THE BEATLES WHITE ALBUM-APPLE STEREO PCS.7067/8 WITH INSERTS.NICE CLEAN COPY
£
24
$
32
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Description
THE BEATLES-THE BEATLES TYPE DOUBLE LP-STEREO LABEL/PRESSING INFO
APPLE 2ND PRESS LABELS WITH EMI MATRIX NUMBERS:YEX 709-1 YEX 710-3 YEX 711-1 YEX 712-2 AND EMI STAMPERS 4RPD 1LR 1AAP 1ARG
CATALOGUE NUMBER PCS 7067 YEAR OF RELEASE 1968/1973 COUNTRY OF RELEASE U.K. SLEEVE TYPE GATEFOLD- GARROD & LOFTHOUSE FULLY LAMINATED WITH EMBOSSED "The BEATLES" ON FRONT BOARD AND SIDE OPENINGS INSERTS/EXTRAS 4 GLOSSY PHOTOS LARGE FOLDOUT PICTURE/LYRIC POSTER AND 2 WHITE APPLE INNER SLEEVES. GRADING/CONDITION DISC(s)EXCELLENT+ ( NICE CLEAN RECORDS with NO visible signs of being played and just the lightest surface handling marks, AND PLAY AND SOUND GREAT)
LABELSEXCELLENT+(NICE CLEAN LABELS with NO writing rips tears repairs user stickers or removal marks VERY LIGHT spindleusage and MINIMAL storage and handling wear)
SLEEVEFront board.Inner gatefold EX+
NICE AND CLEAN with NO rips tears writing stickers or removal marks. Front board is clean and shiny with MINIMAL rubbing pressure and a couple of small laminate cracks next to the spine. INNER GATEFOLD is clean and unmarked with very light ageing.
Rear board EX+ CLEAN and much as the front board, just VERY LIGHT wear and handling and the hint of a pressure mark. Flipbacks N/A N/A Spine EX+ Spine is complete and uncrushed with no colourloss or rubbing wear and with clear lettering Edges EX+ Top and bottom edges have MINIMAL wear only Opening (s) EX+ The openings have very light wear and very light useage Corners EX ALL Corners have very light wear with no rounding,there is a bit of heavier wear on the front board at the bottom of the opening which is a little ragged. INNER /EXTRASPICTURES: EXCELLENT++ (ALL 4 pictures are in top condition CLEAN AND UNMARKED with no creases and just MINIMAL handling wear)
POSTER: EXCELLENT+ (NICE AND CLEAN with NO rips tears splts along the seams and just VERY LIGHT handling and usage)
APPLE INNERS: EXCELLENT (CLEAN with NO rips or tears or writing, some light wear and a small tape repair on one bottom edge)
DETAILSEach song on the sprawling double album The Beatles is an entity to itself, as the band touches on anything and everything it can. This makes for a frustratingly scattershot record or a singularly gripping musical experience, depending on your view, but what makes the so-called White Album interesting is its mess.
Never before had a rock record been so self-reflective, or so ironic; the Beach Boys send-up "Back in the U.S.S.R." and the British blooze parody "Yer Blues" are delivered straight-faced, so it's never clear if these are affectionate tributes or wicked satires. Lennon turns in two of his best ballads with "Dear Prudence" and "Julia"; scours the Abbey Road vaults for the musique concrète collage "Revolution 9"; pours on the schmaltz for Ringo's closing number, "Good Night"; celebrates the Beatles cult with "Glass Onion"; and, with "Cry Baby Cry," rivals Syd Barrett.
McCartney doesn't reach quite as far, yet his songs are stunning -- the music hall romp "Honey Pie," the mock country of "Rocky Raccoon," the ska-inflected "Ob-La-Di, Ob-La-Da," and the proto-metal roar of "Helter Skelter." Clearly, the Beatles' two main songwriting forces were no longer on the same page, but neither were George and Ringo. Harrison still had just two songs per LP, but it's clear from "While My Guitar Gently Weeps," the canned soul of "Savoy Truffle," the haunting "Long, Long, Long," and even the silly "Piggies" that he had developed into a songwriter who deserved wider exposure.
And Ringo turns in a delight with his first original, the lumbering country-carnival stomp "Don't Pass Me By." None of it sounds like it was meant to share album space together, but somehow The Beatles creates its own style and sound through its mess.
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