGINAL UK FIRST MONO ISSUES. This album certainly qualifies for the description RARE.

The key features are listed below:

• COMPLETE ORIGINAL UK ALBUM FIRST PRESS & FIRST ISSUE
• FIRST MATRICES, EARLY MOTHERS, EARLY STAMPERS ‘KT’ CODE
• SUPERB HEAVYWEIGHT VINYL IN VERY GOOD PLUS CONDITION
• MONO RECORDING FORMAT DELIVERING ENJOYABLE AUDIO
• ORIGINAL PARLOPHONE £ YELLOW/BLACK LABELS EXCELLENT
• WITH ‘THE GRAMOPHONE CO. LTD…’ TEXT ON LABEL PERIMETER
• TITLE DR. ROBERT ON COVER AND DR. ROBERT SIDE 2 LABEL
• ORIGINAL ‘EMITEX’ PATENTS APPLIED FOR GREY PRINT INNER
• UK G&L PATENTS PENDING FRONT LAMINATED FLIP BACK COVER
• ONE OF THE RAREST & MOST HIGHLY PRIZED BEATLES ALBUMS

Artiste(s): THE BEATLES - John Lennon, Paul McCartney, George Harrison, Ringo Starr

Producer: George Martin

Disc Format & Playing Speed: 12” LP & 33 1/3 r.p.m.

Recording Format: MONO

Record label: ORIGINAL PARLOPHONE £ LOGO YELLOW ON BLACK with silver text & ‘KT’ purchase tax code embossed either side of the spindle hole on side1.

Catalogue Number: PMC 7009

Country of manufacture and first published date: Gt. BRITAIN 1966

Vinyl ‘run off’ matrices side 1:     XEX 605-2

Vinyl ‘run off’ matrices side 2:     XEX 606-1

Vinyl ‘run off’ stampers side 1:    6    AT

Vinyl ‘run off’ stampers side 2:    3    RA

Vinyl ‘run off’ initials / cryptic / other side 1:  none visible

Vinyl ‘run off’ initials / cryptic / other side 2:  none visible

N.B. Please note that all matrices, mothers and stampers quoted in my listings are machine imprinted except where I state an alternative method next to them.

Track Listing as per label: SIDE 1: TAXMAN / ELEANOR RIGBY / I’M ONLY SLEEPING / LOVE YOU TO / HERE, THERE AND EVERYWHERE / YELLOW SUBMARINE / SHE SAID SHE SAID SIDE 2: GOOD DAY SUNSHINE / AND YOUR BIRD CAN SING / FOR NO ONE / DR. ROBERT / I WANT TO TELL YOU / GOT TO GET YOU INTO MY LIFE / TOMORROW NEVER KNOWS

My opinion & summary of condition: I am not going to repeat my opinion about The Beatles or this album as it is an enthusiasts or collectors piece and you wouldn’t be reading the listing if you didn’t know what you were looking for; so I will just concentrate on summary of condition. This is genuinely decent example of Revolver. The Klaus Voormann designed front laminated G&L Patents pending single slip cover is a little discoloured around the edges with handling marks, some slight surface creasing, and some edge and corner rub wear; if you’re looking for a pristine cover this is unlikely to satisfy you but it is highly presentable and better than most you will find. All corners, edges and edges of flip backs are intact - nothing missing or damaged just reasonable wear over time. The original ‘EMITEX’ inner is in very good condition. The impressive HEAVY VINYL plays really well and sounds great but it does have its fair share of movement lines and bag marks – this will not satisfy the excellent to near mint collector; they have no tangible depth and only minor audio consequence, I thoroughly enjoyed listening to the record and would happily listen to it anytime, but it is not recommended for the strict audiophiles.

MY GRADING OF THIS ALBUM based on Record Collector ‘Rare Record Price Guide 2008’ (**n.b. please note that I grade accurately backed up by a description. I neither over-exaggerate nor under-exaggerate. I see no point in grading an item with multiple ++++ marks, or under-grading it and then stating that it should be graded better - I consider these methods to be confusing. I use the Record Collector system with either a PLUS or a MINUS to indicate slight variations either side of a grade). I always include a full set of super-sized photographs to provide bidders with the best possible opportunity to make their own visual assessment of each album in conjunction with my detailed descriptions.

Vinyl Visual side 1: VERY GOOD PLUS, plenty of fine and light surface movement lines and bag marks, a few are more noticeable - not tangible, and only minor audio consequence (please read play grade below).

Vinyl Visual side 2: VERY GOOD PLUS, plenty of fine and light surface movement lines and bag marks, a few are more noticeable - not tangible, and only minor audio consequence (please read play grade below).

Label Visual side 1: EXCELLENT, a fair amount of light spindle lines and light evidence of handling, one tiny nick but no marks, no scuffs, no tears, no visible spindle hole wear.

Label Visual side 2: EXCELLENT, a fair amount of light spindle lines and light evidence of handling, two tiny nicks but no marks, no scuffs, no tears, no visible spindle hole wear.

N.B. Please note that I make no adjustment or allowance in grading for minor marks or slight shrinkage marks / lines on labels caused in original pressing; they are quite normal and in my opinion are individual characteristics – not defects.

Outer Cover: VERY GOOD PLUS, the original classic front laminated single slip cover Printed and made by Garrod & Lofthouse Ltd. Patents pending of mid-weight card construction with flip backs. There are four short crease cracks on the front adjacent to the spine which have discoloured. There are a couple of barely visible surface creases towards leading edge where the vinyl enters - also some small dents and minor ‘pick-up’ at the entry edge. General handling over time have caused some edge browning on the front and non-laminated back, and there are a few small light marks also towards the edges - none of these are unsightly or unpleasant. There is some edge and corner rub wear, and some surface rubbing on the non-laminated back which, in part, follows the top outer edge of the vinyl. The back has some minor ‘rub-off’ in an arc following part of the outer edge of the record, the flip-backs are complete with good edges - just a few fine dicoloured crease cracks and minor marks. Overall this is a reasonably and carefully used 43 year old cover physically intact and in highly respectable condition but please take a careful look at the super-sized photographs which show it well, in terms of fairness and accuracy, and make your own assessment as well.

Spine: EXCELLENT, physically well formed with square shoulders and pinched ends as they are from new, a few small fine brown cross creases but they are not spoilers in any way and all text is clean, clear and fully readable.

Inner Sleeve: VERY GOOD PLUS – the original Parlophone era standard EMITEX ‘Patents Applied For’ inner printed with advisory notes in light grey print recommending the use of an EMITEX cleaning cloth, light browning and creasing with age.

Vinyl Warp: none visible when eye tested on a moving turntable.

Vinyl Weight: 153 grammes (a powerful PARLOPHONE heavyweight)

Play Grade: I consider all aspects of an albums condition and grading to be highly important and I place particular emphasis on the quality of the audio delivery; superior audio performance is, above all, the main reasons for listening to vinyl. For this reason I have decided to extend my play grade to rate separately how ‘clearly’ and ‘cleanly’ the sound is received. It is quite possible with vinyl to experience great ‘clarity’ and reality without the sound being exceptionally ‘clean’ - that’s ok with me, but it may not satisfy the audiophile. So, a NEAR MINT & NEAR MINT will be the best grade with VERY GOOD PLUS & VERY GOOD PLUS or better being highly satisfactory.

For CLARITY the audio from this vinyl grades: NEAR EXCELLENT

For CLEANLINESS the audio from this vinyl grades: VERY GOOD PLUS

Audio Performance: THIS HAS CLEARLY BEEN PLAYED REGULARLY THROUGH THE YEARS BUT NOT EXCESSIVELY AND IT STILL CONTINUES TO DELIVER ENJOYABLE AUDIO TODAY. PARLOPHONE PRESSINGS ARE LEGENDARY FOR THEIR LONGEVITY AND DURABILITY AND THIS VINYL PRODUCES A THOROUGHLY CREDITABLE AUDIO PERFORMANCE OF GREAT QUALITY WHICH DOES JUSTICE TO THE SUPERB SONGS AND MUSIC. THERE IS A UNDERLYING LOW LEVEL SURFACE SOUND AND OCCASIONAL LIGHT CRACKLE BUT NOTHING UNPLEASANT. I ALWAYS ASK VISITORS TO MY LISTINGS TO BEAR IN MIND THAT THIS SECTION AND THE GRADING IS BASED ENTIRELY ON MY PERSONAL OPINION AND AUDIO PERCEPTION BELONGS TO THE INDIVIDUAL. WITH VINYL CLARITY THERE IS ALWAYS LIGHT TRANSITIONAL SURFACE SOUND WHICH IS INEVITABLE FROM THIS MEDIUM, EVEN WHEN NEW, AND OCCASIONALLY A LITTLE CRACKLE, WHICH IS OFTEN LIGHT STATIC, OR EVEN A RANDOM SOFT TICK - BUT THIS POWERFUL AND POTENT AUDIO, THE BEATLES AT THEIR BEST FROM A FINE VINYL.

Other: Probably the rarest and earliest mono variant of a classic album – this one is well worth serious interest.

PLEASE TAKE A LOOK AT MY OTHER LISTINGS BY CLICKING ON THE ‘VIEW SELLERS OTHER ITEMS’ IN THE TOP RIGHT HAND CORNER BOX OF THIS LISTING - THANK YOU.

My definition of a rare vinyl: Generally there is agreement that to qualify for the description rare there should not be too many of the type offered, available on the market at the time. With my listings that will be the main criterion however I will also occasionally claim rarity based on excellence of condition, or some other key feature, or an accompanying item such as an insert, which is not often found with similar vinyls.

UK first and early pressings: This has become something of a ‘fashion accessory’ for many of the albums listed on eBay and, as with fashion, there are many imitators. Of course with the more popular huge selling albums, where the record companies were fairly sure of major sales from the outset, there were many first pressings but otherwise this was not usually the case. Generally the lower the numbers in the matrices and stamper codes on the vinyl ‘run off’ areas, on both sides of a record, the earlier the pressing therefore ‘A1’ & ‘B1’ are most often first or early pressings, but there are variants and exceptions to the rule. The most notable ones, for example where the ‘1’ matrix was only used for test pressings so the commercial releases started at ‘2’, are well documented now but there are a few more observations which are worth noting. There are low numbered matrices which belong to second and even third pressings (in these cases the record companies gave similar numbers to the first press of a re-issue) you can normally identify these by, examining the labels which are often different in texture and/or design, and by checking the weight of the record as the earlier pressings were normally heavier. This weight difference can also be indicative where different symbols were used in the matrices. For example some record companies first denoted early pressings with A61 & B61 and then soon after changed to A // 1 & B // 1, in these cases weight of the vinyl is often very helpful with identification. Occasionally there are high numbers on first pressings, but this is unusual. Other points to note are the manufacturer of the ‘cover’ or ‘outer sleeve’ and various characteristics or design variants. The ‘inner sleeve’ or ‘bag’ can also be an indicator. However it is not wise to rely on details beyond the matrices and labels as the covers and sleeves can easily be interchanged. ‘Made Up’, Swapped’ or ‘Doctored’ sets are not uncommon, particularly with high value albums which have inserts and special text, so the best advice is to try and make sure that everything matches the criteria thus eliminating most of the risk (a good look at the photographs on the listing, if they are of the actual item offered as they are on all of my listings, is always advisable). As a general rule I suggest that you don’t pay hundred’s or thousands of pounds unless you are buying from a reliable source who provide you with comprehensive information and have a clearly stated ‘Returns Policy’ - or unless you’ve got money to throw away (and in that case there are any number of far more deserving charities)

Audio reproduction on vinyl: In my experience there is always an element of surface or background sound with audio reproduction on vinyl, even when new - very hard to imagine how there could not be when two solid surfaces come into contact with each other and are then amplified! In my opinion anybody who claims there is no surface sound, or ‘silence’, is hard of hearing, has not turned the amplifier on, or is using very poor quality audio equipment. Almost all used vinyl has at least light surface scratches which are always visible when viewed under a bright halogen light - which is what I use for inspection. So if you are uncomfortable with a bit of light crackling it’s probably best not to buy vinyl. In my opinion the light surface sound is more than compensated for by the clarity and ‘reality’ of the overall sound reproduction. I listen carefully to every album I list, before listing it for sale.

Finally: All of this comment contained in this listing is subjective, it is based only on my opinion and your expectations may not necessarily correspond with my standards. If you receive an album from me and you have some differences please remember to use reasonable communication as a first option. I have a comprehensive non confrontational ‘Returns Policy’ which is clearly set out below and providing there is no abuse, or use the negative feedback system, I will always reimburse you in full for your direct costs if you return the album correctly.

TERMS AND CONDITIONS OF SALE

DESCRIPTIONS: Are given in good faith, but they are based on my opinion and standards.  Bidders should note that they offer at their own risk and must satisfy themselves that they have sufficient information about the item before they enter the bidding process.  Please ask questions before you become involved with the auction, NOT afterwards! Where I list sizes/dimensions they are either as stated on the item/label by the supplier/manufacturer or reasonably accurately hand tape measured; however, they are not necessarily precise, should be taken as approximate and not relied upon where absolute precision is required. This clause does not in any way affect your rights under the terms of my ‘Returns Policy’, it is stated to prevent unnecessary inconvenience to both parties.

INFORMATION: Whilst I take care to try and provide accurate information on the original listing it is possible that new information may become available to me afterwards. I therefore strongly recommend that all bidders read any revisions and the ongoing questions / answers section of the listing before bidding as they may contain updated information which could affect your valuation of the item(s). In the event that new information is published, after the time you have become the high bidder, which adversely affects your valuation of the item(s) and you wish to withdraw from the bidding process please email your request and I will use the cancel bid option with no ongoing liability to any of the parties involved in the auction.

PHOTOGRAPHS: All photographs contained within this listing show the actual item (s) offered – they are not catalogue, archive or library photographs.  Furthermore they are direct images and not re-touched or modified in any way. I try to make good and comprehensive use of images on the listing in order to give the prospective bidder the best opportunity to evaluate the item(s); however it is possible that in some circumstances the photographs can enhance the appearance of the item(s) due to compression so please take this into account before bidding and do not hesitate to ask for more images or information which I am happy to send by attachment to email. This is particularly recommended with overseas buyers where returns are often not a viable option.  

OVERSEAS BUYERS WELCOME: I am pleased to deal with buyers from anywhere in the world. My method of LP packaging reduces the risk to your valuable vinyls & covers in transit. Makes no sense to me to buy something important and then play the ‘high risk of damage game’ when having it shipped around the world – I hope you feel the same. Unless the prospective bidder / buyer states a preference I always quote Airmail as Surface Mail does not usually cost much less and takes a long time (again more risk of damage or loss I think). Also please note that for British Pounds £3.30 extra you can have an International Signed for service which includes insurance up to £32. Insurance quotations to a value you specify in advance of shipping are available on request.

PACKING & POSTAGE:  Vinyl’s are removed from covers and placed in separate transit sleeves. All components are then placed side by side in a polythene inner for extra safety and water resistance and then secured between two corrugated card stiffeners. I use Heavy Duty Mailers Specifically Designed for Vinyl Albums, which provide excellent security and protection, in conjunction with my own Ultra Safe reinforced sealing and packaging method. Internally I use 2 of the highest grade ‘B’ flute corrugated card stiffeners to prevent bending, deformation or edge/corner creasing. Packing & postage prices are NOT negotiable on items dispatched individually or separately. However, if you are a similar time multiple buyer where all items purchased are being sent to the same address and they can be combined safely, you can ask for a discounted quotation before bidding. I will always try to be fair with buyers on p&p costs but if you do not want to pay the prices on the listings or quotations please do not bid.  I am not interested in hearing from successful bidders afterwards questioning and complaining about cost of packing and postage! I always keep proof of posting but unless you pay for Recorded Delivery, International Signed For, Special Delivery or Full Insurance I may not be able to assist you with recovery of the item or any of the costs.

Where postal insurance is included it is subject to Royal Mail Standard Terms & Conditions. Quotations for other insurance or premiums to cover increased values are available on request.

PAYMENT: For Buyers WITHIN the UK: PayPal, or Pound sterling cheques / money orders, with minimum 7 days to clear before despatch.

PAYMENT: For Buyers OUTSIDE of the UK: Payments by PayPal only please.

CANCELLATION: The Seller reserves the right to cancel any bid, entirely at his discretion and without giving prior notice, in the following circumstances:

They have reason to believe that the bidder has not complied with the terms of their offer as set out on the listing.

The bidder’s feedback is of such limited quantity that it cannot be regarded as reliable.

The bidder’s feedback is of dubious quality and/or gives the seller any indication or reason to doubt the credibility of the bid.

MY FEEDBACK POLICY: I leave feedback for buyers after they inform me that they have received the item(s) and have left me their feedback. As I have a clearly stated Returns Policy, which does not expose the buyer to any direct loss whatsoever, I see no reason for either side to indulge in negative feedback. Providing the buyer does not engage in threats, abuse or use of negative feedback I will resolve any problem in a fair and reasonable way. If you have a problem or complaint about any transaction you have made with me contact me on somemightsell_e@btinternet.com and we will find a solution that is acceptable to you.

SUPERSIZED PHOTOGRAPHS: I have super-sized the photographs below to provide prospective bidders with the best opportunity to make their valuation before entering the bidding process, please just click on the ‘Larger Picture’ and arrows to use this facility. Sometimes due to reflection these images can appear slightly distorted, ‘graining’ can appear and dust particles can be exaggerated by the light - in reality there are no defects of this kind.